Qian thin iron carved Zhang Daqian with Shoushan stone seal size: 3.1× 2.7×7.6cm side paragraph: Daqian Dao brother Suo seal, Ji Si Zhongchun, thin iron.
Publication: 1. The album of "Fengqing Pavilion Printing", the original rubbing during the Republic of China.
2. The second volume of "Chinese Calligraphers and Painters' Impressions", P977, published by Cultural Relics Publishing House, December 1987.
3. The second volume of Modern and Contemporary Calligraphers and Painters, P888, edited by Lu Fusheng, published by Shanghai Painting and Calligraphy Publishing House, December 2002.
4. "Celebrity Seals of Calligraphers and Painters in the Past 100 Years" P351, edited by Yu Liancheng, published by Rong Bao Zhai Publishing House, July 2001.
5. Seal of Modern and Contemporary Calligraphy and Painting Masters, edited by Jin Huaiying, published by Shanghai Painting and Calligraphy Publishing House, December 1996.
6. Appreciation of Modern and Modern Famous Calligraphy and Paintings, P209, edited by Deng Ming, published by Shanghai Science and Technology Press, December 1999.
According to the information currently known, the origin of Zhang Shanzi Zhang Daqian Kunzhong's use of the "hall wind" hall name is that Zhang Daqian in the Republic of China in the sixteenth and seventh years, occasionally got a picture scroll of Zhang Feng in the Ming Dynasty and named it. Daqian himself, in his early years, also chased after Zhang Feng's painting style because of his similarities with his appearance characteristics and hobbies. Throughout his life, not only did the "Dafengtang" accompany him, but Zhang Feng's style also influenced him throughout his life. Mr. Qian Shoutie was engaged to Zhang's Kunzhong very early, and soon after the name of "Dafengtang" was used, he engraved the Zhu Wenyin of this Dafengtang at the request of Zhang Daqian. In fact, Zhang Daqian, who was in 1927 and 1928, had just established his position in the painting world in Shanghai, a big wharf, just like a red sun, rising.
It can be known from the text that this seal was engraved in 1929, when Qian was 32 years old, which was the time when he was full of energy and outstanding desire to create. A few years after returning to China, Zhang Daqian asked him to engrave the seal, which was not only due to the fact that Qian's teachers Zheng Wenzhuo, Yu Yushuang, and Wu Changshuo were also related to his personal distinctive style. Looking at the arrangement of this square seal, there are many chewable places. The inscription is arranged in the style of the strong Han seal, the word "big" is majestic and majestic, and the word "wind" is mixed with the circle and turn smart, in order to be stable, the center of gravity of the wind character is slightly moved upward, which not only makes the word appear slender and pleasant, but also makes the focus of the whole seal move to the middle of the seal; The word "Tang" is also a dignified state, and the wonderful in the interior is slightly fine-tuned, so that it has a slight tilt meaning, the lower right part of the pen and the wind word are interspersed with each other, so that the whole print is integrated and can generate each other, both see the solemn and dignified, and sometimes out of the playful and witty state, you can see the painstaking efforts of the arrangement. Use a knife to cut the line, so that the line shows the strength of the thick circle, and the drape is used to see the edge, so that the spirit of the line can come out. To sum up, Yun is a masterpiece that Qian was very careful in his early years. Interestingly, from the information that can be seen so far, although it is Zhang Daqian's work engraved with money and thin iron, it is not used much in Daqian's works. In Zhang Shanzi's paintings, he has seen this work many times. Based on the data, it may be related to Zhang Daqian's non-permanent residence in Shanghai after that. And the good man originally used not many seals, and it is conceivable that Daqian left this seal for the second brother out of respect for his brother.
In the existing seal records, most of the seals are attributed to Zhang Shanzi's name, which should also be related to his frequent use. Good and good, Daqian brotherhood is deep, and "Dafeng Tang" was originally a hall name shared by brothers, and its seals are used for each other, which is reasonable. Attentive readers, if they can find Zhang Daqian's paintings with this square seal, they can add another good story to Zhang's Kunzhong's "Brothers and Ink".
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