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Life should be a journey of beauty.
Calm down and read the poem.
【Story】
In the early Tang Dynasty, every poet seemed to have a personality.
As an emperor, Li Shimin wrote poems that were vast and melancholy, completely unaffected by the pompous poetry of the palace, but had a jian'an style bone and a residual taste of Cao Cao;
"Wang Yang Lu Luo" The four masters of the early Tang Dynasty, each with their own style, are still slightly unaccustomed to each other;
Chen Ziang, in the early Tang Dynasty, when palace poetry was still prevalent, put forward the idea of "retro" in an attempt to reproduce the Jian'an wind bone;
In addition, there is Du Zhenyan, who is the grandfather of the Sheng Tang poet Du Fu, who is also very powerful at writing poetry and is very crazy. Before dying, he boasted, "What is the pain of creating children, what else can you say?" However, I am here, I have been pressed for a long time, and now I am dead, and I am very relieved, but I hate not seeing anyone else. ”
However, the subject of this article is not them, but another poet of the Early Tang Dynasty who has a very personality, to be precise, the poet who entered the Tang Dynasty from the Southern and Northern Dynasties- Wang Ji.
In the book "Biography of Tang Caizi", in addition to the emperors, the first poet to establish a biography is Wang Ji, that is, to characterize him as the first poet worth recording in the Tang Dynasty.
This man was well-known, but after entering the Tang Dynasty, he chose to return to the hidden mountain forest; he was also related to Wang Bo, one of the four masters of the early Tang Dynasty, and wang Bo was his nephew and grandson.
Below, let's take a look at the most famous of the 51 poems he handed down, and this "Wild Hope" was also selected as "Three Hundred Tang Poems", becoming one of the models for modern people to learn Tang poetry.
【Psalms】
Ye Wang Ji [Tang Dynasty] Donggao Bo Twilight, migrating to desire He Yi. The trees are all autumn colors, and the mountains are only falling. Shepherds drive calves back, and hunting horses bring birds back. Looking at each other without acquaintance, long song Huai Tse-wei.
【Recitation】
In fact, I want to say that there is no particularly obvious "Tang poetry sense" in this poem, after all, Wang Ji himself is not a pure Tang Dynasty person. I have also seen it in other people's papers before, believing that Wang Ji is the "hermit image" that will appear in the change of dynasties, and he represents a group of people who returned to the hidden mountains and forests during the Yiding dynasty, rather than the typical Tang Dynasty style.
There is also some truth to this view, and the content expressed in poetry is the leisure and loneliness of a secluded life. However, this poem can be selected into the "Three Hundred Poems of Tang Dynasty" for posterity to know, naturally there is something commendable about it, let's take a formal look at this poem.
"Donggao is thin and twilight, and he wants to rely on it." This sentence points out the most basic time, place, and state of mind, as well as the foothold of "wild hope": time is twilight, place is Donggao, and the state of mind is lonely and helpless.
The poet stood on the mountain field of Donggao one evening, when the twilight was slightly cool, wandering, not knowing where his destination was and who to rely on. "Leaning" means wandering.
"The trees are all autumn colors, and the mountains are only falling." This sentence focuses on the shaping of the overall atmosphere and is static. The sunset shines with a crimson glow, shining on every mountain and every tree in Donggao. Thus, every tree was stained with autumn colors; every mountain and river field carried the afterglow of the falling sun. Like a landscape painting with heavy colors, it is also like the ancient meaning that ancient painting has shown today after thousands of years.
"The shepherd drives the calves back, and the hunting horses bring the birds back." This sentence shapes the activity of the characters in the landscape painting, adds vitality to the whole picture, and also makes the static landscape move. The shepherd walked on the mountain road with his calves and greeted the sunset, slowly returning to the village; the hunter also returned, riding his horse and carrying his prey, galloping on the village road, accepting the praise and blessings of the villagers. The scene of this conjunction is very warm, which contrasts with the poet's wandering behavior at the beginning.
There is a psychological gap, and there is a lyrical sentence of the last sentence: "Take care of each other without acquaintance, long song Huai Cewei." ”
Looking around, there are no acquaintances, I still continue to live in seclusion in the mountains, in a place where no one knows me, long song "Cevi", imitate the sages to live.
The allusion that Bo Yi Shuqi did not eat Zhou Su should be familiar to everyone, and it is also used as a representative of the hermit here.
After reading the whole poem, it feels a bit like Wang Wei's poem "The farmer hoes to the hoe, and the meeting is yiyi", which is also a hermit, and the same is envious of the leisurely and warm life of the villagers.
The style of this poem is also similar to That of Wang Wei, plain and simple. As Mr. Yuan Xingpei said, people who are accustomed to reading Tang poems may not think that there is anything outstanding about this poem, but it is a very ordinary one of the many Tang poems.
However, if we combine the order of poetry history and read it along the way of The Southern Dynasty Song Dynasty Song Qi Liang Chen, we will be moved by the simplicity in this poem. Song Qi Liang Chen was a dynasty full of palace poetry, like "a pearlescent noblewoman wrapped in satin", while Wang Ji's "Wild Hope" was like "a village girl with a jingchao cloth skirt", and his simplicity had a special charm in the early Tang Dynasty.
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