On the Chinese comedy stage, the name Feng Gong is undoubtedly an existence that cannot be ignored. Every year at the CCTV Spring Festival Gala, the audience is looking forward to his appearance, and his sketches can always bring joy and thinking to everyone.
The sentence at the beginning of the article: "Deyun Club may not be able to see Guo Degang, and Liu Laogen may not be able to see Zhao Benshan on the big stage; But CCTV Spring Festival Gala must be able to see Feng Gong", this sentence vividly depicts Feng Gong's status on the stage of the Spring Festival Gala.
However, as time passed, Feng Gong gradually realized the importance of cultivating a new generation of comedic talent. Feng Gong was not satisfied with his talent and achievements, but began to accept apprentices to pass on his art, hoping to pass on his years of comedy accumulation and experience to more people.
In terms of teaching methods, Feng Gong is both strict and full of warmth, he is very strict with his apprentices, but at the same time he also gives them full support and encouragement, Feng Gong's comedy road is accompanied by his life philosophy, he believes that comedy is a kind of life attitude, is a positive attitude towards life.
Under the careful guidance of teacher Feng Gong, a group of new comedy stars began to emerge on the stage. The article mentions: "As we all know, the most famous disciple that Mr. Feng Gong has trained is Jia Ling, Jia Ling is not only an excellent comedian, but also a highly praised female director.
In addition to Jia Ling, there are also comedians such as Bai Kainan, Song Ning, Li Mingyu, Cao Suifeng and Pan Binlong, who have gradually grown up under the guidance of Feng Gong and have become comedy talents with their own characteristics.
Feng Gong often said: "Comedy should not only make people laugh, but also convey positive energy." This philosophy influenced not only himself, but also his apprentices. They not only bring joy to the audience on stage, but also convey a positive attitude towards life.
As summarized at the end of the article: "Feng Gong and his apprentices have achieved each other, and the apprentices they teach have good morals, little black material, and the apprentices also know how to be grateful, and the deep friendship between them can be called a model in the entertainment industry."
By cultivating these outstanding apprentices, Feng Gong not only inherited his comedy career, but also injected fresh vitality into the Chinese comedy stage, making important contributions to the inheritance and development of comedy.
Jia Ling's comedy path originated from an interesting misunderstanding. In 2001, she was admitted to the Central Academy of Drama, originally planning to study drama. However, when applying for the major, Jia Ling's mother misheard the "drama major" on the admissions office phone as "comedy major" because her Mandarin was not standard.
So, she started the road of comedy by mistakeAt the beginning, she felt that she was going in the wrong direction, and even joked to herself in an interview: "Girls learning cross talk is like going to the wrong bathhouse", but through continuous learning and practice, she gradually discovered her love for comedy.
Song Ning's story from CCTV anchor to comedian began in 2002. That year, she accepted an invitation to perform by an art troupe by chance, thinking it was just a small fight, but when she opened the door, she found that Feng Gong, Li Jindou and other celebrities were present.
Although her legs were weak with nervousness, Song Ning still dared to perform a cross talk "West Brother and East Sister" with her classmates, although the effect was not good, Feng Gong took a fancy to her potential and accepted her as an apprentice.
Cao Suifeng's experience is full of drama. Since he was a child, he loved to imitate various sounds, and his performances always made the people around him laugh. At the age of 14, he went out to work to support his family, but he never gave up on his dream of acting, often recording his own performance tapes and sending them to television.
His efforts eventually paid off, he was invited by the TV station, and attracted the attention of the army's art troupe with his outstanding performance, becoming a literary soldier In 2007, when he performed cross talk on stage, his talent made Feng Gong's eyes shine, and Feng Gong immediately accepted him as an apprentice.
Feng Gong's apprentices' journey to comedy was not all smooth sailing, and they experienced many setbacks and twists, but it was these experiences that allowed them to continue to grow.
Li Mingyu has had high hopes for cross talk since he was a child, and he grew up in Tianjin, a city with a strong music atmosphere. He often goes to the Chinese Opera Garden to listen to cross talk, and even uses the tape recorder at home to teach himself.
This enthusiasm brought him fame when he was 17 or 18 years old, until 2003, Li Mingyu was admitted to the cross talk class of the Central Academy of Drama with the third place in the professional class, and began his systematic cross talk learning journey However, he was not satisfied with the old-fashioned jokes in the classroom, but boldly innovated, created his own cross talk and performed in the theater, and accumulated a lot of fame After graduation,
He stayed in a theater in Beijing to perform, but because the limelight overshadowed the class owner, he had to leave, and in the face of setbacks, Li Mingyu did not give up, but opened a new theater with his friends, although it was difficult at first, he stuck to his ideas, and eventually won the favor of investors and gained a firm foothold in the cross talk world.
Kenan Bai's experience is more like a journey to find oneself. In the early days, he was often snubbed in the dance troupe because of his appearance, and chose to give up dancing and enter the cross talk world. Under the strict guidance of Feng Gong, Bai Kainan's cross talk strength has improved rapidly, and he appeared on the stage of the Spring Festival Gala with Jia Ling in 2010.
However, compared with cross talk actors, Bai Kainan is full of enthusiasm for becoming an actor, he left the cross talk industry and tried to make movies, variety shows, and hosts, but it did not cause much repercussions, and was even gradually forgotten In the face of such a setback, Bai Kainan chose to start again In 2020, he participated in "Happy Comedian Season 6" and tried to regain his comedy talent.
Pan Binlong's story is a full demonstration of perseverance. With the help of Feng Gong, he appeared on the stage of the Spring Festival Gala twice, but his light was overshadowed by other actors. This is a huge blow to anyone, but Pan Binlong still chose to persevere.
With Feng Gong's encouragement, he worked hard to hone his acting skills In 2016, through Jia Ling's introduction, he participated in "Happy Comedian" and became the biggest dark horse of that season After seven years of hard work and persistence, he finally won the championship in "I Am an Actor 3" in 2020, at the age of 49, and won everyone's recognition.
These stories convey a message to us: there will inevitably be setbacks and confusion on the road to success, but Feng Gong often teaches us that "striking iron still needs to be hard", as long as there is a dream in the heart, it is never too late to start.
His apprentice interpreted the meaning of this sentence with practical actions, looked for a breakthrough in the midst of setbacks, and finally realized his dream.
For Chinese comedians, the Spring Festival Gala stage is undoubtedly the biggest test and opportunity. And Feng Gong's apprentices have experienced growth and breakthroughs here, so that Feng Gong's Spring Festival Gala legend can continue.
Jia Ling and Bai Kainan made their debut on the stage of the Spring Festival Gala in 2010, and let more people know them through their performance "Big Words Holding Beans". After that, they collaborated on works such as "Love Fights to Win" and "Open Sesame", which left a deep impression on a wide audience.
With her own talent and unremitting efforts, Jia Ling has appeared on the stage of the Spring Festival Gala many times, and has created a series of excellent works such as "Twists and Turns" and "Laughter", which have brought ease and pleasure to the audience in the fast-paced era, so she is known as the "Goddess of National Comedy".
Song Ning made his first appearance on the stage of the Spring Festival Gala in 2005 and starred in the sketch "Birthday Celebration". Although this work did not cause much repercussions, it was a valuable experience for Song Ning.
She was not discouraged, but continued to work hard Finally, in 2017, Song Ning appeared on the stage of the Spring Festival Gala again, showed mature acting skills in the sketch "Divorce Restaurant", and successfully opened up her own acting career.
It is worth mentioning that Song Ning played a special role on the stage of the Spring Festival Gala - "spare tire". She often rehearses instead of the lead actor of the Spring Festival Gala sketch show when he is not available. Although he was nicknamed the "spare tire" of the Spring Festival Gala by netizens, Song Ning was not discouraged by this, but worked harder to seize these opportunities to hone his acting skills.
Although Li Mingyu did not directly appear on the stage of the Spring Festival Gala, he also made great contributions behind the scenes, helping Feng Gong create many excellent sketches, such as "Bus Concerto", etc., which brought joy to the audience.
And this work won the honor of the first prize of the Spring Festival Gala sketch, which shows Li Mingyu's talent in creation.
Cao Suifeng and Pan Binlong have both appeared on the stage of the Spring Festival Gala under the leadership of Feng Gong, although they did not cause much sensation, but these experiences are important steps on their growth path.
Feng Gong often said that the Spring Festival Gala is a stage to show oneself and break through oneself. His apprentices continue to grow on this stage, continuing the legend of Feng Gong's Spring Festival Gala, bringing joy and emotion to the audience.
Represented by Feng Gong, his apprentices not only have good achievements in the field of comedy, but also show diversified talents in other fields, which highlights the multi-faceted life of comedians.
Jia Ling's development is particularly eye-catching. She has not only become the "goddess of national comedy", but also active in major variety shows, such as "Ace vs. Ace", "Youth Travel", etc., driving the atmosphere of the scene with the character of a funny woman and bringing joy to the audience.
What's even more surprising is that Jia Ling successfully transformed into a director, and the movie "Hello, Li Huanying" directed by her not only achieved great success at the box office, but also received unanimous praise from the audience and industry insiders In this movie, Jia Ling also specially arranged a role for Master Feng Gong,
Let him shout "Dear worker friends, I want to kill you!" This line helped Feng Gong realize his dream of film, and also drew a successful end to his youth, this delicate arrangement reflects the deep master-apprentice relationship.
Song Ning has developed her own world in the film and television industry, although she was nicknamed the "spare tire" of the Spring Festival Gala, she was not discouraged, but took this opportunity to hone her acting skills. As stated in the article: "Since then, she has been active in major film and television dramas."
Song Ning said that she enjoys her current life very much, showing her acting skills when she is acting, and enjoying life in her free time, which makes her feel satisfied.
Li Mingyu's entrepreneurial journey was full of challenges, and he resolutely decided to open his own theater, which also brought him more creative space. In this world of his own, he is free to try various novel forms of cross talk, injecting new vitality into the development of cross talk.
Li Mingyu not only opened his own theater, but also assisted his master Feng Gong in creating Spring Festival Gala works, such as "Bus Concerto", which also won the first prize of the Spring Festival Gala works.
Feng Gong often said, "Comedy is an art, but it should not be limited to one form. His apprentices proved this sentence with practical actions, shining in their respective fields, showing the potential of the diversity of comedians.
The relationship between Feng Gong and his apprentices is a good story in the comedy world, which fully demonstrates their deep friendship between master and apprentice and the spirit of common development and mutual achievement.
Feng Gong's cultivation and support for his apprentices is all-round. He is not only strict in his profession, but also cares about his apprentices in life. For example, when Jia Ling was facing employment pressure after graduation and lived in a dark and damp basement, Feng Gong personally "visited her home" and decided to keep her by his side, promising to take care of her.
With Feng Gong's help, Jia Ling has received many commercial performance opportunities, and she can also concentrate more on honing her acting skills.
For his apprentice Bai Kainan, Feng Gong is not only a naughty existence, but also a division commander who strictly prohibits him. usually reprimands Bai Kenan in public, although it seems harsh, it makes Bai Kenan's strength improve greatly.
Feng Gong and Cao Suifeng also filmed a funny short video together, and the appearance of the two bickering made the audience laugh, showing a relaxed and happy master-apprentice relationship.
Jia Ling made Feng Gong realize his movie dream with the movie "Hello, Li Huanying". Li Mingyu assisted Feng Gong in creating the Spring Festival Gala program, contributing his own strength to the master and making his works even better.
The relationship between Feng Gong and his apprentice not only warmed the comedy circle, but also touched countless audiences. As stated at the end of the article: "Feng Gong and his apprentices achieve each other, the apprentices they teach are of good moral character and have no black material, and the apprentices also know how to be grateful, and the deep friendship between them can be called a model in the entertainment industry." ”