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Peng Xiaolian was born on June 26, 1953 in a family of intellectuals in Chaling County, Hunan Province. Her father, Peng Baishan, devoted himself to the revolutionary cause at an early age, and had a deep teacher-student friendship with the famous writer Mr. Lu Xun.
After the founding of the People's Republic of China, Peng Baishan has been serving as the head of the Propaganda Department of the Shanghai Municipal Party Committee. Peng Xiaolian's mother, Zhu Weiming, was an excellent reporter of "Ta Kung Pao", and after the liberation, she moved to the Shanghai Film Translation Studio and participated in the translation of more than 70 Soviet films.
The family was born in a professional class, has a profound cultural heritage, and lives a carefree life. In addition to her, Peng Xiaolian has four brothers and two sisters in the family, and she is the youngest child in this big family.
Who would have expected that the "Hu Feng counterrevolutionary clique case" in 1955 was like a time bomb that severely destroyed this happy family. Peng Baishan was unfortunately criticized because he was implicated in the "Hu Feng case", and was subsequently sent to remote Qinghai Province.
Zhu Weiming was also deeply affected by this, separated from her husband, and lived alone in Shanghai to live a life of isolation and censorship.
That year, Peng Xiaolian was only two years old. The rest of my childhood was spent in the dark clouds of devastation and turmoil in my family. Several of her brothers were also sent to other places to serve as educated youths.
Her mother, Zhu Weiming, lived in a difficult environment, and the family was separated and it was difficult to reunite.
In 1968, Peng Baishan died with hatred, and Zhu Weiming's body and mind were also severely damaged. Just three months later, she took young Peng Xiaolian to dispose of her husband's body.
When she saw Peng Baishan's body that had been soaked in formalin potion and deformed and distorted, the young Peng Xiaolian burst into tears, and her heart was full of infinite sadness.
In this way, a happy family that should have been a scholarly family collapsed under the impact of the "Hu Feng case". The young Peng Xiaolian has been shrouded in shadows since then, and has started a life journey of loneliness and loneliness and struggle to survive.
In 1969, Zhu Weiming, who was alone, suffered more and more frequent criticism and was homeless in Shanghai. This year, several of Peng Xiaolian's brothers and sisters have been sent to Jiangsu, Gansu, Yunnan and other places to join the team as educated youth.
The once happy family was shattered.
Peng Xiaolian, who was only 16 years old, also had to resolutely go to the countryside of Jiangxi Province to start her arduous career as an educated youth. There, she toiled hard in the fields during the day and in the granary at night, living in extremely simple conditions.
The room she lived in was dark and damp, and even the bed board was covered with tiny mushrooms.
What is even more unimaginable is that Peng Xiaolian was still suffering from arthritis at that time. Walking has been difficult, but she still insists on planting rice in the field and lives a very hard life.
Despite the difficult living environment, Peng Xiaolian's love for art has always burned in her heart. With her outstanding acting talent, she quickly attracted the attention of the local commune performance team.
Since then, Peng Xiaolian has begun to perform the classic model play "Outwitting Tiger Mountain" on the local stage, and the drama life has become one of the few rays of sunshine in those dark years.
After two long and lonely years, in 1976, as a large number of young intellectuals returned to the city one after another, Peng Xiaolian finally returned to Shanghai, a city she knew and loved after a long absence.
The following year, in 1977, after some hard work, Peng Xiaolian was admitted to the directing department of Beijing Film Academy as she wished, opening a new chapter in her life. During her time at school, she not only met classmates and friends such as Zhang Yimou and Chen Kaige, who later became famous, but also established a valuable deep friendship with Li Shaohong.
Recalling that period of educated youth, although it was difficult and difficult, it exercised Peng Xiaolian's indomitable personality, and also allowed her to complete a lonely and lonely transformation, laying a solid foundation for her to embark on the road of directing in the future.
In 1982, Peng Xiaolian successfully graduated from Beijing Film Academy and was assigned to Shanghai Film Studio, starting a new journey in her career. As a director, she will pursue her artistic ideals and dreams with relentless determination.
In 1982, after graduating from Beijing Film Academy, Peng Xiaolian was assigned to Shanghai Film Studio as a director. Since then, she has been pursuing her artistic ideals and dreams unremittingly, and embarked on the path of directing, which is full of thorns but she never forgets.
As a director, Peng Xiaolian has always insisted on shooting literary and documentary films, and has stayed away from commercial blockbusters. She is dismissive of financial gain, and only cares about her pursuit of the pure art of film.
In her view, film is a supreme art form, and directors must not compromise their beliefs for the sake of petty profits.
In 1986, with a meager shooting cost of only 340,000 yuan, Peng Xiaolian successfully directed her debut film "My Classmates and Me" with a unique perspective and exquisite skills.
This children's film won many heavyweight awards such as the "Tong Niu Award" Outstanding Children's and Juvenile Feature Film Director Award in one fell swoop, which is undoubtedly the best affirmation of Peng Xiaolian's directorial talent.
Then, in 1987, Peng Xiaolian launched the documentary literary film "Women's Story". The film has won the love and praise of the audience with its popular and smooth narrative style and strong life atmosphere.
It is worth mentioning that in 1989, Peng Xiaolian also received a generous scholarship from the Rockefeller Foundation to go to New York University in the United States as a visiting scholar for a seven-year further study.
After returning to China in 1996, the famous Japanese director Shinsuke Ogawa unfortunately passed away, and his widow begged Peng Xiaolian to take over and complete her husband's unfinished work "A Mountain of Tomatoes".
Although Peng Xiaolian was penniless at the time and her widow was also in poverty, she resolutely accepted the challenge. After many difficulties and more than a year, Peng Xiaolian finally presented this film perfectly in front of the audience.
In 2001, after the re-release of "A Mountain of Tomatoes" in Japan, it immediately triggered a wave of fanatical praise and won the top ten documentaries in Japan that year.
Since then, Peng Xiaolian's reputation in Japan has even exceeded that in her homeland, and the Japanese mainstream media have praised her as a top female director with talent and talent.
However, it is precisely because of this persistent pursuit of art that Peng Xiaolian has also brought great trouble to financing. She has a strong personality, and it is difficult for her to grovel to please others, let alone coax investors to open their mouths.
As a result, despite her talent as a director, the number of films she has directed is relatively small.
In addition to the works mentioned above, Peng Xiaolian also directed films such as "Dog Killing", "Shanghai Chronicle", and "Pretend Not to Feel". But undoubtedly, the greatest masterpieces of her directorial career are "Shanghai Chronicle", "Pretend Not to Feel" and "Beautiful Shanghai", which are known as the "Shanghai Trilogy".
In 2005, it was with the latter's outstanding masterpiece "Beautiful Shanghai" that Peng Xiaolian won the highest honor of Best Director at the 24th Chinese Film "Golden Rooster Awards" that year.
This film won six Golden Rooster Awards in one fell swoop, becoming a major event in the film industry, witnessing Peng Xiaolian's persistent pursuit of artistic ideals to be finally completed.
While pursuing excellence in her career, Peng Xiaolian's taste for personal life is quite simple and low-key. The best director of the "Golden Rooster Award" has no house to live in in bustling Shanghai, so he can only live in his mother's small old house.
Once, Peng Xiaolian met an old classmate from the United States in a luxury hotel. As you might guess, she'll be splurging there, ordering some big-priced meals for her guests.
But that's not the case, Peng Xiaolian simply ordered an affordable rice cake with shredded pork and vegetables, which was enough to fill the stomachs of the two.
After the meal, the waiter gave them expectant glances from time to time, hoping that they would order a cup of coffee. But Peng Xiaolian turned a deaf ear, and she and her friends just stayed in the hotel until nightfall with the free tea.
This prudent and frugal lifestyle is also reflected in Peng Xiaolian's other aspects. When shopping, she never yearns for those brand-name handbags worth as much as 20,000 yuan, an ordinary bag of a few hundred yuan is enough.
Once, Peng Xiaolian went on a business trip to the United States and found a $120 cashmere sweater at a street stall. Instead of buying them outright, she bargained and eventually bought six of them for only $24 to give as souvenirs to friends and family.
Friends have persuaded her to consider buying a property in Shanghai, at least not homeless. But Peng Xiaolian bluntly said that she doesn't need too much desire, just a book and a CD can meet her needs.
She is so attached to her inner spiritual world that she seems out of place in this materialistic metropolis.
Perhaps it is precisely because of this simple and simple character that it is difficult for Peng Xiaolian to find a partner with her, and in the end, she has never entered the prosperous marriage hall in her life and is alone.
She knew that she was not very suitable for married life, so she insisted on celibacy.
On the other hand, Peng Xiaolian's personality is indeed a little too straightforward. Someone offered to congratulate her on winning the award, but she did not respond to it; Someone invited her to Beijing to accept the award, but she also directly refused, citing that she was "busy writing scripts".
When directing actors on the set, she was even more ruthless, often loudly reprimanding those "dull" and "stupid" actors to shock everyone present. As a result, some actors became afraid and reluctant to participate in the production of her films.
Peng Xiaolian herself admits that she has low emotional intelligence and is not used to those stupid people, so she will always say some straightforward and hurtful words, so it is difficult to get close to people.
This kind of personality coupled with the blank in her emotional life is destined to make it difficult for her to find a partner who can tolerate her, so she can only stick to her ideals and beliefs alone, and live a single but free life.
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