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In the bright galaxy of the Hong Kong entertainment industry, Zheng Yuling is undoubtedly a unique star. She has conquered countless audiences with her superb acting skills and unique comedy style, but she has repeatedly encountered setbacks in the emotional world.
The ten-year love with Gan Guoliang ended in the peculiar way of "love without sex"; and stayed with Lu Fang for 16 years, but in the end he was described by the other party as a "prison" experience.
Why is this talented actress so emotionally bumpy? What is her attitude towards marriage? Zheng Yuling's emotional life is like a fascinating puzzle that is difficult to solve.
Let's step into her world and uncover the true story behind the unmarried queen.
Zheng Yuling's acting career began in 1975, when she joined Jiayi TV at the age of 20 and started her hosting career. Despite her mediocre appearance, Zheng Yuling quickly made a name for herself in the TV industry with her extraordinary hard work and talent.
In 1978, by chance, she participated in the martial arts drama "Golden Knife Love" and the fashion drama "Celebrity Love History", showing her multi-faceted acting talent.
In 1979, Zheng Yuling switched to TVB, and her career took off. In "The Bride Crossing the Port", her performance is delicate and nuanced, which can not only perform affectionately, but also show her comedic talent.
In the same year, she collaborated with Chow Yun-fat in "Man in the Net", and their tacit performance made the show a great success and established their status as a screen couple.
In 1983, Zheng Yuling took the first step into the big screen. Her performance in her film debut "Flower City" amazed the audience, winning the Best Newcomer Award at the Hong Kong Film Awards.
This "veteran film newcomer" has proved with his strength that he is not only a vase, but also an all-round actor.
Subsequently, Zheng Yuling's film career was booming. In 1988, she won the 25th Taiwan Golden Horse Awards for "Stars, Moon, and Sun". In the same year, she created the legend of "Zheng Jiugu" - filming across nine crews in one day, showing amazing professionalism and adaptability.
In 1991, Zheng Yuling's acting career reached its peak. She won the award for "Cousin, Hello! won the Best Actress at the Hong Kong Film Awards, realizing a gorgeous transformation from a TV host to a movie queen.
This work not only showcased her outstanding comedic talent, but also established her status in Hong Kong comedy films.
Since 1994, Zheng Yuling's focus has gradually shifted to the media stage, focusing on her hosting career. In 2000, she co-starred with Huang Zihua in the TV series "Male and Female Love", which once again proved her strength in the field of comedy.
Zheng Yuling's acting career is a legendary story from obscurity to star-studded. She used her strength and persistence to write a legend of her own in the Hong Kong entertainment industry.
In the comedy world of the Hong Kong film industry, Cheng Yuling stood out with her unique performance style and became the second comedy actress after Xiao Fangfang to take the lead.
Her comedic performance was unlike any other actor of the same period, especially in stark contrast to Wu Junru.
Wu Junru's comedy style is mostly "harlequin", usually amusing the audience through exaggerated expressions and movements. She did not hesitate to sacrifice her image and use rough and even crazy behavior to win laughter.
Although this "laugher-type" performance method is direct and effective, it can sometimes seem a little pompous.
In contrast, Zheng Yuling's comedy performance is more delicate and restrained. She is adept at using subtle lines and subtle facial expressions to create a sense of comedy for her characters. In "Hello, Cousin! ", she plays Sister Zheng is a character full of joy and authenticity.
Through the appropriate performance, Zheng Yuling interprets this dogmatic character with both comical and deep depth.
Zheng Yuling's comedy performance is not only at the level of funny, she is also good at injecting depth and connotation into her characters. For example, in "The Legend of Huaqiao", she plays a character that is both comical and sympathetic in the authentic Sichuan dialect.
In the first act, her exaggerated makeup becomes the laughing stock of everyone; And in the second act, when she appears with her striking beauty, another side of the character is revealed.
This multi-layered performance shows her unique understanding of comedy.
In addition, Zheng Yuling is also good at using her language advantages. Due to her long-term work in the television industry, she has excellent line expression skills. Even in the Hong Kong film industry, where dubbing was common at the time, she insisted on dubbing the characters herself, which made her performances more authentic and infectious.
Cheng Yu-ling's comedy performance not only makes the audience laugh, but also provokes thought. She interpreted the essence of comedy in her own way and became an indispensable highlight of the Hong Kong film industry.
Her success lies not only in the fact that she can make the audience laugh, but also because she can make the audience recall the depth of the character and the connotation of the story after laughing. This unique comedy style has made her occupy an important place in the history of Hong Kong comedy films.
Zheng Yuling's success is not accidental, but stems from her love and unremitting efforts in her acting career. Her story confirms the authenticity of the ancient adage "one minute on stage, ten years off stage".
In her early days, Zheng Yuling faced a big challenge - slurred speech. However, she was not discouraged by this, and chose to read the newspaper every day to improve her pronunciation.
Through this persistent practice, she eventually reached the level of fluent speech and clear articulation, laying the foundation for becoming an excellent actor and host in the future.
Cheng's thirst for knowledge is also one of the key factors in her success. Even in between busy shoots, she always has her hands on her hands. On the set, she can often be seen hiding in the dressing room and reading quietly.
This habit of continuous learning not only enriches her knowledge reserves, but also adds depth and connotation to her performances.
For each role, Zheng Yuling will make meticulous preparations. She would write down the costumes, hairstyles and props needed for each scene in detail in the script to make the character as perfect as possible.
This rigorous work attitude allows her to navigate the performance with ease, showing the multiple facets of the role.
The legend of "Zheng Jiu Group" is the best proof of her professionalism. Shooting across nine crews in one day, this kind of work intensity is unimaginable to ordinary people. However, even in such a busy work, Zheng Yuling still maintained a high level of performance, showing her super adaptability and professionalism.
Even after becoming famous, Zheng Yuling still maintained a humble attitude. When she was hailed as an "extraordinary sister", she frankly admitted that she did not dare to compare with Wang Mingquan, showing her humble character.
This kind of non-arrogant and impatient mentality allows her to always maintain the motivation for progress.
The secret of Zheng Yuling's success is to be diligent and rigorous throughout her acting career. She used practical actions to interpret what professionalism is, and became a role model for future generations of artists to learn.
Zheng Yuling's attitude towards life can be summed up by one of her famous sayings: "I no longer have anything to save except money". This quote not only reflects the importance she places on wealth, but also hints at her unique perspective on other things, including marriage and love.
In her love life, Zheng Yuling has experienced two well-known romances, but both ended in embarrassing ways. The first is a ten-year love affair with Gan Guoliang, which began with the collaboration of "The Bride Crossing the Port" in 1980.
Gan Guoliang is not only Zheng Yuling's lover, but also gave her great help in her career. He is good at tapping Zheng Yuling's potential, allowing her to show a different side in works such as "Catch One by One".
However, this seemingly perfect relationship ended because of "love without sex". In 2008, when the media asked about the past, Gan Guoliang revealed that Zheng Yuling refused to have premarital sex on the grounds of religious beliefs.
And Zheng Yuling responded: "He has no interest in women. The truth of this relationship may only be known to the parties involved, but it undoubtedly casts a veil of mystery over Zheng Yuling's love life.
The second noteworthy relationship is the sixteen-year love with Lu Fang. This relationship began in 1992, when Zheng Yuling was moved by Lu Fang's singing in a variety show.
However, the relationship was also controversial. Because Zheng Yuling has an advantage in age, height and wealth, the outside world often labels Lu Fang as a "soft rice man".
Despite facing many criticisms, the two persevered for 16 years. Unfortunately, the relationship ended in a breakup. What's even more embarrassing is that after the breakup, Lu Fang publicly said that the sixteen years he spent with Zheng Yuling was "like going to prison", which undoubtedly brought harm to Zheng Yuling.
These two relationship experiences may explain why Zheng Yuling chose not to marry. She insisted on her lifestyle and was unwilling to change for the sake of marriage. She is also negative about childbirth.
These choices reflect her independent character and desire for freedom.
At the same time, Zheng Yuling's emphasis on money has also affected her emotional outlook. It is rumored that an important reason for her breakup with Lu Fang was that Lu Fang's investment mistakes caused her to lose a huge amount of money.
This once again confirms her philosophy of "no more storage but money".
In Cheng Yu-ling's world, money is important, but freedom and self are more precious. In her own way, she has demonstrated how to maintain a balance between her career and personal life, and has become a model for independent women in the minds of many.
In the star-studded Hong Kong entertainment industry, Zheng Yuling's life trajectory is particularly unique. Compared to other actresses of her time, she chose a path that few people followed.
Although Guan Zhilin is also unmarried, her love life has always been the focus of media attention and has experienced many sensational relationships. "Wu Zetian" Liu Xiaoting has experienced several twists and turns on the road of marriage, experienced many marriages, and even encountered a low point in his life because of this.
In stark contrast is Bao Qijing, who resolutely gave up the development opportunity of the big screen for the sake of her family, stayed with her husband for nearly half a century, and performed an enviable married life.
And Bao Jiahui chose to quit the showbiz for love and completely shifted the focus of her life to her family.
In contrast, Zheng Yuling always insists on herself and does not change her lifestyle for marriage or love. Her choices may not be understood by everyone, but they truly reflect her values and attitude towards life.
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