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Source l Author of "Calligraphy Newspaper · Calligraphy and Painting World" No. 36 in 2024 l Zhu Isaac sharing l Shuyi Commune (ID: shufaorg)
There is always some of the same literary content that is transcribed. Because the calligrapher's technique is the same, it is suspected that it is plagiarized. If a person's technique has reached the level of mastery and proficiency, then why not create their own literary content, so as to avoid the suspicion of plagiarism altogether? Plagiarism is undoubtedly getting too close, or has invaded the inside of the other party's work. People with personalities always want to be distant from people, not stick together.
In ancient times, there was no such thing as a calligraphy exhibition, let alone an exhibition hall consciousness. Their most capable person is a good hand at poetry and writing. The people of a lifetime, each admires each other, and the standard can be beautiful. A sprinkled article came out, and the text and book were different from people. In fact, the poems and texts of the ancients that we read today were closely related to calligraphy at that time, but unfortunately most of the ink blots were not left. Lu Fangweng's 10,000 poems in the past 60 years are 10,000 calligraphy works. Like the Tang Dynasty Sun Guoting's "Book Pedigree", it reveals his outstanding talent from both literary and book aspects. It's his luck. This legacy has allowed future generations to see how many scribes of that time were extraordinary in terms of literature and books. If there really was an exhibition, how could these scribes copy other people's poems and follow the same footsteps of others? Exhibitions should also be individual, not a superposition of quantity. The ancients were able to write their own poems and have eight methods, and they even took it as a pleasure to write their own poems, and who plagiarized them and caused frequent incidents?
Nowadays, people rarely have the ability to show differences through texts.
Although there are many poems and texts of the ancients, they are too many to copy, and some are relatively fixed, that is, some famous poems have been copied and have become too familiar and fixed. If you write your own article, there will be more uncertainty and strangeness. The color of the poem may not be splendid, but it is also a practice of the ancient way to follow the temporary divergence of self-emotion and tolerate it. It is a person who has no literary talents, searching for dry intestines, deliberately doing it, although it is difficult to say that it is wonderful, it is also a personal pleasure, which can be called a challenge to himself, and he can form a natural habit of writing after the date.
The pleasure of personal writing lies in being free, feeling something, seemingly having a goal, and being uncertain. Writing is free from the target. Bob · Dylan seems to be like that. For example, some of his musical works, according to his understanding, are to act as pioneers of discourse, practitioners of experiments, and the success or failure of writing gives way to experimentation. As a result, the creation is often detached from the previous conception, showing the constant change of personal psychological state and emotional value. The off-topic writing is a relief from the original direction, the writing is open and indulgent, some unplanned ideas enter, and more personal experience surges, but it is more vivid than the initial planning. Everyone has their own way of understanding and expression, and they are all inconsistent at this time and then, so most of the self-written articles are not the same as others.
Personal writing cannot be judged by writing well or poorly, and it has personal characteristics and is more meaningful than writing well.
For example, the three books of Song, Su, Huang and Mi are not profound, not to mention the profound and esoteric - a person's learning experience does not need to be written as a high-level sermon, but after learning and pondering, there is no word pretentious, just free, with common words, interesting and entrained, so that people often love it after reading. Judging from Su Huangmi's book theory, it may not be necessary to delve into some self-opinions briefly, and the process of how to form a conclusion may not be carried out in a foreign manner. The enlightenment of their book theory is that language is very much needed to be brought to life, and there is no need to explain it in a subtle way, nor does it have to be clumsy between words and sentences, but just write down when you feel it. Ouyang Xiu once said of his writing status: "Although there is no other text to write every day, I still need to find a topic to write one or two articles." "If a person doesn't write, he is unhappy and has the requirement to take the initiative to write. This is the daily state of writing in ancient times - everyone will leave a vast time and space for writing, and they will be happy to write and write without leaving any doubts. If a person only leaves time and space for calligraphy and squeezes out the time and space for writing, it will be difficult to learn from the ancients, and it will become inevitable to copy the poems of the ancients.
Romania writer Paolo · Celan is a blend of reading and writing. When reading a book, I emphasize the lines of some sentences, and even write my opinions in the margins of the book. Whenever self-expression is needed in reading, I immediately write into paragraphs, without letting go of personal inspiration. If a person does not read and write regularly, his sensitivity to words will decrease, and he will not perceive the proportion, depth and depth of words, nor have emotions in them, and gradually become inert. As time passes, there is little chance of extinguishing and rekindling. Therefore, a calligrapher who is still copying the poems of the ancients in his later years is the result of not trying to write since he was a teenager. On the other hand, if a teenager continues to write until his old age, he will not be able to stop, making writing a part of his spiritual life. The practice of art and literature needs to be misplaced, so that copying the poems of the ancients will not be used as a habit and a pleasure.
In an era that is good at writing, he writes his heart by hand, and his heart and hand are tacit. In an era when writing was neglected, calligraphers had only one way to copy, so they tried to copy carefully so that there was no risk of mistakes and omissions.
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