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Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

First, Yue Hong's story is like an inspirational movie, from a temporary worker on the construction site to a Golden Rooster Award actress, her life has experienced ups and downs. When she was young, Yue Hong had moved bricks on the construction site, but the elegance she exuded in her bones never seemed to be covered by dust.

Even after two difficult art exams, she still never gave up chasing her dreams, and her eyes always flashed with love for acting. In 1985, 23-year-old Yue Hong finally waited for a turn of fate.

On the stage of CCTV Spring Festival Gala, she became an instant hit with the sketch "The Girl Who Sold Peanut Kernels". That night, her performance made the national audience remember this delicate and agile girl.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Subsequently, she won many authoritative film and television drama awards such as the Golden Rooster Award for Best Actress in one fell swoop, and her acting career began to flourish. Yue Hong's eyes flashed with tears of joy, which was a relief for the realization of her dreams and an expectation for the future.

However, what really allowed Yue Hong to find her place was the role change in 2007. In the ever-changing entertainment industry, she is keenly aware of her advantages - the natural "good wife and mother face".

Since then, Yue Hong has begun to focus on the role of the mother of an intellectual family in the city, giving full play to her elegant temperament and affinity. There was more mature wisdom in her eyes, and her gestures revealed a gentle and intellectual temperament.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

In the latest work "Little Days", Wu Yulan played by Yue Hong attracted the audience's attention as soon as she appeared. Her elegant temperament and good conversation make people involuntarily think of an intellectual mother with a wealthy family.

Yue Hong used her acting skills and temperament to perfectly interpret what is a "natural good wife and mother face". When she looked at the children in the play gently, the maternal love revealed in her eyes seemed to be able to penetrate the screen and warm the hearts of every audience.

Yue Hong's acting career, from the construction site to the stage, from young to mature, every step confirms her persistence and growth. Today, she has become an indispensable "mother professional" in the minds of the audience, interpreting various gentle and loving mother roles with her unique charm.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Yue Hong's story tells us that as long as we have dreams and persevere, we will eventually find the most suitable position for ourselves and shine the most beautifully. If anyone is born to play a wealthy lady, then Li Ying must be among the best.

From the amorous wife of the division commander in "The Story of Sanmao in the Army" to Shen Hanfeng, the mother of the domineering president Murong Yunhai in "Let's Watch the Meteor Shower", almost all of the characters created by Li Ying on the screen have nothing to do with "lack of money".

Her eyes always reveal a kind of calmness and elegance, and her gestures are full of aristocratic atmosphere. Li Ying's temperament seems to be innate. When she was young, she was like a delicate rose, beautiful and noble.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

As the years passed, she bloomed more and more graceful and luxurious like a peony. This unique temperament makes her the best choice for a "wealthy and professional household". Whenever Li Ying appears on the screen, the audience can't help but sigh: "The richest woman in the whole play has come out."

Interestingly, Li Ying is also a wealthy wife with a good life in real life. However, unlike the high-profile image on the screen, she is low-key and simple in life, and is often encountered by netizens buying vegetables alone in the vegetable market.

This contrast not only does not diminish her charm, but adds a bit of pyrotechnics and makes people feel her approachable affinity. Whether in front of the camera or in life, Li Ying has shown a unique charm, which makes people sigh: This is the real "rich flower in the world"! Her existence enriches the diversity of mother's roles on the screen, and also allows the audience to see another side of the life of a wealthy family.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Li Ying's story tells us that true nobility is not only reflected in appearance, but also in inner cultivation and attitude towards life. Pan Hong's acting career is legendary. As one of the "Three Golden Flowers of the 80s", she was once as famous as Liu Xiaoqing and Siqin Gaowa, and was the first mainland star to appear in Time Magazine.

When she was young, Pan Hong paid equal attention to beauty and talent, her eyes flashed with confidence, and her gestures showed her youthful vitality. Even Gong Li, known as "Emperor Gong", once played a maid in her play, which shows her high status at that time.

Second, the years are like knives, and as she grows older, Pan Hong's appearance has quietly changed. The once gentle and bright eyes have become sharper, and the face has become more and more aggressive.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

This change has limited her acting path to a certain extent, but Pan Hong is not discouraged by this. There is more calmness and perseverance in her eyes, as if telling her dedication to her acting career.

In 2011, Pan Hong played Li Xiaolu's mother-in-law Zhang Wenqin in the urban drama "When Mother-in-law Meets Mother". Although the character's words are sharp, Pan Hong uses her unique temperament to interpret this role with both majesty and warmth.

Even in a small house, as soon as she appears, the whole picture seems to be full of brilliance. There is both the sternness of the elders in her eyes and a hint of imperceptible care, which makes this character three-dimensional and real.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

In 2009, in the hit drama "Double-sided Tape", Pan Hong played a confidant mother who pampered her daughter. She vividly interprets the complexity of the role - infinitely tolerant of her daughter, and her eyes are full of doting; But he is domineering to outsiders, and his eyes are flashing with pride and arrogance.

This contradictory character trait is particularly real and moving under Pan Hong's interpretation. Although her face is old, the innate temperament on Pan Hong is becoming more and more natural.

There is more wisdom in her eyes, and her gestures are more calm. She used her acting skills to tell the audience: Even if she is a "bad mother-in-law", she can be a flesh-and-blood and empathetic character.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Pan Hong's transformation is the process of her continuous breakthrough and exploration of the depth of her role. From the "Golden Flower" in the past to the "loving mother" today, she uses her acting skills to interpret the charm of women of different ages.

Third, Pan Hong's story tells us that real actors are not afraid of age, because the years give them not only wrinkles, but also rich experience and profound skills in shaping roles.

Chen Jin's success stems from her unique temperament and solid acting skills. Born in a military family, she grew up in a rigorous family atmosphere since she was a child, which also shaped her sense of otherworldly dignified atmosphere.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Chen Jin's eyes always reveal a kind of perseverance and wisdom, and the temperament revealed in her gestures makes her stand out among many actors. In last year's "Fireworks in My World", Chen Jin once again showed her superb acting skills, interpreting a mother full of contradictions.

There is not only a mother's deep love for her children, but also the helplessness and struggle of life, which makes the audience really feel the inner world of the character. Whether she plays the mother of a wealthy family or the mother of an intellectual family, Chen Jin can always control it easily, as if these roles are tailor-made for her.

Netizens often say: "Teacher Chen Jin looks like a stupid person." Although this sentence is a bit ridiculous, it expresses Chen Jin's image in the hearts of the audience - intellectual, elegant, and full of maternal brilliance.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Interestingly, netizens also found that whenever Chen Jin plays the role of a mother, her "children" are all high-IQ existences without exception, and no matter how naughty they are, they have never lost to others in terms of intelligence.

Chen Jin used her acting skills and temperament to perfectly interpret what a "natural intellectual mother" is. Her existence enriches the diversity of mother's roles on the screen, and also allows the audience to see the unique charm of mothers in intellectual families.

Chen Jin's story tells us that true temperament is exuded from the inside out, and this temperament comes from her rich life experience and deep understanding of the role.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

He Saifei's life is legendary. Abandoned by her mother at the age of 5 and living alone with her father, she took on the trivial affairs of the family since she was a child. However, a difficult childhood did not dampen her love for acting.

With the support of his father, He Saifei plunged headlong into the study of Yue Opera, laying a solid foundation for his future acting career. Her eyes always flashed with tenacity and love for life, as if telling her unyielding life experience.

From the pure-hearted Miaoyu in the 1989 version of "Dream of Red Mansions" to the amorous aunt Yang Jiuhong in "Mansion Gate", He Saifei has shown amazing character adaptability.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Fourth, her eyes can be as cold as water, or they can be full of affection, and she vividly interprets the inner world of the character. As she grew older, she began to play the role of a mother frequently, and each one was impressive.

In 2023, in the period emotional drama "The Road of Life", He Saifei played the role of Shanghai mother "Qu Jindi". Although the character's family background is not wealthy, He Saifei's unconcealable nobility still makes people feel that she may make a comeback at any time.

There is both the hardships of life and the hope for a better future in her eyes, which interprets this role as both real and moving. Similarly, in 2020's "Born to the Sun", the rich mother she played was also full of aura, showing He Saifei's unique screen charm.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Her gestures exude a kind of elegance and calmness, and her eyes have the arrogance of a rich and noble family, but also the love for her children. He Saifei used his own experience to tell us: The real nobility is not innate, but slowly accumulated in the tempering of life.

Her gentle and atmospheric screen image is the best footnote to her life experience. From a spicy actress who shoots on the street to a gentle and loving mother on the screen, He Saifei's transformation is amazing.

Whether she plays Yang Zi's mother in "The Legend of Cheng Huan" or the role of a mother in other works, He Saifei can always use her unique temperament and profound acting skills to interpret the role vividly.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Her story tells us that a true actor is able to transform his life experience into acting nutrients, and perform every role with his heart. Yue Hong, Li Ying, Pan Hong, Chen Jin and He Saifei, although these five actresses have different life experiences and growth trajectories, they all have one thing in common - that is, they are born with a "good wife and mother face", with their own affinity, it is difficult to perform the image of a real "villain".

They use their unique temperament and solid acting skills to interpret various types of mother roles: intellectual and elegant, wealthy ladies, gentle and loving ...... Although these characters are different, they all exude the brilliance of motherhood, allowing the audience to feel sincere emotion and warmth.

From Yue Hong's perseverance to Li Ying's grace and luxury, from Pan Hong's timeless novelty to Chen Jin's intellectual elegance, and then to He Saifei's gentle atmosphere, these five actresses have enriched the diversity of mother's roles on the screen with their acting skills and temperament.

Those mothers are professional: born with a good wife and mother's face, with their own affinity, they can't play the villain

Their existence not only allows the audience to see different types of mother figures, but also shows the unique charm of women at different ages. The stories of these five actresses tell us that the true temperament and charm exude from the inside out, the precipitation of years and experiences, and the deep understanding and interpretation of the roles.

Their success lies not only in their "natural good wife and motherhood", but also in their dedication to acting and their dedication to their roles.