For Qingwen's ending, readers are generally more distressed. Why did such a bright and outstanding woman end up with such an ending?
Of course, there are many reasons, the most fundamental one, the destruction of women in that era, that system, and that environment, there is no denying it.
But in addition, the specific problems are analyzed specifically, and the relationship between Qingwen's tragic ending and her own personality is also undeniable.
In particular, Qingwen's "big market" is a typical "high open low walk", and her original advantages are that Musk Moon, Qiu Wen, and Bi Trace do not have at all - but these endings are not bad, but they are beyond the reach of Xiaohong and Xing Xianyan - but their endings are incomparable to Qingwen.
There is the identity of "aunt" designated by Jia Mu's acquiescence, the special favor of Baoyu's unlimited blessings, the amazing appearance of the heavenly people, and the exquisite craftsmanship that overwhelms the whole city - this is simply the grand slam of the champions.
However, just as no matter how luxurious the family property can not stand the "bad", likewise, how obvious the advantage can not withstand the "work"!
Let's take a closer look.
Qingwen's advantages and confidence mainly come from the two platforms of Jia Mu and Bao Yu. In general, under normal circumstances, if a person has comparative advantages and strength because he is on a certain platform, he should continue to consolidate the connection with the platform and expand the connotation and extension of the platform, rather than overestimating his own strength because of this platform and acting arbitrarily.
And what do we see in Qingwen?
Her sense of crisis seems to be particularly poor, thinking that there is a single scene, a single channel, and that there is "eggs in one basket" and that everything will be fine, and that "everyone is in one place" (the seventy-seventh time).
This led to her following behavior:
Her biggest confidence and backstage is Jia Mu's designation, but throughout the text we do not see any intersection between her and Jia Mu - even if there is a dialogue or even a meeting, a simultaneous appearance, only when the big difficulty comes to think of "I was originally the person with the old lady" (the seventy-fourth time).
If she and Jia Mu maintained relatively intensive communication, even if the old ancestor was no longer in charge, but when she heard that Qingwen was expelled, she would not simply say "Who knows what has changed" (the seventy-eighth time) and pass, at least to ask the truth, then Qingwen's life may still be saved.
For the original power can be so slow and slack, let alone expand the platform - compared to the scene where the attackers often circle in front of Madame Wang, this is a world of difference.
For another platform, Baoyu, she is the same.
Except for that time of repairing clothes, we don't see that she cares about Baoyu from life like an attacker, smokes Baoyu from her mind (although the effect is not good, similar to the result of Baochao's persuasion), and often holds Baoyu in a very euphemistic way. She only has pampering and arrogance towards Baoyu, only one fool and one trick, and some things that impact the bottom line - such as "tearing fans". Even if there are a few nostalgia for Baoyu, it is expressed in a straight-forward way of "touching the dead and not going out of this door" (the thirty-first time) - in fact, this emotion is real, but unfortunately the way is too low-grade.
Her understanding of Baoyu is also flawed. She never seems to observe and think: Baoyu's love and protection for girls lacks "backhand"—that is, he can't make up for the sky, put out fires, and wipe his ass when things come out. When a girl is in danger because of him, he is an iceberg under the sun, either turning around and running away, or burning a few sticks of incense, at best, writing some nostalgia articles.
There is also the lack of skill updates. Others are constantly improving their skills, the most typical is to attack people, constantly observe the hopes of those in the upper position, constantly adapt to the requirements of the upper person, and adjust, update, and develop some new things accordingly, always make the upper person feel "the benefit of the child" (the thirty-sixth time).
And Qingwen only guarded her own two things, one was the external appearance of the heavenly people, and the other was the exquisite craftsmanship that overwhelmed the whole city. However, let's not say that the appearance value cannot last forever and will age, and under certain conditions and certain cognition, the high value of the face will also be transformed into a negative perception - "who to show this light and crazy appearance every day" (the seventy-fourth time).
As for the craft, let alone the possibility of others gradually mastering and improving, if not upgraded, it is difficult to become a monopoly, scarce resource existence, and her craft seems to be a "firefighting" nature, can be used when not much, a moment may be breathtaking, but after that, it is far less than pingsu can last useful things have a sense of existence - partial plain she does not do anything easily, often similar to the "only sitting around the cage" (the fifty-first time) style of painting.
The most obvious problem with Qingwen is that she enters the role of "aunt" in advance as a "order" (the seventy-seventh time) who is not the most advanced maid — it is like a bird that was originally flying in the sky, but first became a dish on her plate.
Not to mention modesty and prudence, she could not forget for a moment to "show" her sense of superiority, showing her special status as a "first-class person" (the seventy-seventh time), from behavior to language:
Sitting on the smoke cage and not working- Musk Yue's sentence "You don't pretend to be a lady today, I advise you to move too" (the fifty-first time) can make people think that this situation of "some immobility" (the eighty-third time) is the norm - even if it is, it is also deliberately emphasized that "if you have a day, I will receive a day" (the fifty-first time); if you do not contact Madame Wang, you will mock Madame Wang's reward to others; and then you lose your temper and often shake Baoyu.
Let's not say that she was an "aunt" who had made an empty promise, and the aunts of the zhengpai aunt Lao Zhao and Lao Zhou did not dare to do so--Aunt Zhao was a little crazy, but she did not dare to speak rashly about Jia Zheng and Lady Wang, and Qingwen not only feared Baoyu, but also took care of the two potential "second grandmothers"; the old lady's confidant, the "golden aunt" whom the "big old man" wanted by name (although I did not want to), mandarin duck did not dare to do so, and Lady Wang explicitly ordered the salary treatment first, and Dai Yu called "sister-in-law" the attackers did not dare to do so.
In addition, the "ultra vires dismissal" that is often talked about is actually a manifestation of this kind of bone that takes himself as the master, so "how to endure this tone" (the fifty-second time). By the way, even if you really become an aunt, is it considered a master? Is there any authority to deal with personnel issues? I'm afraid not, let's not talk about Fang Guan's words "Mei Xiang Bai Zi - all are slaves" (the sixtieth time), at least we did not see that Zhao Tuesday's aunt had a record of expulsion, and Ping'er proposed that the silent expulsion of Xia'er was not as a "person in the house", but on behalf of Sister Feng - so we saw clearly, handling personnel affairs, this is what the legitimate aunt has no right to do, and Qingwen, the "suspected aunt", did it.
If none of this is called "doing", I am afraid that there will be no such thing as "not doing and not dying".
The last problem was to strike on all sides, and there were almost no people she didn't bother with. Almost no one said a word (except for Feng Jie's jealous income), let her be sick for a few days of isolation (in recent years we especially understand the importance of this issue), she complained; the noble guests in the house + potential Bao Er grandmother chose Bao Chai to visit the door, she complained; the old ancestor's palm pearl + almost ready to come out of the Bao Er grandmother chose Dai Yu to knock on the door, she shrugged back; Madame Wang rewarded others with a few money, she mocked.
Many times, her words were stifled in the other party's fatal taboos, so that the other party could not come to the stage to the extreme--such as the raider "sneaky things, but also hide from me" (the thirty-first time), such as Musk Yue", "before the cup was eaten, it was on the head" (the twentieth time), such as Bi Chen's "bath for two or three hours" (the thirty-first time)—these times are also related to Baoyu. Sometimes, just to show his prestige, Hu Tianhu and no target, such as a few words of Xiaohong, the result is that the clever little girl is dumbfounded, and in vain offends Lin Zhixiao's two sons.
Having a platform would have been a good thing, but if you vaguely recognize, think that you are one with the platform or even yourself is a platform, and then ignore the understanding, reinforcement, expansion, and upgrading of the original platform, the platform is ultimately a castle in the air; some skills, originally a good thing, but if you sit and eat the old book, retard, the knives and guns in the warehouse will sooner or later have a rusty day; simple, spontaneous, it would have been a good thing, but if there is no time and space, there is no taboo, things will turn to the opposite, and the day of the catastrophe will be near - This is a few points of our reflection on how Qingwen went from a good hand to a full hand of losses, dear Cao Gong, are you right?
Author: Wind and Rain Autumn Window, this article is to read less of the original works of the Red Chamber.