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Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty

author:Look at the past and know the present

The full name of "Stone Gate Inscription" is "Taishan Goat Zhi Kaifu Stone Gate Inscription", the first month of the second year of Emperor Yongping of Xuanwu Emperor of the Northern Wei Dynasty (509 AD), engraved by Wang Yuan Shudan, Wu Aren carved on the stone gate cliff wall of the northeast Baoxian Valley in Baocheng County, Shaanxi. The cliff stone is 246 centimeters high and 306 centimeters wide.

Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty

This cliff calligraphy bone force opens, vertical and horizontal, to win with odds. The knot, the cloth white with the mountain situation, according to the natural stone potential of the cliff and the book Dan chiseled, the chapter layout is magnificent.

Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty

It absorbs the vigorous and condensed penmanship, gesture and posture of the famous Han Li's "Ode to the Stone Gate" and other cliff stone carvings in the same place, presenting the style of the Northern Wei Kaishu that opened in a strange way.

Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty

"Stone Gate Ming" is connected to the Han "Ode to Shimen" rhyme, melting seal, subordinate, and Kai for a furnace, with a pen and round, calm and happy. The structure is broad and uninhibited. It can be said that the patriarchal law of the upper inheritance seal is the precedent of the grass.

Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty
Inheriting the rhyme of "Ode to the Stone Gate" - the vigorous and condensed penmanship characteristics of the cliff stone carving "Stone Gate Inscription" in the Northern Wei Dynasty

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