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The history of the development of landscape painting for thousands of years has basically formed a relatively complete coloring method with Chinese characteristics, such as green coloring method, light coloring method and so on. The coloring procedures and steps of landscape paintings that have been inherited by successive generations of painters are now regarded as the coloring of traditional landscape paintings. Because of the completeness of the technique, it has been imitated by successive generations of painters and gradually improved.
Part I: Green and Green Coloring
This traditional coloring method relies on color laying blends. Characteristics of the system is strict, the paint is heavy. The ink bone is not obvious for the big green, the person who fills the gold bottom with the gold line is the golden landscape, and the person who presents a certain pen and ink interest is the small green. The main materials are stone table, stone green, cinnabar, ochre and so on. The green landscape developed in the Tang and Song dynasties, represented by the generals Da Li and Xiao Li (Li Sixun, Li Zhaodao).
First, the basic requirements for hooking
1. More hooks and less wrinkles;
2. Bone method with a pen, the hook line should have strength;
3. Calligraphy can be used for pen press, turning, and square circles;
4. The layout of mountain stones adopts the stacking method of "front line pressing back line" and the layout method of "primary and secondary aggregation and dispersion, and the size of the phase";
5. Dye the concave surface of the mountain stone with a small amount of light ink to show a three-dimensional sense.
Second, the coloring method
1. Flat coating method: there are two kinds of base color and turquoise flat coating. First use the ochre color to flat coat the mountain stone, which is called the base color, the color should be thin, can not cover the ink line; after drying, then use the stone blue or stone green flat coating mountain stone, from the top of the mountain stone downward coloring, the mountain stone root left the background color and with a clear water pen to blend, eliminate the stone blue (stone green) color pen marks, and coincide with the righteous brave color, pay attention not to cover the ink line.
2. Accumulation dyeing method: the first time to play the base color (ochre or juice green); the second time to stone green; the third time to stone blue, so that the coloring method is called accumulation dyeing method, and the last coloring should be reminded of a small area. Don't be anxious every time you color, pile up thick colors at once. Keep the color thin and pure. In the end, the effect of accumulation of dyeing can achieve beautiful color.
The overall color effect of mountain stone is divided into main colors, harmonic colors and contrasting colors. The coloring of the main color is larger, followed by the harmonic color, and the contrast color area is smaller. For example, the main color is three greens (cool tones), the harmonic color can be green flavored blue, and the contrast color can be cinnabar (warm tone), lined with a small amount of blue and blue. Increase its contrast effect.
3. Color filling method: intentionally leave a hook line, there is a decorative effect color to be simple, to be calm, slightly thicker, sometimes a small amount of pressed hook line, or a small amount of exposed base color, which shows the mottled effect of knife carving. The step is to first blue the background color, then the main color, and then the overall filling. It is mostly used for leaf-clamping, smaller mountain stone point scenes.
4. Hood dyeing method: The accumulation dyeing method is to strengthen the sense of thickness, and the hood dyeing method is to prevent the fire gas, fresh jumping and not soft of stone green and stone green, and the basic hood dyeing water juice color (plant quality, transparent color), after the hood dyeing will produce a fresh, clear and coordinated effect. Stone blue, stone green, cinnabar, cinnabar, cinnabar, ochre can be covered with garcinia, earth yellow, flower blue, juice green and other plant color. After the base color is dried during hood dyeing, the large pen sequence cannot be repeated.
5. Drying and dyeing method: wet the paper, coloring without revealing handwriting, soft edges, commonly used to dye large area color blocks, color should not be too dry, appropriate moisture, the pen can be pulled apart. Such as dyeing the sky, clouds, water surface, large areas of mountain stones, painting snow scenery baking the space outside the outline of mountain stones, etc., are of wide use.
6. Back dyeing method: Due to insufficient background color, it can be colored on the back of the paper, and the bright color of the main color of the front can be saved. Stone green can be dyed with flower blue or cinnabar on the back, cinnabar can be dyed with thick and light ink in the north, stone green can be dyed with juice green and light ink on the back, and can also be dyed with earth yellow, ochre and red back dyeing. Back dye enriches tones and adds thickness and charm.
7. Post-dyeing method: On the basis of the original green mountain stone, in order to enhance the three-dimensional sense, the concave surface of the mountain stone can be added to the wrinkle method, so that the sense of pen and ink and thickness are displayed vertically.
8. Boneless coloring method: do not use ink lines to outline the mountain stone structure, and use color blocks such as stone blue and stone green to express the shape and potential of mountain stone. steps:
(1) Use very light ink to outline the relationship between the rough mountain stones and the position of the trees.
(2) The base color is divided into yin and yang.
(3) Stone green and stone green are separated from the front and back, and the virtual reality.
(4) A small number of lines in the local area, dotted with moss, double hook trees, rendering clouds, etc.
9. Color drawing method: use color instead of ink to outline mountain stones, and green mountain stones can be used to hook lines with flower cyan. Stone blue mountain stone can be used with gold (yellow) hook lines. In short, the color of the hook line is heavier than the color of the mountain stone, and sometimes it is different from the color of the mountain stone, forming a contrast between light color and stone color, and has a strong decorative effect.
Third, large green and small green
1. Big green: the color is heavy to the stone blue, stone green mainly. The pen and ink are concise, the depiction is neat, the hook is the mainstay, there are few mountains, the ink dyeing should not be more, the effect is graceful and luxurious, and the brilliance is brilliant. The golden landscape is a large green, with a gold hook line, more magnificent.
2. Small green: there are ink and ink pastel on the basis of stone blue, stone green. The color is required to be crisp and thin, intended to be between work and writing. Based on ink painting, the penmanship can be complicated or simplified with great flexibility. Stone green, stone green should be gentle and moist, can be used flower green foundation, grass green bottom paving. It can also be directly on the dark green and light green made of stone blue, stone green or yellow + blue without a base.
Fourth, what problems should be paid attention to in the green and green method coloring
1. Coloring many times, can not be anxious, the reverse color has turbidity, rather slow than urgent, color concentration is appropriate.
2. Play the base color of the foot, sometimes the local base color, such as the root of the mountain stone. The large turquoise background color can be slightly thicker, and the small turquoise background color can be lighter and wet.
3. Big green coloring, due to the strong color, there is a covering force, can reveal the hook pen line, can not be covered by the line.
4. The color should be clear, thick and moist.
5. The color should have the main tone, and the color and color should have echo, contrast, cold and warm, thick and light, thick and thin, etc.
6. Green coloring taboo, fire, glare, can be used to cover it with light ochre. Once not again, it is not possible to cover it again. Do not fade the ink cover.
7. Five generations of Jing Hao said: Red between yellow autumn leaves fall, red between green flowers clustered, blue between purple is not as good as death, pink cage yellow wins the glory.
8. Color painting method, flexible use. Qing Zhengji said: The color of landscapes and rivers varies... The spring scenery is shady and ochre, and the grass is green. Summer scenery is pure green, pure ink is suitable or green ink, but also see green. In the autumn scenery, the ink is not in the mountain stone, and the green is in the ochre without the back of the mountain. In the winter, the ochre ink is yin, the distant mountains are white, and the white snow is passed through with scorched ink.
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