In the forty-first and forty-second episodes of "Stone Records", Grandma Liu entered the Grand View Garden for the second time, like an old cow entering the flower field, and swept away. Lin Daiyu said that it was a "picture of munching locusts", which was indeed vivid.
At the beginning of the forty-second chapter, the fat critic mentioned that more than one-third of the work had passed by the thirty-eighth chapter. It stands to reason that the author should explain the length of the Stone Chronicle and the real identity and true story of the protagonist. Indeed, this time, the author Brother Shi listened to the dialogue between Baochai and Daiyu and gave a reminder, which is the author's reverence for the work and the reader's respect. It embodies Guilin Fang's pragmatic style and easy-to-learn thoughts.
Yungui Qifang, endlessly
The story is probably: it still starts with the text.
Ping'er took out "The Story of the Jade Box" and called Cai Mingnian. Cai Ming flipped through for a while and read: "On August 25, the sick met the flower god in the southeast. Forty pieces of five-color paper money, forty steps to the southeast, Daji. ”
In the forty-second time, Jia's mother took Grandma Liu and Ban'er to visit most of the garden, Jia's mother was attacked by external winds, and Sister Qiao was infected by pox. Sister Qiao's illness means that Qiqi is a coincidence, and it is also a life cycle, and the Ban'er anti-Zhu battle led by Grandma Liu's old cow, Ban'er itself grew up in the poplar forest since she was a child, and she is not afraid of ghosts. Ban'er didn't get sick because it was resistant.
The author alludes to the second attack on Ganzhou (the political center of Emperor Longwu) in Jiangxi Province in August 1645 and August 1646 after the capture of Jinling by Qing troops. The war lasted until the end of the ninth lunar month, when the Longwu regime completely collapsed. It was in the key battle on August 25 that the Ming Dynasty burned more than 80 Ming ships led by Ming Chen's Wan Yuan Ji and Jian Shan, and the morale of the Ming army was greatly reduced. That is what Grandma Liu said, ""Fight poison with poison, fight fire with fire". Ji Yang and the others became the flower gods in Brother Shi's heart.
The Southern Ming Dynasty and the Qing court rotated each other's victories and defeats, and finally the Ming Dynasty in Jiangxi was lost, and tens of thousands of people died in the fire of Ganzhou Massacre. Qiao'er Jia's mother fell ill, implying that Da Ming was in trouble. It is also in line with the metaphor of the old cow and the old cow eating the old sow (Zhu) and not raising their heads. Daiyu compared Grandma Liu's second entry into the Grand View Garden, but the Qing soldiers besieged Ganzhou City for the second time, burning, killing, looting and slaughtering the city was like a mother locust sweeping, and no grass was grown.
The snow waves on the island are full of holes
Xue Baochai interrogated Lin Daiyu in the Wuyuan Garden, and began to explain the methods and skills of the reader to interpret the book.
"You kneel, I'm going to judge you!" What did you say yesterday? I don't know where you came from. When Daiyu thought about it, she remembered that she missed the inspection yesterday and said a few sentences about "The Peony Pavilion" and "The Story of the West Chamber", and she blushed... Daiyu said: "Good sister, don't talk about it with others, I won't talk about it in the future." ”
Daiyu accidentally quoted two sentences from two opera poems of the Yuan Dynasty in the wine order. Baochai reminds you of the secrets. Let's analyze the content of the verse:
"The Story of the West Chamber" "Old monks are not allowed to knock on the door, and there is no matchmaker newspaper in the screen window." ”
In "The Peony Pavilion", "The beautiful scenery of a good day is a day, and the courtyard is happy"
The Peony Pavilion tells the story of Du Liniang and the dream scholar Liu Mengmei falling in love with each other, dying due to emotional injuries, turning into a soul to find a lover in reality, falling in love with people and ghosts, and finally coming back to life and tying the knot forever.
What does Daiyu imply when Brother Shi mentioned "the beautiful scenery of a good day"? It refers to Dong Xiaowan's plundered into the palace to get the joy of a good fortune of gold and jade, and he lied that he died of illness and built a "Dong Xiaowan burial flower place". At this time, the author Fang Yizhi resigned Zhu Youlang to appoint him to the post of Dongge University Scholar, which also made people lie that he threw himself into the river and died. The groom and the matchmaker have similar life experiences, which is really sad and happy on both sides.
Daiyu mentioned a sentence in "The Story of the West Chamber" that "there is no matchmaker newspaper in the screen window" as a metaphor for the author's own situation: the matchmaker is Brother Shi himself, and the West Chamber is Fang Yizhi, the monk of Zhu Ming in Jiangxi temples. He didn't dare to ask King Houmen about Dong Xiaowan, Brother Shi was the matchmaker of the two of them. It is said that "The Story of the Stone" was promoted by Mao Bijiang and Dong Xiaowan and flowed into the palace. At that time, Brother Shi was difficult to reach Sanping, Xiaowan was plundered into the palace, Shunzhi married him, and the matchmaker herself had no way to report the good news. It was precisely because the emperor was overjoyed that Brother Shi was able to forgive his sins, and Brother Shi learned the news from Shi Yanzhang, who was also a friend of the Qing minister.
Next, is "Pipa" playing the piano to a cow? Taken from Bai Juyi's "Pipa Xing": "Hearing the pipa language of the king tonight is like listening to the ears of Xianle for a while."
The author intends to introduce Zhu Qi, another protagonist of "The Stone Record", who is a descendant of the Zhu Ming royal family who was eaten by "Grandma Liu".
From 1645 to 1646, the Qing army attacked Ganzhou, Jiangxi, and Zhu Qi's wife and son were lost. After not finding it, he became a one-legged starling, and was once arrested by the Qing soldiers and pretended to be deaf and dumb, and sometimes stupid and crazy. When I met Brother Shi, I became a pair of hard-working mandarin ducks who rolled their eyes in the Cliff Stone Bamboo Forest Retreat, so they had the move of meeting their old acquaintances in other places.
Kiishi Mae Alliance
The authors, Brother Shi and Zhu Qi, are both under the disciples of the Zen master of Caodong Sect, and the brothers are also. When the senior brother heard the pipa language, he had a heart-to-heart exchange with the Bada Mountain people, just like the deaf ears of the immortals could suddenly hear at this time. The Pipa Immortal Seal is the meaning of the Eight Mountain People.
Zhu Qi's "Mandarin Duck Picture" should mean that he and Brother Shi are both hard-working mandarin ducks. After Fang Yizhiyue's disaster, Zhu Qian traveled thousands of miles to his brother's ancestral hometown of Fushan to bow down and mourn his physical tomb, calling it his own spirit. This mandarin duck painting has become one of the top ten cultural heritage sites in China today in the World Expo, with a collection price of 100 million.
Bitter mandarin ducks
Baochai preached to Daiyu, Daiyu listened without arguing, and changed her obedience, and the two were perfectly matched, implying that Brother Shi had reached a reconciliation with his own heart and the unbearable social environment around him.
There are also those who love poetry, and there are also those who love words, such as this "West Chamber" and "Pipa", [bibliophiles should pay attention.] and "One Hundred Kinds of Yuan People", which has everything...... [The author is painstaking, speaking on behalf of the Buddha, preaching on behalf of the saints, and those who read the book should not be neglected.] ]
This collector notes that Baochai's statement that "there are 100 kinds of Western Chambers, Pipa, and Yuan people" implies the following: "Xijiang Stone Records", the Bada Shanren, the heroes of Jiangxi Wanji's resistance to the Qing Dynasty, and the soldiers and civilians who died in the defense of Ganzhou, as well as all kinds of people who compared the destruction of the Southern Song Dynasty by the Yuan Dynasty to the massacre of the Southern Ming Dynasty by the Manchu Dynasty, including those who surrendered to the Qing Dynasty. The author's account of this brutal war is like singing a requiem himself. That is, Baochai and Daiyu in the book tacitly know each other several things that should not be exposed.
Wrinkle dyeing method: Senfeng Ryuji Temple
The next thing is to introduce a few things about the Grand View Garden.
This confirms that there is a saying on the Internet that after the Qing soldiers arrested Zhu Qi, they forced him to draw a map of the territory and fortress of the Southern Ming Dynasty. Zhu pretended to be crazy and stupid, and he was deaf and delayed time.
Inscription: 'Carrying locusts to chew on the map', the author Brother Shi. Zhu Qi's article is not as powerful as his senior brother, and he usually asks Brother Shi for inscriptions.
Painting writer: Xi Chun (Zhu Qi)
Painting time: 1 year later, it will take 6 months and then 2 years. Allusion 1644-1646
It took two years for Baochai to repeat Daiyu's slow painting, which can be described as a delaying strategy.
Painting paper: Baochai suggested laying a dense silk canvas (heavy silk) on the basis of the original Daguan Garden manuscript. Not suitable for rice paper.
Moli snow waves, Hongmen wood stands all over the world
Baoyu wants to use the Xuelang paper at home, that is, the rice paper of the national treasure of the Han nation. This is the author's organic introduction to his ancestral hometown of Fushan Xuelangyan.
Under the snow wave rock is the provincial villa
The rice paper is called snow wave paper, and there is also the snow wave paper mentioned above. This statement is related to Brother Shi's childhood residence under the Snow Wave Rock. Such as a large splash of ink and dyed ink huge wave map.
Painting method: 皴, dyeing method. The painting technique can be seen in Brother Shi's "Dead Tree".
Picture of dead trees, hanging in the forest with jade belts
Painting tools: more, impressive is rouge tablets, rouge,
Painting signature: "One iron pot, one spatula" This refers to the author's own original porridge cooking monk, naturally these are indispensable. Aren't the water tanks and boxes the Bada Mountain People of Jiangxi?
The specific seal of the painting is Zhu Qi's icon of March 19.
The two number combinations are 1644-3-19 Chongzhen's hanging days. It has already been explained in another article.
March 19, the day of Chonghuxian's death
The stone record records the poems, and the Dream of Red Mansions is a picture of a locust munching.
Because the images in the paintings of Brother Shi and Bada Shanren are symbolic, and the images are often inscribed with Zen poems, they are difficult for the general audience to understand, hindering the exchange of information with the common people. However, their works won the universal respect of survivors and scholars at the time, and were regarded as "wonderful" treasures.
Fang Yizhi's painting theory, like his poems, is a collection of wisdom from the ages. He agrees with the "North-South Sectarian Theory" and advocates "taking painting as pleasure and following the brush." He also advocated that "there are objects in paintings, and there are sounds in things." The article mainly pays attention to the idea, and the same intention is to follow the pen, why not the forty-second chapter of "The Stone"?
The inscription presents its open-ended communication ideas
Due to the era of historical and social change, Brother Shi's monograph "East and West" and "Stone Records" have similar themes. It is a classic work about morality, life, and study, reconciling the ethical values of Confucianism, Buddhism and Taoism. In "East and West", Fang Yizhi set up a chapter of "Life and Death", which specifically explained his "great life and death", "knowing the opportunity of life and death through change" and "not vain life, not wasting death".
"East and West" and "Yi Yu" are Brother Shi's two philosophical sister flowers, and they are also not clearly signed. However, Brother Shi uses metaphors to give back to the reader. The wise and the knowing, of course, know. At the end of the article, when it was the turn to report the surname and the year, Fang Yizhi actually wrote: The souls look at each other, look at the sky in the middle of the night, and live next to the dead, and there is no need to be round. Who seems to be who, there is no teacher in nature, and he knows it from ancient times. Years of Yang Xuan, the elimination of the branch, Zizhi, the five old peaks. Some scholars explain it very well:
1. The soul looks at each other. Spirit, the moon wheel has no light; Also refers to the month. The moon is the spirit, and the sun is the soul. The soul looks at each other, that is, the sun and the moon look at each other, and the sun and the moon look at each other.
2. Looking at the sky in the middle of the night. Looking up at the sky in the middle of the night, the top of the sky could not be seen clearly, and only the lower half of the people remained.
3. Life from the dead. The side of the word "side" is dead, but the middle part is still alive. This living middle, what is the non-side?
4. It doesn't have to be round. If the meaning of the previous sentence is not clear, now it is even more sentence: it does not have to be round, it is square.
5, who is the like. Where is the "person" next to the word "like"? It's gone, it's gone.
6. No teacher is natural. Fang Yizhi called the origin of the universe "so", and said "so", that is, the nature without a teacher. This shot is a word.
7. Know this. From the self-knowledge, it is the word "wisdom" of the big seal.
8. Ancient and white legends. "Saying": "White, this is also a self-word". Explain why the word "wisdom" does not follow itself now.
9, below the age of Yang, it is said that it is the year of Renchen (1652), and Fang Yizhi (son) is recorded in Lushan.
There are five names of the authors of "The Book of Stones", and there are also five titles of the book. I have interpretations, all pointing to Fang Yizhi and what happened around him. Those who understand will naturally understand, and it is useless to talk about what you don't want to know.
Brother Shi Xingyao, Wukong Walker