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Ma Zeping: The railroad tracks on the balcony | poet of his choice

Editor's Note On January 31, 2021, the Fourth National Member Congress of the Chinese Poetry Society was successfully held, and 170 people were elected as members of the Fourth Council of the Chinese Poetry Society. This WeChat public account will select the selected poems of directors and members on the basis of merit for the benefit of readers.

Ma Zeping: The railroad tracks on the balcony | poet of his choice

Ma Zeping, Hui, 80 years later, Ningxia Tongxin people. He is a member of the Chinese Writers Association, a director of the Chinese Poetry Society, a student of the 31st Ethnic Minority Writers Advanced Study Class (Poetry Class) of Lu Xun Literature Institute, and participated in the 35th Youth Poetry Conference of the Poetry Journal. His works have been scattered in publications and newspapers such as "Poetry Journal", "Stars", "Ethnic Literature", "Caotang", "Poetry Tide", "Han Poetry", "Yangtze River Poetry Journal" and other periodicals and annual anthologies, and he has authored the poetry collection "Joyful Song".

Railroad tracks on the balcony

Ma Zeping

I want to go to Xiangshan Park to see the autumn leaves

I want to go to Xiangshan to see the autumn leaves, and I want to see the sunset underneath

A chic side of the city

Autumn leaves spread over the hillside

To the heights, to the depths, to the junction of the peaks and the firmament

Spread out. As if this were autumn

Vast and secluded

But there was still moderation

The branches set off the autumn leaves, like a torch dotted with stars

In the traffic and the sound of people

Leave blank

I want to sit between the layer of fallen autumn leaves and the floating soil

Untie your laces at a leisurely pace

Give a note to sleepy city life

Remove the shackles of meaning and concentrate

Be a reckless idler

Meditate without distraction

Sink into the hidden veins of a red leaf

No matter how much noise there is around

At the moment also

Only the flow of time can be heard—the intriguing silence

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A letter to a neighbor

I want to write at the beginning: Dear neighbor so-and-so

I want to send the letter to the inverted pier

It doesn't matter, but I just want to tell you

It's already winter, and there's been a snowfall. Maybe I can't go back anytime soon

I had candles and tea sets in my bedroom in Beijing

In case of a power outage

The giant thorn hanging in the heart

It also occasionally causes palpitations

The secrets were getting more and more, and I took them

Store it on a hard drive given by a friend

I'm going to have my first child on earth

I'm going to name it from or to it

So-and-so neighbor. Probably I'll be for a long time

Lost messages

Maybe you'll exhort that this is okay

Alone

Nor is it a terrible thing

Just free time

Think about the past or tomorrow

Am I mature? Why is there still mud and ash on the clothes

Can I just be a stubborn stone?

Stubborn, hard, holding nature gives me the way I am

Allow me not to mention sad things

The candles are clear, and the river nurtures us from generation to generation

No matter how many blocks there are, they will eventually be diluted by time

Dear neighbor, remember to help me pull out the weeds on the ground

Tidy up

I'll have to go back at some point

I will use it to plant what I love dearly

Grapes and tomatoes

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Ma Zeping: The railroad tracks on the balcony | poet of his choice

Photo by Liu Jiangmei

I want to move all the houses to the river

I want to save stone, cement, wood and craftsmen

Sent back to the empty mountain, the mother of all things

I want to keep only one house

There was only an old rattan chair on the empty balcony

I guess it only has a name

Content is reserved for later visitors who are looking for our trail

There was only one house, standing alone

Floating on the vast river

How turbulent or calm the water flow is

There will be good weather in my house on the river

That's when the old rattan chair comes in handy

I'm going to lie down, peel rice dumplings, and eat sweets

You only have one waterway to see me, and you only have a quarter of an hour

Float on the surface of the water

At this time, I have to stop all the work in my hands

Sniff the pine resin hanging from your shirt

superfluous

Without plums in winter, snow is superfluous

If the snow breaks the mountains

The trail of beasts is superfluous

People die like lights go out. There is no sorrow or joy in coming

Worry is superfluous

After the rain

After the rain, the Wenga pasture, the mountains and grasses are hidden in the depths of the morning fog

A few horses along the soothing slopes

Nibble on grass seeds and occasionally look up—the white clouds are fresh and distant

I reclined against the railing and smoked

Imagine the ranch's night, the stars and the river

I'm glad I was still young

Passing through here (before eternal death comes.)

Which day is not a passing path? )

I should write it down

This is a rare moment of silence

As if on the prairie

Rain and sunny days are ready for me

Write or scribe

It seems that every grain has been imprisoned by life for a long time

The salt of the language

All are returning, slowly, returning to the world to light up my original heart

The first rays of light

Now, I just have to close my eyes

Let yourself grow into a grass

A Kelsang flower, a brass vessel, a comb

For yourself to grasp

Also for yourself a little familiarity

I was shaped by the earth and the starry sky in my imagination

Atrial tranquility

I could almost hear it, on the wooden floor every time

Slight rattle

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Ma Zeping: The railroad tracks on the balcony | poet of his choice

Think of a woman who loves to climb mountains

Which mountain do you come back from in the evening, temples and monks, can a few gray pigeons fly overhead?

Did the soles get weeds and mud?

I've also thought about doing a few things with you, secretly and implicitly

It seems to be love, and it seems to be nothing.

Thought of by a mural

I haven't taken a train in a long time

Those villages in the drizzle

And the dead vines have been precipitated. Like capillaries

Blood that transports memories

Feed my tired body

It also helped me get out of the trap of thinking

I haven't been carefully for a long time

Observe a mural

It could be a fierce horse, or it could be a coat

But now, I'm awake

It's the green train in the drizzle

The whistle sounded urgently

Break through the night

Arrive in Hohhot in the morning light

Probably I didn't have much chance to decipher it

The hidden relationship between them

Trains, horses, and beige coats

At least at some point in time

They are isolated from each other

Like my drunken mood last night

Heidegger said that phenomena are essences. But that won't be the only one

Interpretation seems redundant

How much I would like to have it if possible

Every train is cloaked in beige

Ma Zeping: The railroad tracks on the balcony | poet of his choice

Late homecoming

Mom, every path I'm familiar with

Couldn't get back to our home

The metro station and overpass I passed

Every street lamp

Many stories have been lit up

But it has nothing to do with us

Mom, I've been walking

On the way home

Only tonight, very suddenly

Want to make a phone call

A building that I can call a name for

Point it out to you

Mom, now I'm grown up

Never want you to worry again

I've searched for countless words

It's just not a pronunciation

Be able to accurately express my guilt

They have grown

A few thorns that are difficult to remove

But Mom, I need torches

Incinerate prejudice and mustard

How do I write your name well?

Mom, when I

Very suddenly I want to tell you what is on my mind

- Dedicated to Paz

When the daisies on the balcony once again ushered in the dawn

I thought I had found the answer.

These irregular geometries and colors

Hand an olive branch to the autumn wind.

The railroad tracks I imagined came, inch by inch

Wedge into the throat of a solitary

They pass through tunnels and prop up the giant iron curtain of death

Give me the opportunity to be close to you, the Sun Stone.

They are the roars created by countless birds at the same time

Another flap spreads out naturally

And eventually intertwine at some point in your control

"Looking for a living date". *

Now, I will have the same October as you, the same confusion

I live here alone

The roar and impact were my elderly neighbors

I am the broken part of the tracks

Greedily ask for rain, food and love poems

I named each territory:

Mexico City. I've been here all my life

Plant daisies one after another

They never wither

Like the first time I read you, every character is a wedge.

I decided to unload the heavy flesh

Remove ears and fingers, remove the ability to love

Willingly accept enslavement

Spread all the rails through the balcony towards you.

I had to try forging an iron nail

Feed the edge with sperm blood

- Except for you at five o'clock in the afternoon

No one deserves to break into my lonely territory.

Note: * Partly quoted from Paz's Sun Stone.

Ma Zeping: The railroad tracks on the balcony | poet of his choice

Fourteen lines written for Fei Bai

I used a morning to tidy up my bedroom

I'll have to replenish it before dark

Items that need to be added

Wooden trellises, quilts, and several local chronicles.

I was aware of myself

It is also trapped in the whirlpool brewed earlier

Sickly flesh is like a storm thrown into a great wave

A lonely boat.

The night was still very long, and I often wondered, my friend

What you get tired of first

I was once alone

Sit alone deep in the mountains and watch the sunset sweep over the buckwheat fields and fall towards your city.

I seemed to wake up in an instant

The sunset, like us, has a sadness that wants to stop talking.

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