Landscape diagram Wang Zhirui Vertical axis Ink pen on paper 79 cm width 52 cm Collection of the Palace Museum in Beijing
Wang Zhirui, born and died unknown, was a painter of the early Qing Dynasty. Zi Wurui, a native of Xiuning (present-day Anhui). He first learned to paint from Li Yongchang. Gongshu, good at landscape and water. Hanging elbow center, using thirsty pen scorched ink, more than a hemp, lotus leaf, for his hometown of Huangshan Mountain Stone Ofs. Love to be the back of the mountain, happy to the end of the pen, such as the wind and rain suddenly arrived, instantly count the paper. Together with Hongren, Sun Yi, and Cha Shibiao, he is the four masters of the Xin'an Sect (i.e., the four families of Haiyang). His works include "Writing Landscape Maps for Thousands of People", "Poetic Intentions of The Void Pavilion", and "Xiting Naqiu Tu". The author of the picture uses thirsty pen and scorched ink to paint distant mountains and forests, small bridges and flowing water, the mountain stones are unstained, and the painting style is close to Huang Gongwang. Self-titled "Ugly (1649) Summer and May, painting like a thousand old brothers, When Yu Yu Yu Yu, I don't feel that there is a parting atmosphere in my pen, Rui Zhi."
Landscape Drawing Skull Fragment Roll Paper Wood Ink Pale Color Horizontal 76.2 cm Length 37.5 cm (US) Collection of the Cleveland Museum of Art
This painting method seems to be from Wang Meng of the Yuan Dynasty, the thickness of the pen is sparse, the ink is thick and dry, and it can take off the traces of the pen and prepare for extreme changes; and then slightly apply light color, the picture presents a clear and soft scenery of light and shadow. The landscaping is particularly strange and mysterious, the Burmese is deep and unexpected, and the appearance of the mountains and rivers can not be distorted, which makes the viewer fascinated, which is a masterpiece.
Landscape Diagram Skull Fragment Album Page Paper Wood Ink Color Length 37.5 cm Width 76.2 cm Collection of the National Palace Museum in Taipei, China
This picture is heavily stacked with pine trees, dense shade, and its lower pavilion houses are staggered, and two people overlook the railing. The left side of the painting is empty and vast, so as to show the vastness of the water surface, so that the picture is smooth. The composition and layout is unique, the pen is vigorous and old, and the painting environment has a quiet atmosphere.
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Landscape Diagram Skull Fragment Album Page Ink on Paper Color Length 37.5 cm Width 76.2 cm Collection of the National Palace Museum in Taipei, China
It is a picture of two ancient trees, with lush branches and leaves, a hut under the tree, surrounded by green bamboo and grass, and two people sitting on the ground and talking to each other in the house. The water is rushing and the sound of the stream. The line of sight is pushed far, the mountains are gentle outside, the water surface and the clouds meet each other, and the sky is endless. This painting is full of ink and momentum.
Landscape Diagram Fan Xi Album Silk Color Length 13.1 cm Width 22 cm Collection of Shanghai Museum
This book is high-spirited and solemn. Paint the mountain stone with a small axe to split, rendering light and clear. The figures are either far-reaching, or high and far-reaching, or flat, or surrounded by mountains and stones, or guests and hosts, or open ridges and nickel; water or weeping stone hidden springs, or cloud stream springs, pond pavilion corridors, flat four columns; river houses and pavilions, bell and drum towers, giant ships and river boats, the breath is like a sound. The summer scenery of rain and wet Jiangnan, the clouds steaming; the crab claws tangled, the mountains condensed, the idyllic winter scenery of the village; the spring scenery of peach blossoms, mountain stone Qiqi, drunken spring beads; the towering stone wall, the distant sail faint autumn scene. The paintings are all in line with the principles of nature, and they are ethereal and ethereal. Two pages are printed here.
Landscape Diagram Fan Xi Album On Paper Length 29 cm Width 23.5 cm Collection of Anhui Provincial Museum
This volume consists of six pages, and two pages are selected for printing, one of which writes that the boulder peaks are stacked on top of each other, the trees in the mountains are standing tall, the clouds and smoke are not scattered, and the streams are meandering and stretching. The second is to paint the waves of the river, the sails of fishing boats, the flat slopes of the mountains, the lush trees, the meandering and turning rapids of the streams, and the Maotai Pavilion looming. The painting is deep and quiet and beautiful.
Landscape drawing Gong Xian Fan face Ink on paper Collection of the National Palace Museum in Taipei, China
These two landscape fan paintings, when the author's elegant and elegant, ancient and steep works, the painter borrowed the Southern Song Dynasty's "half-sided" and "one corner" style of composition, painting particularly empty and empty. In particular, the painting methods of trees in the two close-up scenes, both horizontal point leaves and straight point leaves, as well as double hook dot leaves and round pen sparse point leaves, are uneven in height, cover up the momentum, thick and light, there is no similarity, it is the proud brush of the overall situation. As for the huts and small bridges and streams, they are even more charming.
Landscape Drawing Gao Cen Long Scroll On Paper Length 23.6 cm Width 137.2 cm Collection of the Palace Museum in Beijing
This figure of the mountain stone is outlined with a thick pen, thick ink dot moss, draped with hemp, unsoilable, folding belts, long wrinkles, short axes interlaced, belongs to Shen Zhou's thick pen will. Among them, the dense branches of the branches and leaves, the delicate lines of the house characters, and the light and elegant coloring have the meaning of Wen Zhengming. The picture embellishes the flat boats on the river and the babbling water, which adds a vivid atmosphere.
Landscape Drawing Wu Hong Fan-sided Illuminated Paper Ink 16.2 cm in length and 52.3 cm in width The Collection of the National Palace Museum in Taipei, China
Wu Hong, born and died unknown, was a painter of the early Qing Dynasty. Zi Yuandu, No. Zhu Shi, Jiangxi Jin Xi Huoren, Yu Jiangning (present-day Nanjing, Jiangsu). The poems are all exquisite. Young and good at painting things, self-pioneering. In the tenth year of Shunzhi (1653), he crossed the Yellow River and traveled to the Snow Garden, and returned to the pen and ink change, vertical and horizontal, and he was able to surprise himself with the strength of the family. Occasionally made of bamboo stone, there are also ink dripping. Together with Fan Qi, Zou Miao, Ye Xin, Hu Sex, Xie Sun, Gao Cen and Gong Xian, they are the eight families of Jinling. The heirlooms include "Tutu of Zhexi Caotang", "Landscape Map", "Water Pavilion Hospitality Map", and "Mountain Village Wood Pastoral Map". This painting faintly appears in the distance of the mountain, and the old tree pavilion of the mountain stone is nearby. Thousands of miles away, the sky is reckless. The rocks are outlined in square, stiff, straight lines with sharp edges. The law of chaffin is arbitrary, like chaotic firewood, axe splitting, square steep and thin. But the whole picture is well-packed and neat.
Landscape Drawing Zou Zheng Vertical Axis Silk Ink 211.5 cm Width 50.5 Collection of the Palace Museum in Beijing
This picture is a huge rock cliff, a deep stream of mixed trees, houses built on cliffs under pines, and mountain streams winding and winding. Simple and light, simple and clumsy.
Landscape Diagram Zou Zheng Book on Paper Color Length 33 cm Width 16.1 cm Collection of the Palace Museum in Beijing
Landscape Map Zou Zheng Book Silk Length 33 cm Width 29 Shenyang Museum Collection
The two pictures are the same scene, but the painter paints it at different times. The picture depicts a corner of the mountain range, dense jungle trees, winding paths in the forest, and lonely pagoda huts, hidden in between. The pen and ink are thick and strong, the colors are dull, and the solemn and vigorous. http://515060013.qzone.qq.com
Landscape Map Ye Xin Album Page On Paper Length 22.1 cm Width 16.5 cm Collection of the Palace Museum in Beijing
Ye Xin, date of birth and death unknown, painter of the early Qing Dynasty. The character Rongmu, a native of Yunjian (present-day Songjiang, Shanghai), lived in Jinling (Nanjing, Jiangsu). ShanShui, learn the Song Zhao Ling Rang Method, fu shi Ming Yao Yun zai. He has written "Broken Grass And Desolate Smoke Map" and "Lonely City Ancient Crossing Map", etc., and the style is faint. He once painted 100 pages of Tao Qian's poems for Zhou Lianggong, and used a pen to be cherished by the world. Together with Gong Xian, Fan Qi, Wu Hong, Hu Sex, Xie Sun, Gao Cen, Zou Miao, and the Eight Houses of Jinling. His surviving works include "Ishibian Sail Shadow Map", "Peach Blossom Bookstore Map", "Ge Hong Migration Map" and so on. Two pages have been selected for printing, one of which depicts a large mountain peak, a dense forest under the autumn, and a gentle beach on the wide Tingzhou, which makes the mountain appear a little majestic. Small bridges flowing water, ancient trees and branches, literati and scholars, enjoy themselves. The second is to write about the dense forest of the mountain, and the mountain path winds and twists straight up. The layout is sparse, concise and cheerful, and the realm is faint and remote.
Figure 3 depicts the mountains and hills, the trees and flowers, the houses and houses in the middle, the streams surround the mountains, the sparkling, the characters on the boats, and the dynamics of the gods. Figure 4 depicts the dense mountains of Chongluan, where old trees flourish, but there are monasteries hidden deeply, small bridges and pavilions, and streams of water. The brushwork is hard and rounded, and the scenery is neat and concise, unique.
Landscape Diagram Luo Mu Vertical Axis Ink Pen on Paper 212 cm Width 113 cm Collection of Shenyang Museum
Luo Mu (1622-1704), painter of the early Qing Dynasty. Word rice cattle, Jiangxi Ningdu people. He lives in Nanchang, Jiangxi. Good at painting landscapes, smiling and ethereal, between Huang Gongwang and Dong Qichang, he was taught by Wei Shi Bed, Lin Ren SenXiu, ink qi, quite charming, sometimes called wonderful products. Jiang and Huaijian were the founders of the Jiangxi School. Generous personality, heavy friendship. Be friendly with Xu Yuxi. His surviving works include "Qiulin Gaoxiu Tu", "Ink Pen Landscape Map", and "Lin Shan Xiao Shu Tu". The painting is lined with peaks, peaks, springs and streams, clouds and smoke floating, pines and pines, and jagged forests; the composition is stable and the artistic conception is fresh. The brushwork is smooth and composed, and the ink is clear. Self-titled "Chengzi June with Dong Ju pen means Mr. Xi Geng and Zheng, Shuangjiang Luo Mu." This picture is the painter's work in his later years. http://515060013.qzone.qq.com
Landscape Diagram Xu Fang Vertical Axis Ink on Paper Length 98.5 cm Width 41.7 cm Collection of Tianjin Art Museum
Xu Fang (1622-1694) Was a Painter of the Qing Dynasty. Yu Zhaofa (宇昭法), also known as Qin Yushan (秦余山人), was a native of Wu County (present-day Suzhou, Jiangsu). Chongzhen fifteen years (1642) raised people. Gong poetry, good at painting landscapes and Zhilan. Book Good Deeds Grass. He is the author of a variety of books such as "Juyitang Collection". This picture of the mountain is majestic, the distant mountains overlap and are beautiful, the forests are lush, the mountains and streams are far away and long, and the near mountains and empty pavilions are uninhabited. Empty and elegant, the mood is quiet. The pen and ink method is from Dong Ju, rich in the beauty of Jiangnan landscapes. Qing Zhang Geng's "Records of Paintings of the National Dynasty" said: "The pen is extremely neat and tidy, and the ink is flooded and clear. This is a testament to this. Zhi Zhiyun: "Near nature does not fall into the ordinary path, and the pen supplementers who are called by the ancients are also." "The pursuit of quietly extinguishing the dust, as the artistic conception of the gods and immortals."
Landscape Diagram Zhu Yun Vertical Scroll Ink on Paper Length 160.6 cm Width 78.0 cm Collection of Shanghai Museum
Zhu Yun (c. 1624 – c. 1705) was a painter and poet of the early Qing Dynasty. His real name was Tong Ying (佟蓥), a descendant of Zhu Quan, the King of Mingning, who was enfeoffed to Nanchang and became a native of Nanchang, Jiangxi. Ming died, deeply stimulated, and pretended to be dumb by stuttering. He also shaved his hair as a monk, which lasted for fourteen years (1648-1661), and his works were mostly signed by the Bada Shanren, and the pen resembled "Crying" or "Laughing". Other names include Snow, Passing, Donkey House, etc. Good at painting landscapes, flowers and birds, bamboo and wood, the picture does not have much ink, all vivid, no scenery is also a wonderful realm, the creative realm, unique. Together with Yuan Ji (Shi Tao), Hongren and Jia Yan, they are known as the "Four High Monks of the Early Qing Dynasty". It had a great influence on the later freehand painting school. There are many works passed down from generation to generation, including "Peony Bamboo Stone Diagram", "Bamboo Branch Diagram", "Fish and Duck Diagram", "Peacock Diagram", "Double Finch Diagram", "Landscape Map", "River Flower Diagram" and "Lotus Stone Water Duck Diagram". This picture, also known as "Autumn Forest Pavilion Diagram", writes about the autumn tree thatched pavilion and the scene of the earth and the desolation of the heavens, shrouded in a desolate and silent atmosphere of helplessness. The layout is unique and the connotation is rich.
Landscape Drawing Zhu Yun Album On Paper Ink Length 54 cm Width 46 cm Collection of Shanghai Museum
This picture depicts mountainous stone walls, old trees with horizontal branches, and streams of people.com The realm is vast, with a pen posture, the picture appears unrestrained and vigorous.
Landscape Map Lv Huancheng Album Silk Color Length 33.1 cm Width 26.2 cm Collection of Zhejiang Provincial Museum
Lü Huancheng, born in 1630, died in unknown years, was a Painter of the Qing Dynasty. Zi Jiwen, a native of Yuyao, Zhejiang. Good at painting floral figures and landscapes. Good axe splitting, the style is similar to the famous Painter Dai Jin of the Ming Dynasty. The Tao and buddha statues are neatly written and elegant. This volume consists of eight openings, all of which are used as small landscape scenes: or green color, peach blossom villa; or long-distance travel, rest in small shops; or imitation rice landscapes, the mountains are empty; or invited with a staff, autumn mountain waterfall; or small boat fishing, the mood is quiet; or stop the boat to sit idly, leisurely; or the plain small scenery, Xiao is empty. This selection of two paintings, one of which is the snowy mountains are confused, the dead wood is sparse, the promenade water pavilion, the old man is near the window, the cold is compelling, and the mood is cold. Figure Erfeng Rock strange forest trees, two old people strolling and chatting in the path under the tree, the realm is clear. Outline the rendering, all extremely workmanlike. The mountain stone trees are influenced by Lan Ying and have their own faces.
Landscape Diagram Yun Shouping Album On Paper Length 28.7 cm Width 34.4 cm Collection of the Capital Museum
This album is available in two parts. The picture above is "Lotus Perfume Pavilion", writing a small scene by the lake in early summer. There are several willow trees, new leaves are urged, there is a shade water pavilion, the lotus flowers by the lake are in full bloom, emitting a burst of fragrance; one person in the water pavilion leans on the window to enjoy the view. This picture is light and elegant, and the color is clear. Self-titled: "Lotus Perfume Pavilion." Zhao Danian has this diagram and uses it slightly. The picture below is the "Spring Mountain Warm Green Map" to write a bright spring mountain scenery. In the distance, the greenery is covered with greenery, the clouds are spreading in the foothills, and the peach and willow green in the near distance, the clear waves are reflected, the colors are gorgeous, and the spring is full of spring, and there is a unique charm of the elegant and elegant. Self-titled: "Spring mountain warm green." The play uses the monk's boneless method to illustrate the meaning. ”
Landscape Diagram Gu Fushu Vertical Axis Color length 121.5 cm Width 79.8 cm Collection of the Palace Museum in Beijing
Gu Fushu, born in 1635, died in unknown year, Qing Dynasty painter. A work of Fu Zhen, the word Seru, a word Songchao, a little idiot, Jiangsu Xinghua people. Good at painting landscapes and people. Painting studied Li Zhaodao, a famous landscape painter of the Tang Dynasty. Work fine into the hair. When he was poor, he sold paintings for self-sufficiency, so there were many people who copied ancient paintings. It can also be poetry and work books. In this picture, the distant mountains are cascading, and the clouds cover the mountainside, lining the mountain villages. There are cultivators farming at the bottom of the mountain, and fishermen in the river. Nearby, in the shadow of high trees and slopes of stones, there are several elegant heavy buildings and low houses, which are active in the activities of the ghostly people, with a strong atmosphere of mountain life. The layout is clear, the mountain stone is outlined with lines, the thick ink is awakened, and the brushwork is neat and elegant.
Landscape Diagram Original Ji Album Page Ink on Paper Length 24.5 cm Width 38 cm Collection of Shanghai Museum
This album is printed on two pages. One of the paintings is a white cloud surrounding the Songling Cloud Valley, and the bookstore house is hidden in the middle, and the realm is quiet. The second painting is a distant mountain with near-rock overlap, thick trees, clouds and mist, and clear streams. There are several horses on the shore, or they have entered the water, or they have flown safely, or they have stood still, and the realm is far-reaching
Landscape Drawing Huang Ding Vertical Axis Ink on Paper 119.5 cm Width 40.5 cm Collection of the Palace Museum in Beijing
This picture is a series of mountains and mountains, dense forests of trees, mountains and streams converging, and houses in the woods along the creeks are hidden in it. The arrangement is meticulous, the realm is vast, and the pen and ink are vigorous.
Landscape Diagram Yuan Yao Album Page Color on Paper Length 27 cm Width 33 cm Collection of the Central Academy of Arts and Crafts
Yuan Yao, date of birth and death unknown, was a painter of the Qing Dynasty. Zi Zhaodao, a native of Jiangdu (present-day Yangzhou, Jiangsu). Yuan Jiang's nephew, said Yuan Jiang's son. Painting landscapes, pavilions, and boundary paintings. The painting style is neat and gorgeous, similar to Yuan Jiang, and its fine works are better than those of Yuan Jiang. Flowers and birds are also good. Surviving works include "Twelve Views of Lishan Summer Escape" and "Afang Palace Map". It was about the middle of the Qianlong period. The two selected pages are "A Hundred-Year-Old Man Talks About the Past" and "Farmer's Bridge", the former painting four towering ancient trees, lying on the branches, protruding out of the eaves of the pavilion. The distant mountains show the depth of the water. In the pavilion, two hundred-year-old people sat and talked to each other, a boy stood next to him, and a boy boiled tea in the courtyard, which was very emotional. The back strip writes about the life of the peasant family, the attic is built by the mountain and the tree, forming a small courtyard, inside and outside the courtyard, the characters are vivid, not far from the small bridge, some people carry heavy objects, full of life. http://515060013.qzone.qq.com
Landscape Map Zhang Zongcang Vertical Axis Color on Paper Length 144.6 cm Width 75.3 cm Collection of the Palace Museum in Beijing
Zhang Zongcang (1636-1756) Qing Dynasty painter. The characters Mocun, Mo Cen, Huangcun, Taihu Lake fisherman, late called skinny bamboo, Jiangsu Suzhou people. Huang Ding's disciples began to manage the river fortifications with the main book, and during the reign of Emperor Gaozong Qianlong, they were enshrined in the inner court. Shan Shan Shui pen power is calm, mountain stones accumulated with a thousand strokes, and then awakened with scorched ink, and specialized in thirst dyeing, forest lush greenery. Go to the painting academy to cook sweetly. His surviving works include "Caotang Sitting Map", "Imitation Dong Beiyuan Landscape Map", and "Rain Wash Autumn Mountain Map".
Landscape Map Shen Zongqian Album Page Color Length 18.5 cm Width 25 cm Collection of Changshu Municipal Cultural Relics Management Committee
This album is available in two parts. One of the albums, painted with misty green mountains, several plum trees at the foot of the mountain, or curved, or upright, different shapes, plum blossoms on the branches are waiting to open, followed by a cluster of bamboo. A straw hut is revealed in the plum bamboo bush, and the owner of the house is watching the view outside the window. This picture of the distant mountains is made of boneless baking, and the close-up view is mainly outlined, supplemented by wrinkle points, forming a contrast and having a poetic meaning. The picture is self-titled: "Plum and bamboo are all pure and coexist in one district, their clear realm is like a yah, and the other is a few viewers, and their sons are and qing. Mustard boat. "The second of the album, composed in Pingyuan, paints the scenery on both sides of the river. The near-up soil slope is standing tall with a number of miscellaneous trees, with different postures, and the grass pavilion under the shade of the trees sits next to the stream. On the other side of the river, the hills and hills, the jungle is green, the stream is meandering, and the distant mountains are rolling. The author tried Li Sheng's boneless method and participated in the Rice Family Point, which was bright and thick and had a unique charm. The picture is self-titled: "Tang Li Shengshan has no bone landscape, Dong Siweng should imitate it, xiurun and elegant, burning like a hibiscus out of the water, and like a beautiful woman's beautiful makeup, when it is bright and beautiful, it can no longer get huating magic wrists." Mustard boat. ”
Landscape Diagram Fang Kaoru Album Page On Paper Ink Pen Length 2S cm Width 21 cm Changshu Municipal Cultural Relics Management Committee Collection
This is one of the landscape albums, for the imitation of the Wufeng Mountain Humanistic Boren penmanship, with a flanking thirst pen light ink to write mountain stone trunks, thick ink dot leaves, ink rhyme. Elegant and sparse, easy people holding canes, walking between mountains and rivers, the scene blends, and the natural fun is obtained.
Landscape Map Pan Gongshou Album On Paper Color Length 24 cm Width 28. 2 cm Zhenjiang Museum Collection
Pan Gongshou (1741-1794), Painter of the Qing Dynasty. The word Zhenfu, the number of lotus nest, Jiangsu Zhenjiang people. Can poetry and painting. Learning less about landscapes and suffering without a teacher, Wang Wenzhi taught him the way of writing a writer's pen. Gong Shou regained the monument to imitate, and the painting was Yijin. Landscape rules imitate Wen Zhengming, flowers take the law Yun Shouping, paint Buddha statues and ladies, also rhyme and ancient meaning, bamboo and stone are also good. His works include "Jiang Fanyuan Xiu Tu", "Yanyun Ge Tu", "Writing Liu YongZi Intention", and "Imitation Dai Kui Broken Qin Tu". One of the selected pages of this selection, "Imitation of Luzi Biography", paints mountains and stone walls, layers of greenery, gentle places, old trees and branches, below it, the stream is sound, the grass is green, the two high priests sit on the ground, enjoying the surrounding beauty, and the boys are holding the piano and waiting for the call, each with its own divine form. The picture is ancient and elegant.
Landscape diagram Liu Yanchong Vertical axis Paper Light color Length 137 cm Width 49.6 cm Collection of the Palace Museum in Beijing
Liu Yanchong, born in 1809, died unknown, Qing Dynasty painter. No. Yongzhi, a native of Liangshan, Sichuan, lives in Wumen (Suzhou) and has a poor family. Gong poetry, good landscapes, characters and flowers. Shifa Zhu Angzhi is blue out of blue. He was one of the outstanding painters of the late Qing Dynasty. His works include "Landscape Axis" and so on. This picture is also known as "peaks and peaks", painting the jungle of the peaks, the cottage of Pinghu Lake, showing an autumn scenery. Smoke clouds appear under the peak, and small boats on the lake dock, full of a certain atmosphere of life. With a sharp pen, it is Liu's masterpiece. Self-titled: "The peaks are green, the water is clear, the trees sit in the autumn cool, and the flying clouds change towards the dawn." The waves are deep and quiet, and the ground is far away. I forgot about the opportunity, and the gods were idle. There is no dust in this, and there is no desert smoke boat. Gengji Changxia, intended to be the will of the Yellow Crane Mountain people, Yan Chong was made in Guishi Zhai. ”
Landscape Map Virtual Valley Album On Paper Color Length 18.9 meters Width 25.4 cm Collection of Shanghai Museum
Xugu (1824-1896) Qing Dynasty painter. Monk, commonly known as Zhu, name Huairen. He was a native of Huizhou (present-day Shexian County, Anhui). He was an officer in the Xiang Army and later became a monk. It often travels between Yangzhou and Shanghai. He paints flowers, birds, vegetables and fruits, and is also good at photographing. With a dry pen, it is cold and novel, unique. Draw squirrels and goldfish, make good use of broken pens, vivid and super-elegant. There is the "Void Valley Monk Shilu" passed down. This volume has a total of 14 openings, depicting the scenery of spring, summer, autumn and winter, all of which are jiangnan landscapes. Choose between the two. Although the landscape techniques in this volume are influenced by Cheng Muqian's dry brushwork, the ethereal place is the xiao alienation of Hongren and Ni Zhan, but it is also self-contained and has a unique personality. The mountain stone method is mixed with calligraphy, the flank and counter-front are used at the same time, the lines are cold and not dry, the thick and light are intertwined, and the ink color is integrated; the mountains and trees are covered with stone blue and stone green heavy colors, which constitute a cold and strange charm and a distinct and unique artistic style.
Color pen landscape drawing Zhu Yun Vertical shaft Ink on paper Length 154.9 cm Width 49.3 cm (Japanese) Osaka Municipal Museum of Art Collection
This tuqiu arrangement, Yuanzong Dong Yuan, Ni Zhan, close to Dong Qichang, do not open a path, in the picture scene of the dense near and middle scene to leave a blank, on which to paint a lonely pavilion, let people have an ethereal and transparent feeling. The mountain stone tree pencil and the pen are all out of the center, and then the bald pen is wiped and dyed, and the thick ink is horizontal, and the pen and ink are old and spicy. This is a large-scale landscape painting made by Zhu Yun after he was 70 years old.
Imitation of the Yellow Crane Mountain Qiao Landscape Xie Shichen Vertical Axis Ink on Paper Length 58.9 cm Width 31.3 cm Collection of Nanjing Museum
This picture shows Xie Shichen's fine-brushed landscape masterpiece. Writing creek mountain resort, cascading mountains, exquisite hills and valleys, spiraling extension of the boardwalk, pavilions and pavilions, soldiers and children, as well as fog rising, flying waterfalls, sparkling lakes. Painting mountain stones with sophorasis, dotting moss with thirsty ink, all of which are Huang Shuming's brushwork. This figure is densely laid out, with longitudinal and horizontal gestures, light ink color, and beautiful and elegant.
Spring Landscape Landscape Zhong Qinli Vertical Scroll Ink on Paper Length 139 cm Width 82.6 cm (Japanese) Gemdale Courtyard Collection
In the picture, the ancient wood is curved, the strange rocks are obliquely out from the foot of the mountain, the river is open, and the mountains are stacked in the distance, a scene full of spring. A man fished at the head of the bridge, sat on his knees, and was talking to the owner of the boat on the shore, and the contents of the boat were clearly visible. The painting trees are clumsy and simple with brushwork, the painting stone method is like an axe splitting knife, and the distant mountains are rendered layer by layer, which fully expresses the characteristics of the Zhejiang school of painting ink and vigorousness.
Rainscape Landscape Map Sun Kehong Vertical Axis Color Length 171 cm Width 72 cm Collection of Guangdong Provincial Museum
Sun Kehong (1533-1611), also spelled Yunzhi, was a native of Huating (present-day Songjiang, Shanghai). Zengguan Hanyang Taishou. Gong poetry, can calligraphy, painting figures, landscapes, flowers and birds are all exquisite. In the picture, the mist of the distant mountains, the near trees and the Clear Wave, and the Itabashi houses are dotted among them. The pen is rounded and the ink color is thick, showing the scenery after the rain in spring. This picture is self-titled poetry cloud: "The monk's room covers the purple pass for ten days, idly watching the floating clouds return to the past, the infinite heavenly machine will get it, get up and grind the ink to write Fangshan." "The whole picture is poetic, all containing the meaning of imitation rice.