<h1 class="pgc-h-arrow-right" data-track="4" > preface</h1>
The five laws or seven laws have four basic requirements, one rhyme to the end, one rhyme, one adhesion, the law of equality, and the battle.
Where the general requirement for the battle is in the middle of the binary. However, there are also several different confrontation situations, from which there are also stealing spring bodies, Tibetan spring bodies, Zongchu object bodies, and no pairing bodies.
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In the Imperial Examination of the Tang Dynasty, most of them relied on the law of five words, and the requirements for battle were naturally very strict. However, in the early Tang Dynasty, during the transition period, there were also rhythmic poems that were lost in stickiness or were not in line with the battle. This phenomenon is mentioned in Yan Yu's "Canglang Poetry":
There are those who are not right at the beginning and end of the Vinaya poem (the Princes of the Sheng Tang Dynasty have this body, such as Meng Haoran's poem: "Looking southeast of the hanging seat, the green mountains and rivers are far away." The axis is in contention for profit, and the tide is coming and going. Ask me how I am today, the rooftop visits the stone bridge. Sitting and watching the sunset, it is suspected that it is a stone city standard. And "water country boundless" chapter, but also too white "Niuzhu Xijiang Night" article. All texts are smooth from the word, the sound rhymes are sonorous, and the eight sentences are not dual),
The text mentions meng Haoran's poem as "Xiao wang in the boat":
Looking southeast of the hanging seat, the green mountains and rivers are far away. The axis is in contention for profit, and the tide is coming and going. Ask me how I am today, the rooftop visits the stone bridge. Sitting and watching the sunset, it is suspected that it is a stone city standard.
Meng Haoran's other "Luozhong Sends Xi San Back to Yangzhou" is also a wrong battle throughout:
The water country is boundless, and the boat line makes the wind together. Xian Jun went from here on and saw the countryside at night. Yu is also away from home for a long time, and Nan Gui hates differently. If the music book is asked, the river will meet.
Li Bai's "Night Bo Niuzhu Huaigu" is also a famous work that is not right throughout the battle:
Niuzhu Xijiang night, blue sky without clouds. Boarding the boat to look at the autumn moon, the air remembers General Xie. Yu can also chant, but the Si people can't hear it. The Ming Dynasty hung up the sail mat, and the maple leaves fell one after another.
These three poems, rhyming, flat, and adhesion, have no problems, but there is no confrontation, and this kind of rhythm poem that is not right at the beginning and end of the battle is also called no confrontation body.
<h1 class="pgc-h-arrow-right" data-track="4" >2</h1>
The five laws or seven laws only need to be fought in the middle of the two pairs, but there are also many verses in the eight verses of the law that are opposed. The most famous of these is Du Fu's Seven Laws of Ascension:
The wind was rushing, and the tall apes roared, and the white bird of Nagisa Qingsha flew back. Boundless falling wood, the Endless Yangtze River rolling in. Wanli Is often a guest in the autumn and has been sick for more than a hundred years. Hardship hated the frost sideburns, and poured out the newly stopped cloudy wine glass.
Jin Yong's ancestor Cha Shenxing said in the Commentary on the Poetry of Chubai'an:
The seven laws and eight sentences are all correct, created from Lao Du. The first four sentences are written in the scenery, how bold.
However, the seven laws of eight sentences are not first created by Du Fu, as early as the early Tang Dynasty, there were poets who began to have eight sentences of the right verses, "Fenghe Xing'anLe Princess Villa Should Be Made":
The Jade Building Silver List Pillow YanCheng, Cui Gai Hongxu List Forbidden Camp. The heliotic layer of rocks is painted, and the wind shakes the orchestral sound of the trees.
The water's edge pavilion contains flying, and the lone peaks in the clouds are cut. Fortunately, I saw the Eight Dragons Tour Langyuan and visited Pengying without labor.
The author of this poem is Zong Chuke, the chancellor of the Wu Zetian period, who has a more famous identity, and he has a granddaughter who marries the poet Li Bai.
Later generations called this eight-sentence verse verse "Zongchu object".
In fact, earlier, in the Southern and Northern Dynasties, there was this kind of all-versus-war rhythmic poetry. For example, Yu Xin's "Wang Zhaojun" (王昭君) which "all ten sentences are right":
Wipe qi li and look back at Zhaoyang. The mirror lost the rhombus flower shadow, and the moon beam was removed. There is no foot around the waist, and there are thousands of lines of tears. Green shirts bear horse sweat, red sleeves whisk autumn frost. Don't be really hateful, the mourning strings must be more open.
In addition to the loss of stickiness in the seventh sentence of "green shirt" and the sixth sentence of "weeping", Yu Xin is a good five-word rhythm.
<h1 class="pgc-h-arrow-right" data-track="4" > third, bee waist</h1>
In the Song Dynasty Cai Zhengsun's "Shi lin Guangji", a kind of bee waist body is mentioned:
The poem has a bee waist, such as Jia Dao's "Lower Di" poem is also. There is no duality in the jaw joint, but it is a cross narrative, and the meaning runs through the two sentences. And the neck joint square is clearly dual, called the bee waist grid. Words that have been interrupted and resumed also. ”
Jia Dao's "Lower Di" poem is as follows:
Under the first empty bag, how to live in the imperial township. The apricot garden cries a hundred tongues, who are drunk in the flowers. Tears fell far away from the mountains, and the disease came to spring grass. Zhiyin feng yi, lonely negative three Xiang.
It can be seen that this poem is only a neck-to-neck battle: tears fall far away from the mountains, and illness comes and spring grass grows. The jaw is not right: the apricot garden cries a hundred tongues, who is drunk in the flowers.
The reason why it is called a bee waist means that the second link is not right, the middle is as thin as the waist of the bee, it seems to be broken, and then it is connected (neck joint).
<h1 class="pgc-h-arrow-right" data-track="4" >4</h1>
Tang Dynasty ZhengGu hanging monk Shiyun:
A few thoughts and quiet words, night rain on the Zen bed. Before we could see each other again, the autumn lights shone in the shadow hall. Lonely Cloud finally failed the contract, and Bo Eunuch turned hurt. Dream around the long pine bed, remote burning incense.
The poem also meets the criteria of the five laws, except that the second (jaw) is not right. But the first and second verses of the poem are "alternate sentence pairs".
The Shirin Guangji explains:
If it is applied to the endowment, it is known as "a few thoughts and quiet words, a zen bed for the night rain; before the reunion, shine the autumn lamp in the studio" also. “
The pair of the next sentence actually refers to the confrontation between the second sentence and the fourth sentence, that is, "night rain - pair - Zen bed", to "autumn lamp - illumination - shadow hall". Although the level is not relative, the meaning is relative. This is similar to the first rhyme of Du Fu's "Ascending to the Heights".
<h1 class="pgc-h-arrow-right" data-track="4" >5</h1>
The Song Dynasty Wei Qingzhi's "Poet Jade Crumbs" mentions a kind of stealing spring:
Although the Dharma-Jaw Link is not dualistic, it is doubtful that it is not a sound law; it has broken the problem and is correct. It is said to steal the spring grid, and it is said that the plum blossom steals the spring color and opens first.
Du Fu's "One Hundred and Five Nights against the Moon" poem:
Homeless on cold food, there are tears like golden waves. But the moon is in the laurel, and the clear light should be more. Put the red rui away and imagine Qing'e. The cowgirl pondered, and crossed the river in autumn.
What is right means that the first link has been fought: homeless - right - cold food, tears - such as - Jin Bo. But this jaw is not right: the axe is in the middle of the moon, and the clear light should be more.
Because the first joint is against the battle, the jaw joint is not right, so it is like the plum blossom opens before the spring color, so it is called stealing the spring body.
The ancients were very good at metaphors, bee waist, stealing spring are very graphic.
<h1 class="pgc-h-arrow-right" data-track="4" >6, Tibetan Spring Body</h1>
Qiu Zhao'ao of the Qing Dynasty mentioned a kind of Tibetan Chun Gelu poem in the "Detailed Notes on Du Poems":
This poem is scattered in four rows, the next four pairs, and also hides chunge.
The poem that Qiu Zhao'ao said is Du Fu's "Early Flowers":
Nishikyo is safe or not? No one came. The Larry Ba River song, the mountain flowers have bloomed by themselves. Yingying as a snow apricot, beautiful to spring plum. Straight bitter wind and dust, who worries about the sideburns.
The first four sentences of this poem are not right (scattered), and the last four sentences are two or two pairs of battles, and Qiu Zhao'ao said that this kind of rhythm poem is "Tibetan Chunge".
<h1 class="pgc-h-arrow-right" data-track="4" > ending</h1>
Five laws or seven laws, the middle of the two pairs of battles are positive. The above six bodies, except for the Zongchu object, are not strictly speaking standard legal poems.
However, since the ancients had various sayings, it is advisable to understand.
@Old Street Taste
What does it mean to add and subtract words in the Song Ci to steal the sound and promote the beat?