It turns out that Liu Yifei is the "god" in charge of workplace dressing

Harper's Bazaar

2024-07-01 18:11Harper's Bazaar official account

The full text is 2745 words, and it takes about 8 minutes to read, so help me highlight the key points

Highlight the point

In the 01 TV series "The Story of Rose", Huang Yimei played by Liu Yifei showed the change of dressing from campus to the workplace, which became the focus of the audience's attention.

02 Huang Yimei's dressing style is simple and exquisite, emphasizing aura, bringing confidence and confidence to newcomers who are just starting out in the workplace.

03 In addition, Huang Yimei is also good at integrating artistic aesthetics and dressing inspiration into it, showing a bright and warm beauty that is not too public.

04 At the same time, Huang Yimei's retro accessories such as hairpins, earrings, silk scarves, etc., add a bit of liveliness and charm to her outfit.

05 Overall, Liu Yifei successfully created a female image full of wisdom and knowledge, independent and confident in the play.

Technical support is provided by Tencent Hybrid Model

Among the roses, a splendid butterfly dances from the greenhouse of the art department to the jungle of the workplace.

"The Story of Rose" has just started, and Liu Yifei has let us get the unique charm of Huang Yimei's outfits with various looks in the play. From the youthful art department senior sister in campus life to the confident and capable workplace style after entering the society, every appearance of her is like a blooming rose, shining with a different light. Huang Yimei uses her outfits to tell a story about growth, transformation and self-discovery, just like her name, experiencing the transformation from ignorance to maturity and intellectuality, and narrating the story of roses.

The wind of the graduation season is blowing again, and the "workplace novices" who are about to enter the society are facing multiple changes in their lives and work. How to complete the transition from campus to the workplace through clothing is also an indispensable focus for them. You might as well open the "Rose Wardrobe" and follow Huang Yimei to easily handle the gorgeous transformation from a young woman to a young workplace style.

As a multi-faceted girl with multiple skills, Huang Yimei made her debut with a cool and casual roller skate, wearing loose denim overalls with a tight T-shirt, a casual baseball cap and even her hair exuding bright vitality.

Denim elements are not a few in Huang Yimei's wardrobe, and the almighty denim is enough to control multiple occasions through different collocations. At first, when she went to her brother's work unit for an internship, she also wore a neat denim suit, coupled with a simple high ponytail shape, which was both capable and free of a girl, mixed with a little childishness that just neutralized the stereotype of pretending to be an adult when she first entered the workplace, perhaps this is the best portrayal of youth.

Putting down the high ponytail and wearing an elegant shawl with long hair makes the whole person's temperament change in an instant. The point-to-point sexiness is a little more familiar in the workplace, and the overall shape is more generous.

After leaving the campus and officially stepping into the workplace, Huang Yimei has matured a lot in dressing. In the first formal interview after graduation, she changed into the "classic standard" of "white shirt + black high-waisted pants" in the workplace, and at the same time cleverly embellished it with a silk scarf, showing the confidence and elegance of becoming a working woman soon.

The workplace style of the first interview may be just a test for her, and the white shirt and dress when she officially joined the company was upgraded to the next level. The bow headband on the top of the head echoes the silk scarf around the waist, adding a bit of delicacy and delicacy to the overall elegant look, and the vitality exuded from the smile is also just right.

In addition to relatively formal regular wear, Huang Yimei is also handy with bright items. She often uses a colorful handbag or a pair of delicate high heels to enhance her professional image without losing her personality.

The red handbag with a generous and decent black and white color-blocked dress shows the fashion taste without dominating the leader at the same time; Or a houndstooth jacket with a white shirt combined with bootcut jeans, and the embellishment of the bright yellow mini handbag instantly breaks the overall simple color, revealing a hint of "yellow rose" like smart and lovely coquettishness, all of which interpret her intentions in collocation.

From a young woman to a mature working woman, Huang Yimei's dress is more simple and exquisite, and she also emphasizes her aura. To a certain extent, this kind of decent and personal style can bring a lot of confidence and confidence to newcomers who are just starting out in the workplace, and at the same time show their unique charm. Half elegant, half fresh, with a vision of the corner of life to face more opportunities and challenges in the future.

The fashion weather vane turned wave after wave, with "Mint Mambo" in front and "Mist Maiden" in the back, and the eyes of summer finally fell to "Monet's Garden Wind". As the name suggests, the style focuses on dreamy and beautiful color matching, showing a romantic atmosphere of French liveliness and fairy tale vision.

Huang Yimei, who was born in a scholarly family, has shown extraordinary artistic talent since she was a child, and as a graduate of the art department when she grows up, she is even better at integrating unique aesthetics and artistic inspiration into her outfits, showing a bright and warm beauty that is not too public. A set of beautiful outfits in high saturated colors simply moved the colorful "Monet's Garden" to the body, and a very new "Banweier" outfit came.

Huang Yimei wore a tulip dress embroidered with French dragonflies to attend the business dinner, and she amazed everyone as soon as she appeared. The large area of printed texture and the light and flowing organza fabric are mixed with different shades of yellow, like a blooming yellow rose, outlining a dream-like oil painting in the intertwined between the chips. On one side is a 22-year-old energetic female college student, on the other hand, there is a stunning beauty who is completely natural, it seems to be a bit of a disproportionate conflict, but it exudes a more subtle charm, like a small animal that transforms into a human form accidentally reveals its filling, like a dead tree and grows new shoots.

This printed light dress is more everyday, and it is suitable for both work and life. The bright yellow mixed with a bit of eye-catching and not too glamorous blue, has a high degree of adaptability to summer, and the slim short top with smart puff sleeves is like a Disney escape "princess". Such an outfit does not need to be a strong presence of gorgeous jewelry, and it is already effortless.

Printed tops are also her "killer feature" in workplace wear, whether it is a black rose print or a French floral dress, just the right amount of beauty is like a "Monet garden" by mistake. The look of going to work is not the same every day, and it is simply a walking grass planting site.

Of course, Huang Yimei's artistic outfits are not limited to the presentation of flowers, and solid colors can also create a romantic atmosphere in summer. The black shirt is paired with highly saturated red pants, and the large area of red and black dahlias have both the warmth of red and the calmness of black, colliding with multiple temperaments of heat, coldness, elegance and mystery, giving people an irresistible attraction. Whether it's a workplace outfit or a visit to an art exhibition, this kind of outfit is enough to show good taste.

The short lace tweed jacket is kneaded in bright yellow, with a simple white T-shirt inside, and a headband that echoes its tone, a beautiful and elegant atmosphere comes to the face, and the yellow and white daisy color scheme makes the skin tone particularly fair. Huang Yimei wandered in the summer "Monet's Garden", creating a unique artistic atmosphere through different color combinations, and vividly interpreting the fairy tale artistic conception of the intersection of virtual and real, which can really be described as "no flowers are better than flowers".

In Huang Yimei's outfits, the frequent appearance of retro accessories such as colorful hairpins, exaggerated earrings, and silk scarves brings us back to the millennium era full of infinite possibilities. Looking back at the fashion veins of the millennium, the colorful five-pointed star hairpin is undoubtedly the standard for millennial babes. The colorful colors of multiple overlapping wear can easily grasp the retro trend, and the combination of lace and black camisoles will fill the sweet and cool atmosphere.

The candy-colored linear hairpin has the same trick, wandering between the youthful double ponytails, and then some colorful small leather bands that echo it, which instantly adds a bit of liveliness. With summer abstract painted short sleeves and trouser leg overalls, the sweet Y2K reveals a touch of literary style, making people feel in the youth campus full of dreams and vitality.

As the "resident player" in Huang Yimei's outfits - yellow, tweed jackets, dresses, bags, etc. are not enough, and some yellow earrings may be more complete. A touch of yellow retro earrings are embellished on the ears, whether it is a relatively formal suit or a top mixed with everyday jeans, it is extremely suitable for it, and perfectly echoes the fashion attributes.

The silk scarf is also an indispensable retro item for creating a millennial girl, and Huang Yimei played with it in the play. Before the first interview, she accidentally soiled her clothes, and asked Su Gengsheng, who she didn't know at the time, for help, Su Su also gave her her silk scarf without hesitation, and Huang Yimei simply covered it on the white shirt, which resolved the embarrassment caused by stains.

During the interview, when she recognized that the interviewer in front of her was Su Gengsheng, who lent her the silk scarf, and when faced with Su Su's difficult question about explaining the choice of this silk scarf, she was not stage frightened, behaved confidently and generously, spoke appropriately, and accurately said the information and style of the designer of this silk scarf.

During the retest, Huang Yimei broke the conventional way of tying the silk scarf and skillfully wrapped it around her waist, and the old-fashioned silk scarf immediately showed her wanton charm and infinite possibilities for dressing; After joining the company, Su Gengsheng taught Huang Yimei workplace experience, and she also reciprocated with courtesies and chose a silk scarf to give to Su Su. As an important item to connect the plot, the silk scarf has witnessed her growth all the way.

In Huang Yimei, beauty is just a plus. Her lively and cheerful personality has a natural affinity, and her independent and confident spirit makes her not rely on her appearance to attract others, but also to win respect and appreciation through her own wisdom and knowledge. The strong heart of freedom and freedom is never bound by tradition, and bravely pursues her own ideal of happiness, and this tenacious and self-reliant rose spirit is also the essence of the millennial girl.

Liu Yifei tried for the first time in the play to play a character that spanned 20 years from the age of 20 to 40, Huang Yimei's outfits changed and grew up with this character, and the growth of women became concrete through dressing. No matter in any era, the so-called workplace outfit is actually not a boring fixed template, and it is also a choice to integrate personal style into workplace wear like Huang Yimei.

Executive Producer/Ning Lee Sherry

Editor-in-charge/Gin

撰文/Evonne

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

• 

•