Feng Xiaogang's new film "Xiangyang · Flower" is quietly starting filming, and this news quickly attracted widespread attention and expectations from fans as soon as it was revealed. Feng Zhilai is known for his keen social insight and profound characterization, and this new work is no exception, full of the heaviness of realistic themes.
At the film's first media conference, Feng Xiaogang looked serious when he talked about the film. He said: ""· to the sun" is not only a challenge for our film production team, but also a profound touch for the audience. Through this film, we hope to show the difficult difficulties faced by women in society and how they can redeem themselves. ”
The film's heroine, Zhao Liying, will play the role of a woman who has been released from prison named White Fox. Zhao's shortlisting has excited many fans and industry insiders as she will challenge a new and complex role. She said in an interview: "I am very much looking forward to this opportunity to perform. The role of the white fox was very challenging, and her experience and mental journey were very different from my previous roles. This is a character who has been on the fringes of society, has experienced pain and setbacks, but is still strong, and I hope that through my performance, the audience can feel her authenticity and tenacity. ”
"· Flowers to the Sun" is a female-centered realistic film shot mainly in Changsha, Liuyang and Zhuzhou in Hunan. The background of the film is close to life, and it strives to reflect social issues in a true way. At the shooting scene, director Feng Xiaogang strictly controlled every detail, hoping to show a picture full of strength and hope on the screen.
Zhao Liying will play a challenging role in the new film "· Flower" directed by Feng Xiaogang, a white fox. She had served her time in prison, and years of imprisonment did not completely change the trajectory of her life.
After being released from prison, the white fox, although he is in a free world, still has not escaped the shadow of the predicament. She had to continue to wander the gray area of the law, desperately struggling to survive.
Early one morning on the set, Zhao Liying stood in an abandoned factory covered in mud, her face full of exhaustion and thought. She recalled her first conversation with the white fox: "White fox, do you think you can have a new beginning as soon as you get out of prison? You've never really shaken off the past. This line is like a sharp blade, cutting her understanding of the character, and also making her deeply understand the inner conflict and struggle of this character.
The white fox and her sisters did not give up under the weight of fate. Although their lives are still on the fringes of the law, they are still trying to find a silver lining, trying to break free from the shackles of the past and achieve self-redemption. Zhao Liying's performance in the movie shows her delicate kung fu in character building. Every look, every breath, is filled with a deep understanding of the white fox's inner world.
Another important character in the film, Heimei, is a deaf and mute female prisoner who develops a deep friendship with the white fox in prison. Heimei's character setting is more complex, and her silence and tenacity are also powerful in the silent world. Her appearance not only adds more layers to the story of the white fox, but also injects more emotional depth into the film.
In prison, the interaction between the black girl and the white fox is full of warmth and trust. They communicate through sign language, and although there is no voice, their tacit understanding and support for each other are extremely firm. When Zhao Liying played against the actor who played the black girl, she often burst into tears because of her affectionate eyes. She sighed: "There are many words hidden in Heimei's silence, although she can't speak, her eyes and sign language are telling her story." ”
Another key character in the film is the discipline Deng Hong, who provides the opportunity for the white fox and the black girl to be transformed. The setting of this role symbolizes the society's expectation of transformation and help. The help of disciplining Deng Hong has become the key to the rebirth of the white fox and the black girl. She proved that even in the midst of despair, there is always a glimmer of light that can lead lost souls to hope.
Zhao Liying's acting career, since winning the draft competition in 2006 in which Feng Xiaogang participated, has been full of changes and challenges. From the sweet role of idol dramas to today's powerful actors, her every step is full of tenacity and hard work. In the past, in "Happiness to Ten Thousand Homes", she successfully portrayed the tenacious He Xingfu;
In "The Wind Blows Banxia", she incarnated as Xu Banxia, a self-made entrepreneur; And in "Article 20", she was nominated for the Hundred Flowers Award for her outstanding performance. Her role transformation not only broke the idol label, but also showed her all-round progress in acting skills.
The re-cooperation with Feng Xiaogang is a highlight of Zhao Liying's acting career. 18 years ago, she stood out in the talent competition that Feng Xiaogang participated in and started her acting career. Now, the two are working together again, and "Xiangyang · Flower" is not only their second cooperation, but also an important node in Zhao Liying's acting career. Zhao Liying is full of expectations for this cooperation, and she said frankly in an interview: "Working with Director Feng again makes me feel both excited and nervous. I hope that through this film, I can show you a new Zhao Liying, and I also hope that this film can attract more people's attention to social issues. ”
The filming of "Xiangyang · Flower" this time is not only another important attempt in Zhao Liying's acting career, but also an important record of her personal growth. Every challenge she takes in her role is a reflection of her continuous self-breakthrough. And this film will undoubtedly become a new milestone on her acting career.
Zhao Liying will shoulder the heavy responsibility of the heroine in "Sunny · Flower", and the complexity and challenge of this role provide a broad space for her acting skills to show. Her gradual transformation from an ancient puppet beauty to a challenging role actor shows her in-depth exploration and pursuit of the performing arts. The short hair style of the white fox this time will be a new attempt in Zhao Liying's acting career, and it will also bring more expectations to the audience.
In general, "Xiangyang · Flower" is not only a new work directed by Feng Xiaogang, but also an important breakthrough in Zhao Liying's acting career. Her performance will undoubtedly receive a lot of attention, and this film will also be a new peak in her career.