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In 2020, the entertainment industry was blown up by a shocking news. In a live broadcast, Zhao Benshan's daughter Qiuqiu inadvertently revealed that her father was considering selling the once-proud private jet.
This "Benshan", which cost 200 million, was once a symbol of Zhao Benshan's wealth and status, but now it has become an unsustainable burden.
Qiuqiu half-jokingly said, "Dad can't afford the maintenance of a private jet anymore." This sentence immediately caused an uproar in the live broadcast room.
What exactly is the reason for this comedy empire to fall from the top? Guo Degang once said that "artists fight to the end, and what they fight is culture" does this sentence predict the fate of Zhao Jiaban? With the rise and fall of private jets, the future of Zhao Jiaban also seems to be hanging in the balance.
The decline of Zhao Jiaban is not only due to changes in the external environment, but also from internal contradictions. With the increase in the personal popularity of the members, the demand for the distribution of interests has also risen, which has made the once united Zhao family class begin to crack.
Mr. Wang's public complaint is undoubtedly a wake-up call. This once unknown young actor, after gaining a certain popularity, found that his income was difficult to maintain a basic life.
He said in public that his salary is not even as good as that of ordinary workers, and it is difficult to even afford the mortgage. These remarks undoubtedly shook the foundation of Zhao Jiaban's unity, and also made the outside world begin to question Zhao Benshan's management methods.
Liu Xiaoguang's dissatisfaction followed. When he had not officially separated from Zhao's class, he repeatedly mentioned the company's high commission in the live broadcast. According to him, the company's commission rate is as high as a staggering 70%.
This imbalance in the distribution of benefits has chilled many members.
However, the most embarrassing thing is the parting of ways between Zhao Benshan and Fan Wei. This pair, known as the "golden partner", once brought countless joys to the audience, but eventually fell apart due to entanglements of interests.
This word "profit" seems to have become an insurmountable gap for Zhao Jiaban.
Zhao Benshan once confidently said to Guo Degang: "My apprentices are all extremely loyal, and no one will take the initiative to leave the Zhao family's class." However, reality gave him a resounding slap in the face.
As the personal influence of the members of the Zhao family class increased, they were no longer satisfied with the status quo and sought opportunities for independent development.
This internal contradiction not only affected the unity of Zhao Jiaban, but also directly affected the quality of the works. Who would focus on creating high-quality comedy when everyone was thinking about their own interests? The decline in creative enthusiasm led to a decline in the quality of the works, which in turn affected the overall income of Zhao Jiaban.
Zhao Benshan seems to have underestimated the side effects of success. The disciples he carefully cultivated at the beginning are now full-fledged and have begun to pursue a bigger stage and more interests.
Zhao Benshan does not seem to have noticed this change in time and failed to respond effectively.
Zhao Jiaban's internal contradictions are like a time bomb that may detonate at any time. How to balance personal interests and team development, how to retain talents and maintain innovation, these issues all test Zhao Benshan's management wisdom.
However, judging from the current situation, Zhao Jiaban does not seem to have found an effective solution.
Faced with the shrinking market of traditional stages and TV dramas, the members of Zhao Jiaban began to set their sights on the booming online live broadcast platform. This transformation attempt was supposed to be an opportunity to break through the predicament, but it unexpectedly exposed more problems in Zhao Jiaban.
The "scolding war" between Xiao Shenlong and Qiuqiu caused an uproar on the Internet. At first, Xiao Shenlong publicly shouted to Qiuqiu in the live broadcast room, asking for connection. However, Qiuqiu not only refused Lian Mai's invitation, but also lashed out at Xiao Shenlong in public.
What's even more surprising is that Tang Jianjun and Tian Wa also joined the scolding battle, which further escalated the situation.
This farce has attracted the attention of countless netizens. However, when Xiao Shenlong apologized to Qiuqiu and the two quickly announced a reconciliation, the audience suddenly realized: This is just a well-planned marketing ploy.
This tactic has long been common in the Internet celebrity world: first create conflicts, attract attention, then announce reconciliation, and finally take the opportunity to promote products. The members of Zhao's class, including Zhao Benshan's daughter, actually directed and starred in such a vulgar drama, which is really embarrassing.
What is even more serious is that some members even take risks in pursuit of profits. The female disciple Fat Ya was imprisoned for selling fake and shoddy diet pills online, which not only brought disastrous consequences to her personally, but also cast a shadow on Zhao Jiaban's reputation.
These events reflect the fact that Zhao Jiaban seems to have lost his way in the process of transformation. They pay too much attention to short-term interests and ignore the social responsibility and professional ethics that artists should have.
Zhao Benshan's once proud management skills seem to have lost their effectiveness at this time.
Zhao Jiaban's attempt to transform not only failed to save the decline, but accelerated their decline. While they earn a lot of money from webcasting, the price they pay comes at a loss of reputation and dignity.
This result of not outweighing the losses may be a direct manifestation of Zhao Jiaban's lack of cultural heritage.
From the stage to the screen to the live webcast, Zhao Jiaban seems to have been chasing the hottest platform. However, they ignore a key issue: quality content is fundamental, regardless of the platform.
When they focus too much on how to attract attention, they forget their original intention as a comedian.
The failure of this transformation not only exposes Zhao's managerial and ethical problems, but also reflects their discomfort in the face of the new media environment. How to keep pace with the times while maintaining its true colors, and how to stick to the bottom line while pursuing interests, these are all issues that Zhao Jiaban needs to think about in the future development.
Looking back on the rise and fall of Zhao Jiaban, Guo Degang's meaningful words can't help but come to mind: "Artists fight to the end, and what they fight is culture." This sentence seems to be an accurate prediction of the fate of Zhao Jiaban.
On the surface, Zhao's decline stems from a lack of innovation, internal contradictions, and negative press. But the essence of this lies in the lack of cultural roots.
They rely too much on imitating and copying successful models, and ignore the accumulation and innovation of cultural connotations. From "Country Love" to the "Liu Laogen" series, audiences are seeing increasingly boring stories and increasingly exaggerated performances, rather than content innovation that keeps pace with the times.
However, this does not mean that Zhao Jiaban cannot recover the decline. If they can recognize the problem and devote more energy to the improvement of skills and cultural literacy, instead of blindly chasing fame and fortune, there is still a chance to revive their glory in the future.
Zhao Benshan's private jet may be a thing of the past, but this should not be the end of Zhao Jiaban. On the contrary, it could be a new starting point. If they can re-examine their own positioning and create works that are more in-depth and more reflective of the characteristics of the times, the future Zhao Jiaban may be able to present a new "second spring" for the audience.
After all, in this fast-paced era, people still need laughter and comedy that can resonate. Zhao's future may lie in how they understand and interpret this need.
The story of Zhao Jiaban is not only the history of the rise and fall of a comedy group, but also a mirror that reflects the development dilemma of the entire cultural industry. It reminds us that we must not forget the fundamentals of culture while pursuing business success.
Only when it is rooted in the deep cultural soil can the flower of art bloom that will endure for a long time.
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