On the hall of songs, the sound of drums was deafening, and the murderous aura permeated the surroundings. In this tense atmosphere, a man in white dressed in a gorgeous costume walked in calmly. He held a long chime in his hand, and his fingertips stroked the strings, and the melodious music immediately echoed in the hall, as if to calm the tense atmosphere.
He is no longer afraid of power, this young man is the eldest son of Xibohou Jichang, Bo Yi Kao. When confronted with the enraged King Su, he has a calm face and elegant demeanor, but he pleads with his life in exchange for his father's freedom.
In just ten minutes of scenes, "Fengshen Part 1: Chao Song Fengyun" made me see the most touching white moonlight. I thought I came to watch this drama to see Fei Xiang's demeanor, but I didn't expect to be amazed by this male No. 7 who appeared for only a moment, and I was addicted to it all of a sudden, and I couldn't help but brush it again and again.
The image of Bo Yi Kao awakened my memories of other classic "White Moonlight" characters, these characters may not have many scenes, but they can always become an unforgettable existence in the hearts of the audience.
In "Mythology", Lu Su is like a breath of fresh air, breaking into the protagonist's life with her innocent and sweet personality. However, this delicate flower unfortunately withered after only 8 episodes of wonderful performances in the play.
She drifted into the distance with a flat boat, but left a deep miss in the hearts of the audience, many viewers were saddened by her departure, and some people even stopped watching this drama because of this, they think that Lu Su is the real heroine in the play.
In "Little Fish and Flowers", the little fairy played by Bai Xue is also an unforgettable character. She has a lively and lovely personality, flexible and playful, giving people a sense of innocence.
However, when she was dressed in a red wedding dress and died in the arms of her lover, the scene really touched the hearts of countless audiences, and her departure was like taking away the last ray of sunshine in the play.
Among the male characters, the white moonlight is equally dazzling. In "That Year the Flowers Bloomed and the Moon Was Full", Wu Ping, played by He Rundong, is a textbook-level perfect husband, he cares for his wife everywhere and obeys his words, which makes him win the love of a large number of audiences.
Some viewers even called for him to be adapted into the male lead, however, the screenwriter gave him a tragic ending - the tragic arrangement of being poisoned caused strong dissatisfaction among the audience, if it were not for the hoarse kneeling and crying performance of Zhou Ying played by Sun Li, maybe the audience's complaints would have been even more violent.
In "Fragrant Honey Sinks Like Frost", the male No. 2 Runyu can be called the culmination of Bai Yueguang's role. He has a noble temperament, a peerless demeanor, and is polite to others, but he has a bad fate. Although he experienced the pain of extermination, the mourning of losing his mother, and the pain of losing his wife, and finally had to go blackened, the audience was always full of sympathy and regret for him.
After the actor's accident, many fans even changed the title of the play to "The Legend of Runyu", which shows its charm.
The characters in the play, both male and female, have their own unique charm, which is deeply imprinted in the hearts of the audience. They may only be supporting roles with limited roles, but they are often the most dazzling presence in the play.
Just like Bo Yi Kao, although it was only a short ten minutes of appearance, I couldn't help but relive it again and again, just to feel the shocking beauty again.
Although Bo Yikao's appearance in "Fengshen Part 1: Chao Song Fengyun" is short, it contains a profound meaning. He brought with him two horses as white as jade, one for his elderly father and the other for his younger brother Ji Fa.
However, attentive viewers may notice that the seemingly insignificant detail that Bo Yi Kao did not reserve a way back for himself actually hints at the real purpose of Bo Yi Kao's trip and the fate he is about to face.
Bo Yi Kao went to Chaoge this time, ostensibly to rescue his imprisoned father, Xibohou Jichang. But in fact, there is a more difficult task hidden in his heart - to wake up his younger brother Ji Fa, who has been corrupted by Chaoge's extravagant life.
He knew in his heart that his life might be in danger when he went to Chaoge this time, but he resolutely chose to move on, because he knew that this was a road from which there was no turning back.
Some people may wonder why Bo Yi Kao did not stay in Xiqi to take his father's place as the leader of the new generation, but risked his life to go to Chaoge? The answer is buried in his poetic life.
First of all, Bo Yi Kao used his son to die instead of his father, which perfectly demonstrated the brutal nature of the king of Xu, and what he did was no different from killing his brother and killing his father.
The act of cruelly making Bo Yi Kao into meatloaf stems from jealousy and distortion in his heart. As the second son, although he has outstanding ability, he has never been valued by his father.
Coupled with the fact that his only son also "betrayed" him, these factors combined led to the loss of his humanity.
In addition to the two snow dragon foals, Bo Yi Kao also brought many rare treasures, including the three treasures of Xiqi: the seven incense car, the sobering felt, and the white-faced ape. Each of these treasures has its own wonders: the seven-incense chariot can save the day, the sobering felt can make the drunk sober up instantly, and the white-faced ape can sing the world's 8,000 songs, and can dance in the palm of his hand to discern the enchantment.
It's a pity that in order to control the length of the film, director Wu Ershan had to cut the content for nearly an hour, including the display of these treasures, if these scenes can be presented in the movie, it will undoubtedly add more fantasy to this world of gods and demons.
Bo Yi Kao knew that these precious treasures could not be exchanged for his father's freedom, but at least he could win the opportunity to confront the king face to face. So on the top of the main hall, in the face of the fierce and vicious king, Bo Yikao still maintained a calm and dignified posture, showing an extraordinary bearing.
His courage and demeanor made even the violent King of Su feel a little respect.
The two snow dragon foals have become a portrayal of the fate of the two brothers. Ji Fa returned to Xiqi, but Bo Yi Kao stayed in Chaoge forever. In this story full of betrayal and blood, Bo Yi Kao's pure filial piety and kindness are like a clear stream, which is unforgettable.
His presence is like a ray of light in the darkness, although it is short, it is enough to illuminate the whole heaven and earth.
Through his superb acting skills and hard work, Yang Jue has successfully created an impressive image of Bo Yi Kao on the screen. However, what is less known is that Yang Jue went through a difficult preparation process for this role.
Director Wu Ershan bluntly pointed out that Yang Jue was a little lucky when choosing the role of Bo Yi Kao, which did not quite meet the image requirements of the role. In the face of this challenge, Yang Jue showed amazing perseverance and determination.
He immediately embarked on a strict closed weight loss program, and in less than a month, he managed to lose 13 pounds, an effort that eventually earned him the role of his dreams.
Interestingly, in "Fengshen Part 1: Chao Song Fengyun", the actor who played Dongbohou Jiang Huanchu was Yang Jue's father in real life. This father-son interaction between reality and fiction adds a unique touch to the entire filming process.
After the movie was released, Yang Jue also specially organized a chartered viewing event for his father, which attracted ridicule from netizens: "Some people are the sons of Xibohou on the surface, but they actually charter Dongbohou."
Yang Jue's acting skills are profound and his character shaping ability is extremely strong. In addition to his role as the suave Bo Yi Kao in "Fengshen", his performances in other works are equally impressive.
In the TV series "Little Husband", he and Yu Feihong staged a "sister and brother love" across ages, and the two flirted and scolded in the play, especially the clip of Yang Jue pretending to be reserved and letting Yu Feihong touch his abdominal muscles, which sparked heated discussions on the Internet and showed his changeable acting charm.
In addition, Yang Jue also played the role of Chen Yu in "Thirty Only", which vividly interpreted the image of a silent man; In "Qingping Le", Yang Jue portrayed the talented and good-looking Han Qi very well.
His acting prowess and character shaping ability are fully reflected in the shaping of these roles.
In life, Yang Jue's image is similar to the Bo Yi Kao he played in "Fengshen". He is a low-key scholar with an avid reading, photography and traveling. These hobbies added a bookish air to him, which was very compatible with the gentleness of Bo Yi Kao.
It is this inner temperament that allows Yang Jue to deduce the elegant demeanor of Bo Yi Kao so naturally.
Although Yang Jue is 33 years old, he can perfectly interpret the role of the young noble son Bo Yi Kao. His acting skills are excellent, his understanding of the role is deep, and he puts in the hard work.
It is this kind of professionalism that makes the Bo Yi Kao he portrayed one of the most dazzling existences in "Fengshen".
Among the many adaptations of "Fengshen", the role of Bo Yi Kao has always attracted much attention and love. Among them, there are two actors whose interpretations have left a deep impression on the audience, namely Hong Kong actor Tang Zhenzong and mainland actor Ji Xiaobing.
Although Tang Zhenzong's version of Bo Yi Kao is very old, he is still considered one of the "most handsome Bo Yi Kao in history". He interpreted the role of the son of Xibohou with a handsome and chic image with outstanding temperament, making his performance a high standard for the role of Bo Yi Kao, which had a profound impact on many later versions.
In recent years, Ji Xiaobing's version of Bo Yi Kao's adapted version has been more loved by young audiences, in addition to his excellent appearance, the subtle emotional line between Bo Yi Kao and Su Daji in Ji Xiao Bing's version has also impressed the audience.
This version portrays Bo Yi Kao more deeply on an emotional level, making the character more fleshed out and three-dimensional.
These different versions of Bo Yi Kao have their own charm, heroic style, gentle temperament, and infatuated enthusiasm, each version has created an ideal image of Bo Yi Kao in the hearts of the audience.
It is this kind of diversified interpretation that makes the role of Bo Yi Kao enduring and leaves a deep impression on the hearts of audiences of different eras.
In "Fengshen Part 1: Chao Song Fengyun", although Yang Jue's Bo Yi did not appear much, he created a classic image with his unique temperament and tragic fate. His performance successfully demonstrated the loyalty and filial piety, benevolence and righteousness of Bo Yi Kao, and although it was only a ten-minute performance, the audience still deeply felt the charm and depth of this role.
These different versions of Bo Yi Kao, like a shining pearl in the long river of time, each exudes a unique light, making the classic story of "Fengshen" more rich. They also set a model for the role of "Bai Yueguang" in Chinese film and television works.
It is precisely because of these wonderful interpretations that we can revisit the story of Bo Yi Kao again and again, and feel the touching and inspiration brought by this character.
After the release of "Fengshen Part 1: Chao Song Fengyun", it aroused heated discussions among the audience, but the box office performance was not satisfactory. Seven days after the film's release, the box office only exceeded the 600 million mark, and there is still a long way to go before the cost is recovered.
According to the usual standards of the film industry, box office revenue needs to reach 3 times the production cost, which means that the "Fengshen" series needs to hit the box office of 3 billion to achieve profitability, which is undoubtedly a huge challenge.
Director Wu Ershan has publicly stated that whether the "Fengshen" series can make a sequel depends largely on the box office performance of the first part, because the special effects production of the next two parts requires a lot of financial support. This work embodies the efforts of many filmmakers, so its fate affects the hearts of countless audiences.
Despite the challenges faced by the Gods, we are still looking forward to it. The story of Bo Yi Kao may be a good example, seemingly insignificant, but it contains a powerful inner strength.
We hope that this Chinese mythological masterpiece can create miracles, break through many obstacles, and allow the audience to see the style of the second and third parts in the near future, the "Fengshen" series carries the dream of Chinese film industrialization, and its success is not only related to the fate of a film, but also to the future of the entire Chinese film industry, let us look forward to the sequel of this grand epic and witness a new chapter of Chinese film.