The characteristics of the pen are mainly good at forming a flowing and super momentum and a calm and painful style in the front side, leaning back, turning, and setbacks.
Mi Fu "Leave a Brief Post", a book on paper
Length 31.7 cm Width 39.7 cm
From the Princeton University Museum of Art
The beginning of the word is often quite heavy, slightly lighter in the middle, and when it encounters a turn, the pen is raised and the side of the pen is turned straight down. There are also many variations in the pen, the focus of the next pen is sometimes in the beginning, sometimes in the pen, sometimes in the middle of a stroke, for the longer horizontal painting there are twists and turns. Ticks are also distinctive.
In the calligraphy of Mi Fu, there is often a sideways posture, wanting to be left first right, wanting to promote first and suppressing first, all in order to increase the ups and downs of the style, the spirit of flying fast, with decades of collection of ancient characters as the premise, so out of naïve nature, never pretentious.
Those who learn rice, even those who are close to the water tower, can not avoid losing "hardship". Since the Song Dynasty and the Yuan Dynasty, on the Mi Fu Fa Shu, it can probably be divided into two attitudes: one is praise and not depreciation, and the promotion is very high; the other is that there are praise and depreciation, and most of the components of praise. Those who hold the first attitude can be represented by Su Shi. Emphasize the need to strictly distinguish the difference between the two in terms of temperament and interest" (Ruan Pu, "Su Shi's Literati Painting View Debate"). His so-called "new ideas in the law, sending magic reasons outside the extravagant", "in line with heavenly creation, disgusted with people's expectations", etc., are all required to paint according to the traditional standards of attainment, skill, and grammar. Simply put, it's the old tradition, the new fun.
Mi Fu, who is also the ancestor of Wen Into Painting, disdains such a reconciliation, and Mi Fu's success lies in achieving his recognized literary taste through a certain ink drama attitude and motif choice. Mi Fu realized that the purpose of changing traditional painting procedures and technical standards to achieve new interests.
Mi Fu calls himself "brushing words", And Mingli is humble and practical to the essence, "brushing words", reflecting that he uses his pen quickly and vigorously, and does his best. His calligraphy works, from large poems to small rulers and inscriptions, have the characteristics of being happy and vivid, changing and changing, and being strong and fresh. Judging from the nearly sixty handwritings of rice in the world, the word "brush" is vividly expressing the charm of the rice character.
Commentary: The first goodbye of The Dragon. Before leaving Jane away, I can't see it, and I am sorry for it now. Insults know that the luggage has arrived. Occasionally, Lin Xian patrolled the calendar, and both avoided it and told the family. Or the canal has not arrived, and the emergency boat is also secondary. Food is as good as life. He did it one by one. To the guest grass. Head of the dragon.