Liangzhou Jicui Building inscription Yu Yutong Contemporary · Jin yong 's
A hundred battles are in the rivers and lakes, and the wind and thunder are fierce and light in life.
The mandarin duck has a coupling spring silkworm, and the white saddle is smiling.
This "Liangzhou Jicuilou Inscription" was written by Jin Yong in the novel, full of the atmosphere of the rivers and lakes and the chivalrous spirit.
The first sentence "A Hundred Battles in the Rivers and Lakes" depicts a martial arts world full of swords and swords, grievances and hatreds with "Hundred Battles in the Rivers and Lakes", while "One Flute and Horizontal" is in stark contrast to the previous "Hundred Battles" with its leisurely state, suggesting that the protagonist may be a chivalrous warrior who can both fight and be elegant.
The second sentence "Wind and Thunder Heroes die and live lightly" further portrays the image of chivalry. They are chivalrous and righteous, like the wind and thunder, and they take life and death very lightly, showing a kind of detachment and heroism.
The third sentence "Mandarin ducks are coupled", where "Mandarin ducks are coupled" symbolizes a beautiful love or partnership, while "Spring Silkworms" may be a metaphor for a certain spirit of silent dedication and selfless dedication, or it may be a description Lucky Star Chinese Restaurant of the silkworm-like lingering emotions between the chivalrous warrior and his partner.
The last sentence "smiling on the side of the white horse" depicts the heroic posture of the knight riding the white horse with the typical martial arts element of "white horse", while "smiling on the saddle" vividly portrays the chivalrous warrior who still maintains an optimistic and cheerful attitude in battle or journey, and his smile is always there.
Through vivid imagery and sharp contrasts, the whole poem creates an image of a chivalrous warrior who is both brave and good at war, elegant and affectionate, detached from life and death, and cherishes emotions, which is full of strong martial arts atmosphere and romanticism.
Gift Qianlong Jade Ruyi Contemporary · Jin yong 's
Warm cui in front of the building, the six dynasties said Pingkang.
The spring is still shallow, and the flowers will be full of flowers tomorrow.
The first sentence "Pink Dai Xiang in front of Nuan Cui Building" takes the typical Jiangnan scenery of "Nuan Cui Building" as the background, depicting the scene of the women in front of the building applying makeup and fragrance, creating a gentle and fragrant atmosphere.
The second sentence, "The Six Dynasties Say Pingkang", refers to the "Six Dynasties", which is a summary of the cultural features of the Six Dynasties period (Eastern Wu, Eastern Jin, Song, Qi, Liang, and Chen) in Chinese history, and is usually associated with the elegant life of literati and doctors and the beautiful scenery of the south of the Yangtze River. "Pingkang" may refer to an ancient place name or a depiction of a certain state of stability and well-being, which is used here to further enhance the elegant atmosphere where history and reality are intertwined.
The third sentence, "Returning to Spring", expresses the poet's cherishing and nostalgia for the good times of spring through the typical spring activity of "Returning to Spring". And "spring is still shallow" implies that the footsteps of spring have not completely gone away, and there is still a lingering charm to be found.
The last sentence "Tomorrow will be full of flowers" expresses the poet's expectation and yearning for a better time with "tomorrow will come back", while "Flowers are full of beds" is an exaggerated and imaginative depiction, suggesting that if you do it all over again, there will be more beauty and surprises waiting for the poet.
Although this poem is written by Mr. Jin Yong in the novel in the tone of jade ruyi, it successfully creates a gentle and fragrant spring atmosphere full of historical and cultural heritage with its beautiful language and rich imagery, expressing the cherishing and yearning for a better time.
Seven Absolute One Modern and Contemporary · Liang Yusheng
I am ashamed that I have no jewels, and the sword box and poetry are preserved.
I hope that there will be chivalry in the world, and I will not teach the fox squirrels to dare to invade each other.
In the first sentence, "I am ashamed that I have no jewels", the poet says in a self-deprecating tone that he has no valuable jewels to pass on to his family, and the word "ashamed" here expresses the poet's regret for not being able to give material wealth to his descendants.
In the second sentence, "The sword box and the poetry bag are preserved", the poet turns to refer to the "sword box" and "poetry bag" that he cherishes. The sword box symbolizes the martial arts and bravery of the knight, while the poetry bag represents the talent and knowledge of the literati. These two things are not material treasures, but they are treasures in the poet's heart, and he cherishes them.
In the third sentence, "I wish there would be chivalry in the world", the poet expressed his wish, that is, he hoped that the world could retain chivalry. The "chivalrous" here not only refers to the heroism and justice of chivalry, but also implies a noble moral spirit and indomitable fighting spirit.
In the last sentence "Don't teach foxtails to dare to invade each other", the poet uses "foxtails" as a metaphor for those treacherous and despicable people, expressing his firm position that he will never tolerate such people to oppress the good and destroy justice. At the same time, this poem also echoes the "chivalrous" of the previous text, emphasizing the responsibility and courage that chivalrous people should have.
Through sharp contrasts and vivid imagery, the whole poem shows the poet's dual identity and feelings as a literati and a chivalrous man. Although he did not have a jeweled heirloom, he cherished the sword case and the poetry bag, which represented his spiritual pursuits and values. At the same time, he also expressed his expectations for chivalry in the world and his resolute resistance to the forces of evil.
Seven Absolute Part 2 Modern and Contemporary · Liang Yusheng
After returning from a hundred battles, the wine is still warm, and the frost invades the temples and turns depressed.
Jin Ge Iron Horse hated back then, and lived up to the plum blossoms.
In the first sentence "Wine is still warm after returning from a hundred battles", the poet uses "returning from a hundred battles" to describe the image of a warrior who has gone through countless battles, and "Wine is still warm" suggests that he may be a little tired when he returns, but the blood and pride that belong to the warrior have not cooled, just like the wine that is still warm.
In the second sentence "frost invades the temples and turns depressed", the poet uses "frost invades the temples" to vividly depict the soldier gradually aging due to the passage of time, and at the same time, "turning depressed" also expresses a certain depression or exhaustion that the soldier may have in his heart after experiencing a hundred battles.
In the third sentence "Jin Ge Iron Horse hated back then", the poet recalled his combat career back then, and used the typical war image of "Jin Ge Iron Horse" to express the soldiers' complex emotions about that time, including both pride and ambition, as well as regret and resentment for failing to achieve their wishes.
In the last sentence, "live up to the plum blossoms", the poet uses "plum blossoms" as a metaphor, which may represent some kind of noble, tenacious or beautiful emotion or thing. And "live up" expresses the regret and self-blame of the fighter for not being able to cherish or respond to this beautiful feeling. The whole poem conveys a deep feeling that a warrior realizes that he may have missed something important in his life after going through the vicissitudes of life.
Through vivid imagery and deep emotion, the whole poem shows the image of a warrior who has gone through a hundred battles and the vicissitudes of time, as well as his inner memories of the past, his feelings about the present situation, and some expectations or regrets for the future. The poet skillfully uses the contrasts between war and peace, pride and depression, memory and reality, making this poem full of rich connotations and profound artistic conceptions.
Judging from the techniques of the above 4 poems and seven uniques, Liang Yusheng must be more skilled than Jin Yong in the creation of classical poetry, and the writing techniques are integrated, and he has entered the threshold of poetry. Jin Yong's Seven Uniques are still a little immature, and some details are relatively awkward and sluggish.
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