In the Chinese comedy industry, the name Feng Gong is like thunder, and with his amazing perseverance and talent, he has set a record of 33 consecutive appearances on the stage of the Spring Festival Gala, and is known as the "Spring Festival Gala Evergreen".
Every year on Chinese New Year's Eve, when Feng Gong appears on the screen, he uses his trademark "I want to die to you!" "Greeting the national audience seems to have become a tradition and makes the audience feel more familiar.
Feng Gong's personal charm lies not only in his unique sense of humor and down-to-earth performance style, but also in his persistence and inheritance of his comedy career. Over the years, he has been committed to cultivating outstanding comedy talents, and the four most outstanding of them are Jia Ling, Li Mingyu, Bai Kainan and Song Ning.
These four apprentices have their own strengths and are very different. Under Feng Gong's careful teaching, they continued to explore, try to innovate, and walked out of their own unique wonderful life on the road of comedy.
Feng Gong often said: "Comedy is not only to make people laugh, but also to make people think" This sentence has also become a common pursuit of him and his apprentices.
Jia Ling's unique sense of humor and creative talent have made her the queen of comedy for the new generation, and her "Hello, Li Huanying" has become the first choice of many people's annual box office. Li Mingyu worked silently behind the scenes and created many popular works, such as "Bus Concerto".
Bai Kainan has shown outstanding talent in the field of cross talk and sketches, although he has suffered setbacks, he is still constantly exploring and trying, and Song Ning, with his sweet appearance and solid skills, has become a rare "face responsible" in the cross talk industry.
The growth of these apprentices reveals the main development trajectory of the Chinese comedy industry, and they continue to innovate in different fields to promote the development of comedy. These apprentices not only inherit Feng Gong's comedy spirit, but also a vivid portrayal of the inheritance and innovation of China's comedy career.
The story of Feng Gong and the four high-ranking disciples reflects the development of the Chinese comedy industry.
Among Feng Gong's four great disciples, Jia Ling is undoubtedly the most dazzling. But what is less known is that Jia Ling's comedy path began with a wonderful misunderstanding.
Jia Ling was not from a superior background, but she was admitted to the Central Academy of Drama through her own efforts. She had planned to become a serious theater actress, but fate played a joke on her at this moment.
When she was called by the Central Academy of Drama at that time, asking her about the major she wanted to study, the person who answered the phone was Jia Ling's mother, who understood that her daughter had a love for drama in her heart, so she told the teacher honestly that Jia Ling wanted to study drama.
However, due to the accent problem, the teacher misheard it as a "comedy major", and in this way, Jia Ling embarked on the road of comedy by mistake.
Although she grew up in an environment with poor family conditions, Jia Ling did not give up her love for comedy. She worked hard to learn comedy skills, and soon made a name for herself in the comedy industry, gained a certain popularity, and achieved her brilliant comedy life through hard work.
Coincidentally, Jia Ling became Feng Gong's apprentice. Teacher Feng Gong contributed to Jia Ling's comedy career and made it smooth. Jia Ling's acting skills have not stopped, and she has also emerged and started directing.
Jia Ling's unremitting efforts are featured in "Hello! Lee Hwan Young" has a perfect performance in this work. This film not only made her a huge success at the box office, but also brought Jia Ling's career to a new peak.
With her talent and hard work, Jia Ling has successfully proved that she has grown into an all-round comedian.
However, Jia Ling always had a lingering regret in her heart at the most glorious moment, that is, her mother had passed away and could not witness her daughter's success with her own eyes. This has become a "difficult to settle" in her heart, and it has also become the driving force for her to keep moving forward.
Jia Ling's life experience tells us that superficial "misunderstandings" may become turning points in life. With her story, she proves that with perseverance, even if you don't have a high starting point, you can shine on the stage of comedy.
Now Jia Ling is not only one of Feng Gong's best apprentices, but also a new generation of leaders in the Chinese comedy industry.
Among Feng Gong's four great disciples, Li Mingyu's popularity may be relatively low, but his achievements are actually not to be underestimated, and he is not inferior to other high disciples. In a way, Li Mingyu can be said to be the most accomplished of all Feng Gong's apprentices, although he is not as well-known as other apprentices.
Li Mingyu's talent is mainly reflected in creation, he has created many popular Spring Festival Gala sketches for Feng Gong over the years, including the famous "Bus Concerto", which caused the audience to laugh, but also deeply reflected the social reality, reflecting the concept that Feng Gong has always emphasized that "comedy should make people think".
However, Lee is not content to be just a creator. With a love for comedy and a passion for innovation, he began to explore more possibilities. In addition to creating cross talk and sketches, he also performed in other theaters and won unanimous praise from the audience.
Lee's success has not been without its challenges. During one performance, his talent aroused the jealousy of the theater owner. The boss was worried that Li Mingyu would steal the limelight from him, and began to exclude him everywhere.
Faced with such a predicament, Li Mingyu was not discouraged, but chose to cooperate with friends and created his own new theater.
This decision marks Lee Myung-woo's transformation from a mere creator to a full-fledged comedy business operator. Not only did he continue to develop his creative talents, but he also began to learn and practice theatre management skills.
In the process, Li Mingyu deeply realized that comedy requires not only talent, but also courage and perseverance.
Today's Li Mingyu is already known as a successful person in the comedy circle. His shrewd theatre management and unique productions have enabled him to maintain excellence in theatre activities and to produce works that are loved by audiences.
Li Mingyu's story fully demonstrates the bitterness and glory behind the scenes of comedians, and interprets the true meaning of silent cultivation.
Although Li Mingyu is not as dazzling as Jia Ling, his achievements are undoubtedly the most outstanding among Feng Gong's four great disciples. In his own way, he inherited and carried forward Feng Gong's comedy spirit and created a new world for his career.
His experience shows how a comedian can find a balance between creation and business, and how to stay true to his original intention while constantly innovating.
At first, Bai Kainan's outstanding performance in the field of cross talk and sketches made him known as one of Feng Gong's most potential successors. His solid cross talk skills and excellent sketch performances made the audience applaud.
Kenan Paik's talent was on display on stage, and the audience was full of praise for his performance, and if he continues on this path, the future will undoubtedly be limitless.
However, Bai Kenan is not satisfied with the status quo, he longs for a bigger stage and more possibilities. As the saying goes, "This mountain looks at that mountain high", Bai Kainan decided to try to enter the entertainment industry, hoping to display his talent in a broader world.
Bai Kainan stepped into the showbiz with ambition and pride, but the reality gave him a heavy blow. The showbiz is a place with many handsome men and beautiful women and fierce competition. Although Bai Kainan has made great efforts and starred in many film and television works, he has never been able to stand out.
He seems to have become a "little transparent", without much presence, and the light that once appeared on the comedy stage was completely obscured.
This experience was a huge blow to Bai Kenan, who began to question his choices and felt lost about the future. During this low period, Bai Kainan began to re-examine his own path.
After much deliberation, Kenan Bai made a difficult decision – to return to the world of comedy. However, it backfired, and he found himself missing the perfect time. The former audience seems to have forgotten about him, and it has become extremely difficult to return to the world of comedy.
Faced with such a predicament, Bai Kenan did not give up. He began to re-study cross talk and sketches, trying to get back to his original feeling. Although he could not regain his former glory, Bai Kenan has a deeper understanding of the essence of comedy and has found his own place in the process.
Kenan Bai's experience is a good illustration of the twists and turns that a comedian can go through growing up. His story teaches us that exploration and experimentation, while frustrating, are also necessary ways to find yourself.
Although his development path is not smooth, Bai Kainan has never given up his love for comedy, and this spirit is exactly the quality that Feng Gong advocates for comedians.
Among Feng Gong's four great disciples, Song Ning is the most distinctive one. Her appearance has changed people's stereotypes of cross talk actors and injected a new artistic atmosphere into the comedy industry.
In the traditional impression, cross talk actors are mostly male and mediocre in appearance. However, the appearance of Song Ning subverts this stereotype. She is not only sweet-looking, but also has solid comedy skills, and has become a rare "good-looking" cross talk actor.
Song Ning knows that in the comedy world, it is not enough to have a beautiful appearance. Under the guidance of Feng Gong, she devoted herself to the study of the art of cross talk and unremittingly improved her performance skills. Song Ning's diligence and talent soon paid off.
She has successfully appeared on the stage of the Spring Festival Gala many times, and her performance is perfect every time, winning high praise from the audience.
In addition to cross talk performances, Song Ning has shown extraordinary talent in sketch creation and performance. She took the charm of comedy to the extreme, and the audience was surprised to find that she was not only eloquent, but also able to accurately grasp the essence of the characters.
However, Song Ning's development has not been smooth sailing, and compared with Jia Ling, she has never been able to reach the level of "big popularity". In the face of such a situation, Song Ning was not discouraged, she always remembered Feng Gong's teachings and insisted on taking her own comedy path.
Song Ning is always experimenting with new forms of performance, and is committed to bringing joy and emotion to the audience in each performance. Although she didn't become popular, she found her own brilliance in the ordinary.
She interprets the charm of comedy in her own way, and also shows the demeanor of a new generation of comedians.
Song Ning's story tells us that in the world of comedy, a person's appearance and talent are just as important. More importantly, a true comedian should know how to create excitement in the ordinary and convey happiness in the subtleties.
Song Ning may not be the most shining of Feng Gong's four great disciples, but she is undoubtedly the most unique one.
Her appearance not only enriches the diversity of the comedy industry, but also sets an example for more women to enter the field of cross talk and comedy. Song Ning's experience proves that as long as there is talent and perseverance, no matter who can shine on the stage of comedy.
In her own way, she interpreted the spirit of comedy taught by Feng Gong and contributed her own strength to the development of Chinese comedy.
Feng Gong and his four masters: Jia Ling, Li Mingyu, Bai Kainan, and Song Ning, jointly composed a moving song of comedy inheritance. Under the guidance of Feng Gong, they have embarked on a comedy road with their own characteristics.
Each apprentice has his own characteristics and strengths.
With her unique sense of humor and creative talent, Jia Ling has been successfully promoted to the new generation of comedy queen. Her work "Hello! Lee Hwan Young was not only a huge success at the box office, but also took her career to new heights.
Lee Ming-woo worked behind the scenes, creating popular works such as "Bus Concerto", and at the same time successfully running his own theater, becoming a behind-the-scenes hero in the comedy industry.
Although Bai Kainan has experienced a tortuous journey from cross talk sketches to the film and television industry and even back to the comedy industry, he has continued to explore and grow in the process, showing the unique resilience of a comedian.
At the same time, with his sweet appearance and solid skills, Song Ning has become one of the few "face leaders" in the cross talk industry, and he has injected new vitality into the comedy industry.
The growth process of these four apprentices reflects the development process of the Chinese comedy industry. They inherited Feng Gong's comedy spirit, and at the same time continued to innovate in their respective fields, jointly promoting the prosperity and growth of China's comedy industry.
Feng Gong has always emphasized, "Comedy is nothing more than a mirror, which can not only reflect the truth of society, but also reflect the light of human nature." This concept has also become the common pursuit of several masters and apprentices. Whether it is Jia Ling's films, Li Mingyu's creation, Bai Kainan's performance, or Song Ning's cross talk, they are all working hard to achieve this goal.
Although each person's achievements are different, they all convey the extraordinary charm of comedy in their own way. Just like the title: "Feng Gong's four great disciples: all of them are full of strength, and Jia Ling ranks second at most."
This is not a belittling of other disciples, but an affirmation of the unique value of each person.
Taking the story of Feng Gong and his four great disciples as an example, this is not only the personal biography of several comedians, but also the epitome of the inheritance and innovation of China's comedy industry. It tells us that the true spirit of comedy lies in persistence and innovation, but also in transmitting positive energy with joy and warming people's hearts with laughter.