In everyone's cognition, what kind of expression is a film and television drama? It is clear that the story is shaped, and the actor is a profession that serves the film and television drama, responsible for presenting a story to the audience in its entirety.
From this, we can conclude that in film and television dramas, the plot is the main thing, and the actors are in the service of the plot. But with the rise of traffic stars, the way of expression in poetry has been completely subverted.
Actors no longer serve film and television dramas, and film and television dramas have become stepping stones for actors. The plot is not important at all, but provides a stage for the actors to show themselves. Actors also do not need to have acting skills, as long as they are responsible for film and television dramas in China and the United States.
Ju Jingyi is such an actor, since her debut, it is completely on the bar with the costume drama. "Pretty Scholar", "Yun Xi Biography", "Ruyi Fangfei", etc., almost all of them are big female protagonist costume dramas.
Ju Jingyi's performance in these dramas can be described as cookie-cutter, semi-permanent makeup, change into beautiful clothes, spotless on the body, and the marketing of her "4000 years of beauty" to the fullest, these TV series can be said to be tailor-made for Ju Jingyi.
There is no plot in the play itself, and their existence is to show the beauty of Ju Jingyi, which is the so-called "for this little vinegar, I wrapped this dumpling.". It was completely filmed for fans to see, so Ju Jingyi's outfit inside became the biggest focus of the audience.
These are said to be TV series, but in fact, they are more like large-scale costume photos, because sometimes in order to make Ju Jingyi look beautiful, she does not care about the plot logic at all. For example, in "Ruyi Fangfei", Ju Jingyi was kidnapped by kidnappers, and the kidnapping makeup in it is really difficult to say.
Even in the state of kidnapping, Ju Jingyi's whole body, including her face, was spotless, and her makeup looked like she had just been painted. With a stack of square handkerchiefs stuffed in his mouth, it seems that the robbers are also quite leisurely, and they do not forget to fold the handkerchiefs when kidnapping.
And Ju Jingyi's expression was quite pitiful, and her mouth did not dare to open it, for fear that the handkerchief in her mouth would fall off. The whole kidnapping process has no logic, but embodies only one theme: beauty. Admittedly, in the whole process, Ju Jingyi can be said to be an indispensable object of beauty.
But the logic of the whole drama really can't stand a little bit of scrutiny.
Recently, a TV series starring Ju Jingyi is being broadcast, this drama is called "Jia Nan Biography". There is no accident, that is, a large-scale costume photo showing Ju Jingyi's beauty. In this drama, Ju Jingyi's "refugee makeup" is on fire again, causing a heated discussion among netizens.
What is it like for a person to become a refugee? His body was in tatters, his body was full of dirt, and his face was like a big flower cat, which was the state a refugee should be.
And Ju Jingyi's refugee makeup in "The Biography of Jia Nan" is just a change of clothes. In the sixteenth episode, the life and death of the male protagonist are unknown, and the female protagonist pretends to be a refugee and blends into the enemy country's Yunyang City to find him.
From the picture, we can see that Ju Jingyi's face is spotless, without the slightest trace of escape. Fall in love with the flaming red lips and pretend to be delicate as if they were just painted. The only thing that touched the refugees was the coarse cloth and linen clothes on their bodies, but there was not a little dust on them.
Anyone who sees such a person saying that he is a refugee will suspect that the other party is a spy of an enemy country. What is outrageous is that the soldiers guarding the city did not see a trace of abnormality, so they let the heroine go.
I have to say that this screenwriter is really a talent, and really treats the soldiers guarding the city as a decoration? If a country's guards touch the fish like this while they are at work, can they really survive in a war environment?
Throughout the text, there are four words: there is no logic, and the only thing to see is Ju Jingyi's beauty. But after all, beautiful can not eat for a lifetime, as the age grows, sooner or later there will be a day when it will be eliminated.
If you want the audience to remember themselves, you still have to rely on the work to speak. I sincerely hope that Ju Jingyi can realize this as soon as possible and start her own transformation path, otherwise she will be slapped on the beach by the back wave sooner or later.
What do you have to say about that? Feel free to leave a message in the comments section.