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Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In the ancient court, there were three thousand beauties in the harem, and each concubine fought for the emperor's favor in her own way. However, Jianqiu couldn't get the chance to sleep because of a seemingly insignificant detail - her hairstyle. This is not because her appearance is not outstanding, in fact, Jian Qiu's appearance is also one of the best in the harem. But it was her unique hairstyle that became an obstacle to her closeness to the emperor.

The hairstyle is inherited by the family and is said to have been created by a famous court hairstylist in ancient times. This hairstyle is complex and delicate and requires a long period of care and maintenance. It not only reflects the noble status of the Jianqiu family, but also shows her personal taste and aesthetics. However, in such a competitive environment as the harem, this hairstyle became her disadvantage.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

First of all, cutting your hairstyle requires a lot of time and effort to take care of. Every morning, she spent hours combing and decorating, which prevented her from having as much time as other concubines could learn court etiquette, practice singing and dancing, or participate in court activities to attract the emperor's attention. On the big stage of the harem, everyone is trying their best to show their talents and charm, but Jianqiu has lost many opportunities to show himself because of her hairstyle.

Secondly, the hairstyle of the cut autumn was too unique and even a little out of place in the court. The concubines in the harem, in order to cater to the emperor's preferences, often chose those hairstyles that were popular and in line with the court's aesthetics. And the hairstyle of the cut autumn, although beautiful, made the emperor feel strange and incomprehensible because of its uniqueness. In the eyes of the emperor, the cut-out hairstyle may represent an incomprehensible culture and tradition, which made it difficult for him to develop a sense of intimacy.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Moreover, the hairstyle of the cut autumn also reflects her personality to some extent. She adheres to her family traditions and is unwilling to go with the flow, a character that is especially prominent in the harem. However, this insistence may have been seen by the emperor as a form of stubbornness and intransigence, which conflicted with the image of the concubine that the emperor expected. In an environment like the harem, which requires tactfulness and flexibility, Jianqiu's character has become her shortcoming.

In addition, the haircut may also arouse jealousy and exclusion from other concubines. In such a competitive environment as the harem, each concubine hopes to be favored by the emperor. Kiaki's unique hairstyle, while in some way showcasing her difference, can also be seen as a threat. Other concubines may deliberately alienate her out of jealousy, or even slander her in front of the emperor, which undoubtedly increases the difficulty of Jianqiu gaining a foothold in the harem.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Finally, the haircut also reflects her identity and insistence. Her reluctance to abandon her family traditions is partly a reflection of her self-esteem and self-confidence. However, in an environment like the harem that requires constant adaptation and compromise, Jianqiu's persistence has instead become a burden for her. She needed to find a balance between staying ego and adapting to her environment, which was a huge challenge for her.

To sum up, the reason why Jianqiu can't sleep is not because of her appearance, but because of a series of problems caused by her unique hairstyle. Not only does her hairstyle limit her opportunities to showcase herself, but it also makes her look out of place in the harem. At the same time, her hairstyle may also cause jealousy and exclusion from other concubines, as well as misunderstandings by the emperor. Jianqiu needs to learn how to survive and thrive in the complex environment of the harem while maintaining her uniqueness.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In the popular TV series "The Legend of Zhen Huan", Jianqiu's image left a deep impression on the audience, especially her hairstyle, which was described as "strange". However, this seemingly eccentric "broom head" is not the screenwriter's imagination, but has deep historical roots. In fact, the hairstyle of cutting autumn is a traditional hairstyle of Han women in ancient times - the magpie tail hairstyle.

The magpie tail hairstyle, as the name suggests, resembles the tail of a magpie in shape, and is a hairstyle that pays great attention to skill and craftsmanship. This hairstyle is characterized by combing the hair very neatly and then tying it into a high bun on the top of the head or at the back of the head, with the tail of the bun extending outwards to resemble the tail of a magpie, hence the name. The magpie tail hairstyle not only reflects the dignity and elegance of women, but also symbolizes a noble identity and status.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In "The Legend of Zhen Huan", the magpie tail hairstyle of the cut autumn has become her distinctive symbol. This hairstyle was not common in the court of the time, so it appeared particularly abrupt in the eyes of the other concubines. Cut's hairstyle not only reflects her personality, but also hints at her unusual origins and background. Her hairstyle became a symbol of her uniqueness and made her stand out in the harem.

The making of the magpie tail hairstyle is very complex and requires a lot of skill and a lot of time. Jianqiu spends a lot of time combing and decorating her hair every morning, which not only shows her patience and carefulness, but also reflects her pursuit and persistence in beauty. However, in such a competitive environment as the harem, Cutaki's hairstyle has also become her disadvantage. Her hairstyle took a lot of time to take care of, which prevented her from having as much time to participate in the various activities of the court as other concubines, and thus lost many opportunities to show herself.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In addition, the magpie tail hairstyle of the cut autumn was too unique and even a little out of place in the court. In order to cater to the emperor's preferences, the concubines in the harem often chose those hairstyles that were popular and in line with the court's aesthetics. And the magpie tail hairstyle of the cut autumn, although beautiful, made the emperor feel strange and puzzled because of its uniqueness. In the eyes of the emperor, the cut-out hairstyle may represent an incomprehensible culture and tradition, which made it difficult for him to develop a sense of intimacy.

The magpie tail hairstyle may also cause jealousy and exclusion from other concubines. In such a competitive environment as the harem, each concubine hopes to be favored by the emperor. Kiaki's unique hairstyle, while in some way showcasing her difference, can also be seen as a threat. Other concubines may deliberately alienate her out of jealousy, or even slander her in front of the emperor, which undoubtedly increases the difficulty of Jianqiu gaining a foothold in the harem.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

However, Jianqiu did not give up her hairstyle because of these difficulties. She adheres to her family traditions and is unwilling to go with the flow, a character that is especially prominent in the harem. Her persistence not only reflects her self-esteem and self-confidence, but also demonstrates her unique understanding and pursuit of beauty. Akira's haircut became a symbol of her personality and a driving force for her survival and development in the harem.

In "The Legend of Zhen Huan", although the magpie tail hairstyle of Jianqiu brought her a lot of troubles, it also made her unique in the harem. Her hairstyle not only showcases her beauty, but also her personality and persistence. The story of Jianqiu teaches us that even in challenging circumstances, we must insist on our uniqueness and be brave enough to show our beauty.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In the court drama "The Legend of Zhen Huan", the character of Song Zhi is famous for his unique hair bun style. Her bun got its name from the shape of Mickey Mouse's ears, which became a joke among the crew at the time. This bun not only adds a bit of playfulness and cuteness to the character of Songzhi, but also brings a touch of lightness and humor to the tense court struggles.

Songzhi's bun design is inspired by the traditional hairstyles of ancient Han women, and has been reinterpreted with modern aesthetics to form a unique style that is both classical and modern. This bun is characterized by two round buns tied up on each side of the top of the head, which are shaped like Mickey Mouse's ears, giving it a lively and cute impression. In the crew, many crew members and actors were attracted by this unique hair bun and praised the creativity and ingenuity of Songzhi's actor stylist.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Songzhi's bun is not only visually pleasing, but also plays an important role in the plot. In the court, each concubine's hairstyle was a symbol of their status and status. Because of its uniqueness, Songzhi's bun makes her stand out among many concubines and becomes an existence that cannot be ignored. Her bun not only showcased her personality and charisma, but also became a calling card for her in court struggles.

However, Songzhi's bun also caused her some trouble. In such a hierarchical and rule-based environment as the court, Songzhi's bun was a little out of place because of its uniqueness. Some old-fashioned palace maids and eunuchs may point fingers at her because of this, or even talk about her behind her back. Songzhi had to face pressure and challenges from all sides, but she did not give up her hair bun because of this, but strengthened her faith and determination.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Songzhi's bun also became a bridge for her to communicate with other concubines. In such a competitive and intriguing environment as the harem, Songzhi's bun makes her appear more cordial and friendly. Many concubines were attracted to her bun and were willing to communicate and share it with her. Songzhi's bun became a bond of friendship between her and other concubines, and also allowed her to gain more support and help in the harem.

In addition, Songzhi's bun also reflects her wisdom and strategy. In the court struggle, Songzhi did not choose to clash head-on with other concubines, but showed his personality and charm through his own hair bun. Her bun became a weapon for her, allowing her to occupy a place in court struggles. Songzhi's bun not only earned her a place in the harem, but also became a symbol of her wisdom and strategy.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In the crew, Songzhi's bun has also become the focus of discussion. Many cast and crew members were attracted to this unique bun and discussed its design and production. Some actors even said that if they had the opportunity, they would also be willing to try this kind of hair bun and experience the style of ancient Han women. Songzhi's bun not only brought joy and relaxation to the crew, but also became a common memory and topic for everyone.

Overall, Songzhi's bun got its name because of its shape similar to Mickey Mouse, which became a joke among the crew. This bun not only adds a bit of playfulness and cuteness to the character of Songzhi, but also brings a touch of lightness and humor to the tense court struggles. Songzhi's bun reflected her personality and charm, and also became a calling card for her in court struggles. At the same time, this bun also became a bridge for her to communicate with other concubines, allowing her to gain more support and help in the harem. In the crew, Songzhi's hair bun has also become the focus of everyone's discussion, bringing joy and relaxation to everyone.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In the court drama "The Legend of Zhen Huan", Songzhi has attracted much attention for his unique hair bun style. Her hair is small and delicate, and the shape bears a striking resemblance to Mickey Mouse's ears, so she is nicknamed "Squeaky Promise". This feature not only attracted the attention of other characters in the play, but also became a widely circulated joke among the crew.

Songzhi's hair bun is cleverly designed, it is based on the traditional hairstyle of ancient Han women, and has been carefully improved and innovated to form a unique shape that is both in line with ancient aesthetics and modern sense. This bun is characterized by combing your hair very neatly, and then tying two small buns on each side of the top of the head, which resemble Mickey Mouse's ears, giving a lively and cute impression. In the crew, many crew members and actors were attracted by this unique hair bun and praised the creativity and ingenuity of Songzhi's actor stylist.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In the play, Songzhi's "squeaky promise" bun becomes part of her personality. Her bun not only showcased her playfulness and cuteness, but also became a unique symbol of her in the harem. In such a hierarchical and rule-based environment as the court, Songzhi's bun is particularly eye-catching because of its uniqueness. Her bun not only earned her the nickname "Squeaky Promise", but also became an important symbol that distinguished her from other concubines in the harem.

However, Songzhi's "squeaky promise" bun also caused her some trouble. In a place like the court, where tradition and rules are valued, Songzhi's bun is a bit out of place due to its uniqueness. Some old-fashioned palace maids and eunuchs may point fingers at her because of this, or even talk about her behind her back. Songzhi had to face pressure and challenges from all sides, but she did not give up her hair bun because of this, but strengthened her faith and determination.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Songzhi's "squeaky promise" bun also became a bridge for her to communicate with other concubines. In such a competitive and intriguing environment as the harem, Songzhi's bun makes her appear more cordial and friendly. Many concubines were attracted to her bun and were willing to communicate and share it with her. Songzhi's bun became a bond of friendship between her and other concubines, and also allowed her to gain more support and help in the harem.

In addition, Songzhi's "squeaky promise" bun also reflects her wisdom and strategy. In the court struggle, Songzhi did not choose to clash head-on with other concubines, but showed his personality and charm through his own hair bun. Her bun became a weapon for her, allowing her to occupy a place in court struggles. Songzhi's bun not only earned her a place in the harem, but also became a symbol of her wisdom and strategy.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In the crew, Songzhi's "squeaky promise" bun has also become the focus of discussion. Many cast and crew members were attracted to this unique bun and discussed its design and production. Some actors even said that if they had the opportunity, they would also be willing to try this kind of hair bun and experience the style of ancient Han women. Songzhi's bun not only brought joy and relaxation to the crew, but also became a common memory and topic for everyone.

Overall, Songzhi's "squeaky promise" bun got its name because of its shape similar to Mickey Mouse, which became a joke among the crew. This bun not only adds a bit of playfulness and cuteness to the character of Songzhi, but also brings a touch of lightness and humor to the tense court struggles. Songzhi's bun reflected her personality and charm, and also became a calling card for her in court struggles. At the same time, this bun also became a bridge for her to communicate with other concubines, allowing her to gain more support and help in the harem. In the crew, Songzhi's hair bun has also become the focus of everyone's discussion, bringing joy and relaxation to everyone.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Shen Meizhuang is deeply loved by the audience for his dignified and generous image in "The Legend of Zhen Huan". Her character in the play is both gentle and strong, and she is a typical image of an ancient court woman. However, when the modern shape of the character of Shen Meizhuang was shown, it unexpectedly received some criticism. This contrast raises questions about the relationship between the character image and the context of the times.

First of all, Shen Meizhuang's image in the play is carefully designed to match her identity and status as a harem concubine. Her gorgeous and elegant costumes, delicate makeup without being overly ostentatious, and her hairstyle is typical of ancient court buns, all of which perfectly set off her noble temperament. In the play, every appearance of Shen Meizhuang gives people a sense of stability and restraint, and her words and deeds strictly abide by court etiquette, which is consistent with her role positioning in the play.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

However, when Shen Meizhuang's modern look was showcased, the audience's response was very different. In modern society, people's aesthetic concepts and values are very different from those of ancient times. Modern styling tends to emphasize individuality and self-expression, and Shen Meizhuang's modern styling may be criticized for being too conservative or not in line with modern aesthetics. For example, her hairstyle may be considered too traditional and lacks modernity; Her attire may be considered too formal and not casual or fashionable enough.

In addition, Shen Meizhuang's modern look may also be criticized for contrasting too much with her image in the play. The audience has become accustomed to her classical beauty in the play, and when she appears in a completely different image, it can be uncomfortable and even a little disappointing. This contrast may make people feel that the modern styling does not convey the inner temperament and personality of Shen Meizhuang's character very well.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

However, this criticism also reflects a deep understanding and expectation of the persona's image. It is hoped that the modern styling of the character can continue its image characteristics in the play, and at the same time, it can also incorporate modern elements to show the multi-faceted and contemporary sense of the character. This requires stylists to take into account both the intrinsic qualities of the character and the aesthetic trends of modern society when designing modern looks.

In addition, the criticism of Shen Meizhuang's modern styling also reminds us that the shaping of a character image is a complex process that requires a variety of factors to be taken into account. In different eras, people's definitions and pursuits of beauty are different. Therefore, whether in the play or in real life, we need to constantly explore and try to find the most suitable way of image expression for ourselves.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In general, Shen Meizhuang appears in the play as a dignified and generous image, but the modern style has been criticized, a phenomenon that has caused people to think about the relationship between the character image and the background of the era. This also reminds us that when creating a character image, we need to comprehensively consider the internal characteristics of the character, the background of the times, and the expectations of the audience, so as to create an image that is both in line with the character's positioning and can resonate. At the same time, it also makes us realize that beauty is diverse, and each person's pursuit and understanding of beauty is unique, and we should respect and appreciate this diversity.

Shen Meizhuang, as an important role in "The Legend of Zhen Huan", is deeply rooted in the hearts of the people with his gentle, virtuous, dignified and generous image. In the play, every appearance of her is a picture of classical beauty, whether it is clothing, makeup or manners, it perfectly interprets the style of ancient court women. However, when the modern appearance of this classical beauty was displayed in front of the public, it unexpectedly caused widespread complaints from netizens, which was in stark contrast to the image in the play.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In modern styling, Shen Meizhuang's taste in clothing does not seem to be recognized by the audience. Some netizens believe that her modern outfit is too conservative and lacks a sense of fashion, which is far from the noble temperament she showed in "The Legend of Zhen Huan". This contrast makes the audience who are accustomed to her classical image feel difficult to adapt to, and even a little disappointed.

First of all, Shen Meizhuang's modern clothing may be too simple in terms of color selection, lacking a sense of hierarchy and visual impact. In "The Legend of Zhen Huan", her costumes are colorful and harmonious, and each piece of clothing is carefully matched, showing her unique aesthetics and taste. However, in modern styling, her clothes can be too minimalist and even a little dull to catch the viewer's eye.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Secondly, Shen Meizhuang's modern clothing may also be too traditional in style design and lack innovation. In "The Legend of Zhen Huan", her costume design is full of classical elements, such as embroidery, buckles, etc., these details reflect her noble identity and elegant temperament. However, in modern looks, her outfit may be too ordinary and lack highlights to show off her personality and charm.

In addition, Shen Meizhuang's modern clothing may also have problems with matching. In "The Legend of Zhen Huan", her outfits are always just right, whether it is color, style or accessories, they all complement each other, showing her overall beauty. However, in modern looks, her outfits can be too casual and lack elaborate design to create a unified and harmonious visual effect.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

However, this kind of complaining about Shen Meizhuang's modern clothing taste also reflects the audience's deep feelings and expectations for her role. The audience hopes that she can continue the image characteristics of the play in the modern style, showing the same noble temperament and elegant demeanor. This expectation is not only a recognition of Shen Meizhuang's role, but also a challenge to modern fashion.

At the same time, this kind of complaining also reminds us that the relationship between modern fashion and classical beauty is not irreconcilable. In modern society, we can try to combine classical elements with modern design to create a clothing style that is both contemporary and classical. This requires designers to be brave in innovation and experimentation on the basis of respecting tradition, and inject new vitality into modern fashion.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In addition, Shen Meizhuang's modern clothing taste has been complained about, which also makes us realize that everyone's aesthetic concept and taste are unique. In modern society, we should respect and appreciate this diversity and encourage everyone to create their own fashion style according to their own preferences and characteristics.

In general, Shen Meizhuang's modern taste in clothing has been complained by netizens, which is in stark contrast to the image in the play, which has triggered people's thinking about the relationship between modern fashion and classical beauty. This also reminds us that in the pursuit of fashion at the same time, we should not ignore the value of classical beauty, but on the basis of respecting tradition, we should have the courage to innovate and try, and create a clothing style that has both a sense of the times and a classical charm. At the same time, we should also respect everyone's aesthetic diversity and encourage everyone to show their unique fashion charm according to their own preferences and characteristics.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Li Concubine is a controversial character in "The Legend of Zhen Huan", and her casting has caused widespread discussion among the audience, and is even considered a failure of the casting in the play. The formation of this point of view is closely related to the setting of Li Concubine in the play, the performance of the actors, and the expectations of the audience.

First of all, Li Concubine's setting in the play is a complex and three-dimensional character. She has both beauty and talent, as well as ambition and scheming, and is a typical image of a court woman. However, such a character setting is a huge challenge for the actor, which requires the actor to have deep acting skills and a deep understanding of the role. If the actor's performance does not meet the audience's expectations, it may cause dissatisfaction and criticism from the audience.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

Secondly, the controversy of Li Concubine's casting among the audience is also related to the performance of the actors. Some viewers believe that the actor of Li Concubine has deficiencies in acting skills and cannot accurately convey the inner world and emotional changes of the character. For example, when confronted with court struggles and emotional entanglements, Li Concubine needs to show complex psychological activities and subtle emotional changes, but the actor's performance may be too bland or exaggerated to make the audience empathize.

In addition, the casting controversy of Li Concubine is also related to the audience's expectations. In "The Legend of Zhen Huan", the casting of many characters has been recognized and loved by the audience, such as Zhen Huan, the queen, Concubine Hua, etc. The actors of these roles have won praise from the audience with their superb acting skills and deep understanding of the characters. In contrast, the casting of Li Concubine may be particularly prominent because it cannot meet such a standard.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

However, the casting controversy of Li Concubine also reflects the audience's love and attention to "The Legend of Zhen Huan". The audience has their own understanding and expectations for each character in the play, and this expectation has promoted the creation of the series and the performance of the actors to a certain extent. At the same time, this controversy also reminds us that casting is a complex process that requires a comprehensive consideration of the setting of the character, the characteristics of the actors, and the expectations of the audience.

During the casting process, the production team needs to conduct in-depth research and understanding of the character to find an actor who matches the character's traits. At the same time, actors also need to dig deep and experience the characters, and present the inner world and emotional changes of the characters through their acting skills. In addition, audience feedback is also a factor that cannot be ignored in the casting process, and both the production team and the actors need to listen to the audience and constantly adjust and refine their work.

Jian Qiu never expected that he would not be able to agree to cut not because he was ugly, but because of his head

In general, the casting of Li Concubine was controversial among the audience and was considered a failure of the casting in the play, a phenomenon that aroused people's attention and thinking about the casting process. This also reminds us that in the creative process, we need to fully consider the setting of the character, the characteristics of the actors, and the expectations of the audience to create a character image that satisfies the audience. At the same time, it also makes us realize that artistic creation is a process of continuous exploration and improvement, which requires the joint efforts and participation of the production team, actors and audiences.

As a popular court drama, "The Legend of Zhen Huan" has not only won the love of the audience because of its wonderful plot and complex character relationships, but also the image shaping of the characters in the play has always been a hot topic of discussion. Among them, the difference between the image of Li Concubine in the play and the original book, as well as her performance in modern dramas, has attracted widespread attention and discussion.

In the original novel, Concubine Li is portrayed as a beautiful and amorous woman. Her beauty is not only unique in the harem, but also in and around the court. However, in the TV series, the image of Li Concubine is quite different from the description in the original book. Some viewers believe that the actor of Li Concubine in the play does not fully show the kind of beauty and charm described in the original book, which makes her casting and image creation questioned to a certain extent.

The image of Li Concubine in the play, although she also tries her best to show her elegance and nobility, does not seem to meet the audience's expectations in some aspects. Perhaps because of makeup, costumes or the actor's own temperament, her image is different from the beauty image depicted in the original book. This difference disappointed some fans of the original book, who thought that the concubine in the play did not completely restore the image in the novel.

However, when the actor of Li Concubine appeared in a modern drama, her performance was well received by the audience. In modern dramas, her image is closer to modern aesthetics, showing another charm that is different from costume dramas. In modern dramas, she has natural makeup, fashionable costumes, and her overall image is more in line with the aesthetic standards of modern audiences. Her appearance has been better displayed in modern dramas, and many viewers think that her appearance is higher, even more attractive than her image in "The Legend of Zhen Huan".

This contrast has triggered people's in-depth thinking about character image building. On the one hand, there are differences in aesthetics and expression between costume dramas and modern dramas. Costume dramas pay more attention to the restoration of historical background and traditional culture, while modern dramas emphasize modern aesthetics and personalized performance. Therefore, the performance of the same actor in different types of dramas may be different, which also affects the audience's evaluation of her to a certain extent.

On the other hand, the image of the character is also affected by many factors such as the script, director, makeup, costumes, etc. In "The Legend of Zhen Huan", Concubine Li's image may not fully show her beauty and charm due to shortcomings in some aspects. In modern dramas, her image has been better shaped and displayed, making her appearance and charm better reflected.

In addition, the audience's expectations and aesthetics are also important factors that affect the creation of character images. Different audiences may have different expectations and understandings of the same character, which also makes the character's image more complex and diverse. The production team needs to create a character image that satisfies the audience on the basis of respecting the original work, combining modern aesthetics and the audience's expectations.

In general, the image of Li Concubine in "The Legend of Zhen Huan" does not match the beauty image in the original book, while her performance in modern dramas is considered to be high-value, which has triggered people's in-depth thinking about character image building. It also reminds us that in the creative process, we need to consider a variety of factors to create a character that not only matches the spirit of the original book, but also meets the expectations of modern audiences. At the same time, it also makes us realize that artistic creation is a process of continuous exploration and improvement, which requires the joint efforts and participation of the production team, actors and audiences.

"The Legend of Zhen Huan", as a court drama loved by the audience, has won widespread praise for its intricate plot and rich character relationships. However, in this drama, there are also some plots and puzzles that are difficult for the audience to understand, which not only add to the mystery of the plot, but also stimulate the audience's curiosity and enthusiasm for discussion.

First of all, the motivations and behaviors of some of the characters in the show often confuse the audience. For example, some characters make choices at key moments that don't seem to match their previous personality and behavior patterns, and this abrupt shift is difficult for viewers to understand. For example, some characters may make unexpected choices when faced with an existential situation, and the true motivations and psychological activities behind these choices are often not fully revealed, leaving the audience confused by their actions.

Secondly, the logic and coherence of some plots in the play are also controversial. In some key episodes, the development of the plot seems to lack reasonable explanations and foreshadowing, which makes it difficult for the audience to keep up with the rhythm of the plot. For example, the twists of fate and the occurrence of important events in certain characters may appear too abrupt in the plot and lack the necessary causal relationship and logical chain. This kind of jumping and breaking in the plot makes the audience feel confused and puzzled during the viewing process.

In addition, the relationships and interactions between some of the characters in the play often make the audience wonder. In such an intricate environment as a harem, the relationships between the characters are intricate and full of variables and uncertainties. However, the changes in the relationship and interaction process between some of the characters in the play are not fully developed and explained, making it difficult for the audience to understand the real relationships and emotional entanglements between them. For example, the friendship, love, and even hostile relationships between certain characters may appear too vague and ambiguous in the plot, lacking clear definitions and explanations.

At the same time, the setting of some puzzles and suspense in the play also confuses the audience. "The Legend of Zhen Huan" is full of various puzzles and suspense, which add a lot of mystery and attraction to the plot. However, the setting and solution of some puzzles and suspense seems to be too complex and twisty, making it difficult for the audience to follow the train of thought. For example, the clues and hints for some puzzles may be too subtle and obscure for the viewer to find plausible explanations and answers. This kind of puzzle and suspense setting, although it adds to the interest of the plot, also makes the audience confused and puzzled.

In addition, the presentation of some historical background and cultural elements in the play also makes the audience feel incomprehensible. "The Legend of Zhen Huan" is set in the court of the Qing Dynasty and contains a large number of historical and cultural elements. However, the presentation of certain historical backgrounds and cultural elements in the play may be too complex and esoteric, making it difficult for the audience to understand and accept. For example, the presentation of certain elements of court etiquette, costumes, customs, etc., may lack the necessary explanations and explanations, making it difficult for the audience to feel the cultural and historical connotations behind them.

In general, there are some plots and puzzles in "The Legend of Zhen Huan" that are difficult for the audience to understand, which not only increase the mystery of the plot, but also stimulate the audience's curiosity and enthusiasm for discussion. This complexity and uncertainty, although it adds a lot of attraction to the plot, also makes the audience feel confused and puzzled during the viewing process. This also reminds us that in the creative process, we need to pay attention to the logic and coherence of the plot, as well as the rationality of the characters' motivations and behaviors, while maintaining the mystery and attractiveness of the plot, so as to enhance the audience's sense of substitution and understanding. At the same time, it also makes us realize that artistic creation is a process of continuous exploration and improvement, which requires the joint efforts and participation of the production team, actors and audiences.

"The Legend of Zhen Huan", as a court drama, has won the love of the audience with its twists and turns in the plot and rich character building. However, there are also some puzzling puzzles in the play, which not only add to the suspense of the plot, but also spark heated discussions among the audience.

First of all, the plot of Meizhuang being framed for fake pregnancy is a big mystery in the play. In the play, Meizhuang suffered a great blow because she was framed for fake pregnancy, not only lost the emperor's favor, but also almost died. However, the emperor's reaction after learning the truth is puzzling. It stands to reason that as the king of a country, the emperor should have the ability to distinguish between right and wrong, but in this incident, he appeared too gullible and punished Meizhuang without in-depth investigation. This not only makes the audience doubt the emperor's judgment, but also has a deeper understanding of the power struggle and the sinister hearts of the people in the court.

Secondly, Nian Qianyao's reason for targeting Zhen Huan is also a puzzling question. As the villain in the play, Nian Qianyao's behavior and motivation have always been the focus of the audience's attention. However, why he targeted Zhen Huan, this question is not fully explained in the play. Some viewers believe that Nian may be motivated by jealousy and the need for a power struggle, but others believe that there may be a deeper reason behind his actions. The uncertainty of this question increases the suspense of the plot and makes the audience think more about the role of Nian Qianyao.

Again, the real reason why Zhen Huan wore the wrong clothes is also a mystery. In the play, Zhen Huan was reprimanded by the emperor for wearing the wrong clothes, this plot seems simple, but it actually has a deep meaning. Some viewers believe that Zhen Huan may have made an unintentional mistake by wearing the wrong clothes, but some viewers believe that she may have done it on purpose to express her dissatisfaction and resistance. The different interpretations of this question reflect the complex personality and inner world of Zhen Huan's character, and also make the audience have more guesses and associations about her behavior and motives.

In addition, there are some other puzzles in the play, such as Concubine Hua's fall from grace, the queen's conspiracy, An Lingrong's betrayal, etc., which all show the cruelty and complexity of the court struggle in different ways. Behind each puzzle lies the character's character, motivations, and choices, which intertwine to form an intricate court world.

The existence of these puzzles not only increases the viewing and thinking of "The Legend of Zhen Huan", but also triggers the audience's in-depth thinking about human nature, power and morality. They make us realize that in an environment of struggle and calculation like the court, everyone can be part of the puzzle, and everyone's actions and choices can be the clues to solve the puzzle.

Overall, these puzzles are an important part of the charm of the plot of "The Legend of Zhen Huan", which not only adds suspense and attraction to the plot, but also allows the audience to have a deeper understanding and perception of the characters and court life. The setting and solution of these puzzles reflect the ingenious conception and deep insight of the screenwriter, and also show the unique charm and artistic value of court drama.