laitimes

Feng Zhe: A thick and sad silhouette

author:Sensen Old Film Pictorial
Feng Zhe: A thick and sad silhouette

Male star silhouette two

Feng Zhe joined Shanghai Cathay Pictures in 1946 and began a film career.

In 1947, he co-starred with Chen Yanyan in "Dragon and Phoenix Flower Candle". Judging from the plot summary, Feng Zhe seems to be playing two roles by one person, one is the heroine's husband who died early, and the other is a young man with a face that resembles a dead husband.

Feng Zhe: A thick and sad silhouette

Dragon and Phoenix Candle

This year, Chen Yanyan was 31 years old and Feng Zhe was 27 years old.

At this time, Chen Yanyan had a graceful beauty.

Feng Zhe, 27 years old, is young and clean. Silhouette eyebrow clear eye show.

Feng Zhe: A thick and sad silhouette

The Way to Love

In Hong Kong in 1949, Feng Zhe collaborated with Shu Xiuwen on The Way of Love.

At this time, Shu Xiuwen was 34 years old and Feng Zhe was 29 years old.

Judging from the stills, there is a trace of sister-brother love.

Compared with Shu Xiuwen's enthusiasm and cheerfulness, Feng Zhe's silhouette exudes a gentle and loyal atmosphere.

From the side of his face, Feng Zhe's facial features are handsome and atmospheric. Note that it is handsome and not delicate.

Feng Zhe: A thick and sad silhouette

Too delicate facial features such as white clouds, there are more windy and gentlemen, Feng Zhe does not.

The 29-year-old Feng Zhe faded away early and appeared stable and reliable.

Feng Zhe: A thick and sad silhouette

"Winter to Spring"

In 1950, still in Hong Kong, Feng Zhe co-starred with superstar Li Lihua in "Winter to Spring".

This year, Li Lihua fangling was 26 years old, and Feng Zhe was 30 years old.

This seems to be Feng Zhe's first time playing a rural youth, and from the perspective of style, it is still a loyal and gentle type.

Shaved into a small flat head, the side of the face, smile hearty and thick.

Feng Zhe's good looks are honest people's good looks, and they have nothing to do with the words "flowing," shrewd, and uninhibited.

Therefore, he played a rural youth without the slightest sense of violation.

Feng Zhe: A thick and sad silhouette

"Victory Reunion"

In 1951, Feng Zhe returned to China and filmed "Victory Reunion" in Shangying.

This time it was rural youth. It is nothing but the rural youth who participated in the revolution.

In the first still, Feng Zhe, wearing a military uniform, was with the children, and his slightly bowed face was still a thick and warm expression.

Feng Zhe: A thick and sad silhouette

The second still, dressed in a military uniform, reunites with the heroine Shu Shu, and the silhouette is a little more heroic.

In this film, Feng Zhe plays an ordinary soldier, and his temperament is biased towards simplicity and courage.

The 31-year-old Feng Zhe plays a young man in his early twenties, full of vitality.

Feng Zhe: A thick and sad silhouette

This is an archival photo taken by Feng Zhe in the early 1950s.

Feng Zhe, who was in his early thirties, half-turned his face, his handsome features with fresh short hair, and a stable and bright smile.

Feng Zhe: A thick and sad silhouette

At that time, he and Zhang Guangru were married not long ago, and the relationship between husband and wife was still relatively harmonious, and joining Shangying meant becoming a literary and artistic worker in New China. His stretched state of mind is visible through the lens.

Feng Zhe: A thick and sad silhouette

"Southern Expedition and Northern War"

In 1952, Feng Zhe played the high battalion commander in "Southern Expedition and Northern War", and rubbed more perseverance into his mellow temperament.

Feng Zhe: A thick and sad silhouette

Railway Guerrilla

In 1956, Feng Zhe played the wise and experienced political commissar in "Railway Guerrilla", playing the role of the main backbone in the play.

Since then, he has quietly completed the transformation on the screen of new China.

The officer and political commissar he plays are self-contained and highly iconic.

It can be said that there is courage and strategy, and rigidity and softness are combined.

Feng Zhe: A thick and sad silhouette

In 1957, Feng Zhe and Di Fan co-starred in the anti-special film "Yangcheng Dark Whistle".

This year, Feng Zhe was 37 years old, and Di Fan was the same age as him.

This still on the cover of "Movie Story" does not seem to have been seen in the movie. The scouts who had penetrated into the enemy had never shown such admiration to Hachigu. It is estimated that it is a still filmed separately.

Feng Zhe: A thick and sad silhouette

"Yangcheng Dark Sentinel"

Later, I remembered that it was intercepted from a love scene performed by the scout and the eight girls to the maid.

The silhouette of the 37-year-old Feng Zhe is still warm as jade and stable as a mountain.

Feng Zhe: A thick and sad silhouette

The second still: Bagu likes the scout and is teasing.

In addition to the investigator's false and vicious snake, qi Yu Xuan ang, there is still a little bit of a gentleman's momentum.

However, he couldn't really do anything with The Eight Gu (the audience wouldn't agree), and the pinch in the middle was quite a kung fu.

Judging from this silhouette, The Eight Sisters are tender like water, the investigators are alert, capable, tall and masculine, and extremely charming.

If the charm is not enough, how can the female agent fall in love?

Feng Zhe: A thick and sad silhouette

Compared with the hardcore xiaosheng Wang Xingang, Yu Yang and Pang Xueqin in the same period, in addition to being more mature and stable in age, Feng Zhe's confucian elegance is indeed unique.

Feng Zhe: A thick and sad silhouette

"Jinsha Riverside"

In 1963, at the age of 43, Feng Zhe played the role of an instructor in "On the Banks of the Jinsha River".

At this time, because of some inexplicable things, he has been transferred to Eying. Mood is naturally affected.

Perhaps because of the makeup style, Feng Zhe in "Jinsha Riverside" adds a bit of vicissitudes.

Feng Zhe: A thick and sad silhouette

Feng Zhe's gentle and gentle demeanor makes this instructor image quite humane. Although human touch was a very taboo word in movies at that time.

Feng Zhe: A thick and sad silhouette

This photograph is a portrait of Feng Zhe in middle age, the specific time is unknown.

Compared with the spirit when he first entered the shadow, Feng Zhe's silhouette at this time appeared more stable, calm, and slightly melancholy.

The helplessness and humility hidden in this silence make his silhouette have an indescribable sadness.

The circumstances of life are clearly there.

In the late 1950s, his wife resolutely applied to be transferred back to Chengdu to perform Sichuan opera, and the husband and wife separated. Later, because of some inexplicable reports, Feng Zhe was demoted and transferred to Eying. Although they were in Chengdu together, the husband and wife lost harmony and still lived separately.

Feng Zhe: A thick and sad silhouette

From 1960 to 1962, Feng Zhe did not make any films for three years.

In 1963, in addition to starring in "Jinsha Riverside", Feng Zhe was also seconded to Xi'an Factory to co-perform "Peach Blossom Fan" with Wang Danfeng.

The 43-year-old Feng Zhe and the 39-year-old Wang Danfeng jointly interpreted the tragic feelings of the talented and beautiful people.

Feng Zhe rarely showed the elegant charm of his classical dress.

Feng Zhe: A thick and sad silhouette

Peach Blossom Fan

Newlywed Yan'er, the gentle as a jade prince, the silhouette of Shu Lang and Qing Jun, like a jade tree linfeng.

At the moment of farewell, in the face of Li Xiangjun's lingering complaints, he used the silhouette of pain, regret and helplessness to outline the complex mentality of a generation of celebrities.

Feng Zhe: A thick and sad silhouette

The audience regrets, but they can't hate him, who let him be Feng Zhe!

This is the last film that Feng Zhe starred in.

Feng Zhe: A thick and sad silhouette

On June 2, 1969, Feng Zhe's life was forever fixed at the age of 48.

The cause of death is a mystery.

Since then, there has been no Feng Zhe in the world.

There is no such a good actor with a unique temperament.

There is no such good-looking honest man.

His handsome, gentle, gritty, masculine silhouette will always remain on the screen.

Engraved in the hearts of fans.

Time is running out.

Affectionate.

It's hard to be fair.

Feng Zhe: A thick and sad silhouette

What is your favorite movie about Feng Zhe?

Read on