Chen Yinquan said: When he was a child, he did not professionally learn cross-talk, and there were too few training classes to teach cross-talk at that time, and we "post-80s" were all learning Olympiad, music, and painting, that is, no one learned cross-talk. But I especially like crosstalk, listen to radio every day, and perform for children.
During my studies at Northwest University, because I like crosstalk, I often go online to chat with others in forums and tie bars, and I also want to find a crosstalk partner through the Internet, so I know some ticket friends, even if I joined the big alliance of ticket friends, I met my partner Hou Zhenpeng in this way.
Chen Yinquan's performance experience in recent years: On January 17, 2019, he participated in the "2019 Spring Festival Gala of Chinese Literature and Art Circles" in the Spring Festival of Hundred Flowers. On February 19, he participated in the "2019 Lantern Party" of the Central Radio and Television Corporation, and performed the cross-talk "Please Be Patient". On April 14, he participated in the variety show "Looking for Comedians". On January 4, 2020, the fifth phase of the variety show "Straight to the Spring Festival Gala" was broadcast on the CCTV Variety Channel. On January 5, the sixth season of the variety show "Group Children on the Spring Festival Gala" was broadcast on Liaoning Satellite TV. In April, he participated in the chorus single "Let Love Sprinkle all over the world". On June 26, the large-scale food variety show "The Kitchen of Inner Mongolia Taste" was scheduled to be broadcast on Inner Mongolia Satellite TV. On January 23, 2021, the second phase of the variety show "Straight to the Spring Festival Gala" was broadcast. On February 12, the variety show "2021 Chinese New Year Cross-talk Conference" was scheduled to be broadcast on CCTV3. On February 27, the fourth phase of the comedy inheritance variety show "Gold Medal Comedy Class" was scheduled to be broadcast on the CCTV Variety Channel.
Chen Yinquan and Hou Zhenpeng were members of the famous "Hip Hop Five Tigers" at that time. Chen Yinquan and Hou Zhenpeng on the stage are "one static and one moving". Chen Yinquan's performance style is sharp, exaggerated, passionate, especially the driving ability of the scene atmosphere is extremely strong, from the opening can firmly grasp the audience's mind, so that the audience's heart with the scene it constructed in the cross-talk and ups and downs, the burden of trembling also makes people feel unexpected, but also in the reasonable, the audience laughed and laughed at the same time can be carefully recalled.
Ten years ago, on June 11, 2011, at the worship ceremony, Mr. Song Dequan used plain and pertinent language to his apprentice Chen Yinquan and all the guests present to say, "There is a Chinese saying that "one day for the teacher to be a father for life" means to treat one's own teachers with the same respect and respect as one's father, but this sentence has a deeper meaning, the word "father" in this sentence is not only to accept the respect of future generations, the deeper meaning should be responsible and pay. I accept Chen Yinquan as an apprentice today, which is called the beginning of a day as a teacher, so I want to be responsible for my apprentice and his brothers' words, deeds, and every move, and I must pave the way for them, so that they can thrive on the road of learning art, learning art is not a child's play, doing a line, respecting a line, loving a line. Master led him into the door, practicing in the individual, to learn more, see more, think more, practice more, and understand the truth of crosstalk. ”
Traditional worship is called "Pendulum Knowledge"
Cross-talk actor Meng Fangui introduced to reporters the tradition and origin of cross-talk worship, cross-talk art originates from the bottom society, artists are mainly peasants who have lost their land, they have created an industry ancestor and teacher inheritance system for the realization of their right to subsistence. This phenomenon is also a helpless move of the low-level artists who are living in difficult circumstances. Under the influence of the worship of ancestors, artists spontaneously formed various guild organizations and received apprentices to teach. Under the special circumstances of the time, organized "karmic groups" could both unite industry groups and resist the oppression of other classes. At the same time, worship is also the main means of passing on the karma, and it is the only formal act. Artists regard the performance of skills as the foundation of eating, and the so-called "prefer a piece of gold, do not sprinkle a word of spring" is derived from this. In this way, from the founder onwards, the artists have been passed on according to the generations and formed a relatively complete lineage of teachers. This network of teachers has enabled the transmission of performing skills from generation to generation, but the conservative psychology has also affected and hindered the communication and dissemination of skills on a larger scale. Under the influence of factors such as dependence on ancestors and the practical needs of industry inheritance, the cross-talk industry has formed a unique custom of worshiping teachers, which has been passed down to this day.