Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Li Ling
Calligraphy techniques need to complete complex movements in a very short time, Shu Su Ti, which is not easy to ink on the silk to write relatively small words, is not conducive to the performance of this technique, Mi Fu may also intentionally hide clumsy, but not completely absent, such as Jin Anzhou, these three words, or use this technique, but did not play the kind of expressive power of the Poem. The performance of the Song people popular learning Chu Suiliang, Chu Suiliang skimmed the painting to do the Lishu treatment, do not deny that this is really difficult, especially if you want to write exactly the same as Mi Fu, because Mi Fu himself writes out not much the same every time, but the intention of the Lishu is unified. Mi Fu is very showy, because he is so skilled that he can hurt people at any time, but not purely for showmanship. There were few authentic works that the people of the Qing Dynasty could see, and there was no way to go through the study of the thesis, so they turned to the so-called epigraphy. The feeling of writing an inscription with a brush must be different from the traditional brushwork. This is equivalent to starting a new stove, not to say that the founding of the sect, the inheritance of the past and the future are all right, and the traditional calligraphy is the same way. Before the Qing Dynasty, why did there be Chunhua Pavilion? It is because of the preservation of the OEM model. You study today according to the Chunhua Pavilion. It's also posted. again. Most of the people who promoted the development of epigraphy were Qing Dynasty officials and literati, which in itself was not a choice of the people.
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Female calligrapher Li Ling of the Zhongshu Association, appreciation of high-quality calligraphy works, harvest of flowers with a degree of acceptance, good characters of the Chinese Calligraphy Association female calligrapher Li Ling's best-of-the-line calligraphy works appreciation: Booker's introduction: written at the end of the text:
Li Ling, a native of Xinxiang City, Henan Province, a member of the Chinese Calligraphers Association, a member of the Henan Provincial Artists Association, a director of the Xinxiang Young Calligraphers Association, the deputy secretary-general of the Huixian Artists Association, a specially appointed calligraphy professor of the Hebei Academy of Fine Arts, and the 2016 Annual Selection Activity of China Calligraphy Newspaper - Contemporary Top Ten Female Calligraphers Candidates.
Li Ling's calligraphy technique pays attention to the fact that the pen must be round and straight, the character posture is verified, the four sides are stopped evenly, the eight parties have it, and then the pen is carried out. Reverse entry, astringency, tight tightening. The speed is appropriate, and the lines are thick and clumsy. There is a saying that "the seal should be slow, and the disease should be subordinated". The pen used in the seal is also consistent, with the magic of folding the strands, the hanging pen makes it like a rope, slowly walking, horizontal and straight through the end to make the pen edge retained; the turning arc is rounded and wrapped in a dark turn, and the pen cannot be noted.
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