Now let's introduce the landscape painters of the middle Qing Dynasty.
During this period, the officially respected orthodox school of landscape painting was divided into the Loudong school and the Yushan school. Among them, Zong Loudong sent Huang Ding, Tang Dai, Dong Bangda, Fang Shishu, Zhang Zongcang, Qian Weicheng and others. Zong Yushan's faction included Yang Jin, Li Shikuo, Song Junye, Tang Jun, Cai Yuan, and others.
Huang Ding character zun gu, the number of the pavilion, idle garden, solitary guest, the late number of the clean dirt old man. Good at painting landscapes, copying ancient paintings, aggressive and realistic, especially imitating Wang Meng. After learning Wang Yuanqi, he changed his path. The pen and ink are vigorous and the paintings are superb. Surviving works include "Qunfeng Xueji Axis", "Xiqiao Forest Shadow Map", "Autumn Mountain Residence Axis", "White Stone Moss" and so on.
Autumn Mountain Axis Huangding
After the Song Dynasty, the landscape and autumn scenery are rarely dyed in the sky, and this painting is dyed with ink, which is very creative.
Qunfeng Xueji Axis Huangding
This painting depicts a snow-covered mountain country, with steep peaks and steep peaks, meandering backwaters, and cold forests scattered everywhere, and a cold breath comes from the picture.
Tang Dai character Yudong, the number Jingyan, also known as Zhisheng, Ailu, Mozhuang. The landscape master Fa Wang Yuan qi, far from the legacy of Dong, Ju, Huang and Wang, is thick with a pen and a deep and stable layout, but in order to meet the needs of the court, his painting style is more delicate and delicate, trivial and complex, and decorative. Surviving works include "Imitation of Ni Zhan QingJue Pavilion", "Imitation of Fan Kuan Qiu Shan Waterfall Axis", "Imitation of Wang Mengshan Water Axis" and so on.
Imitation of Wang Mengshan water axis Tang Dai
Dong Bangda character Fu Cun, contentious existence, the number of Dongshan, non-smell. Landscapes take the Fayuan people, make good use of dry pens. Its style is between the Loudong and Yushan schools. Together with Dong Yuan and Dong Qichang, they are called Three. Surviving works include "Songxi Panyue Map", "Broken Bridge Residual Snow Axis", "Autumn Tree Cloud Sail Axis", "Returning to the Clouds", "Summer Mountain Desire Rain Map", "Songjian Yunlan Axis", "Light Mist Cangshan Map" and so on.
Summer Mountain Desire Rain Figure Dong Bangda
This volume imitates the meaning of giant brushwork, painting cloud mountains far away, dense forests and waterfalls, far-reaching artistic conception, light ink, light color, gentle with pen, loose and beautiful, and the literati are extremely interesting.
Zhang Zongcang's characters are silently preserved, and he inherits Huang Ding, a descendant of the Loudong school of painting in the Qing Dynasty. Good at landscape painting, representative works include "Sixteen Views of Wuzhong", "Wan Wat Chaotian Map", "Bamboo Pavilion Waterfall Map", "Landscape Scroll", "Zhiqi Cuixiu", "SongyunXiguan Axis", "Tianchi Stone Wall Axis", "Linquan GaoshiTu" and so on.
On the way, the mountains are stacked and the waterfalls are flowing. The two of them looked out over the water pavilion. The ink is exquisite and the layout is stable, which is the standard piece of the Qing Dynasty court landscape painting.
Qian Weicheng's original name was Xin Lai, the character Zongpan, the word You'an, the number Sewing Temple, the Tea Mountain, and the late jiaxuan. Learning landscapes, under the guidance of Dong Bangda, he became a famous hand and was enshrined in the inner court. Surviving works include "Edmura Autumn Ji Diagram", "Cloud Canyon Bell Axis" and so on.
Emura Qiuji Figure Qian Weicheng
Yang Jin zihe, the number of the West Pavilion, in his later years to call himself Crane Daoren. Wang Yi's students, landscape painting is very beautiful, and his works in his later years are relatively sloppy. Surviving works include "Tang Xieyuan Poetic Intentions", "Antique Landscape Album", "Painting Liutang Spring Pastoral Axis" and so on.
Tang Xieyuan's poetic intention Yang Jin
In the picture, the distant mountain peaks are continuous and cloudy; the river on the left is wide, and the three-leaf boats are busy on the river; the nearby beach is lined with trees, and the houses are located in it, and the scenery such as mountains, green trees, and small bridges is full of poetry.
Song Junye's characters are demanding, the number is Jianzhai, the first is Jianfu, and the landscape is good, and he has made great progress in painting because he has hired Wang Yi at home for painting the southern tour map. Surviving works include "Lin Ting YanXiu Axis" and so on.
Lin Ting YanXiu Axis Song Junye
Court painters in the Qing Dynasty also included Wang Yu, Wang Yu, Wang Chen, and Wang Jiu, known as the "Little Four Kings", and Wang Sanxi, Wang Tingzhou, Wang Tingyuan, Wang Mingshao, and others of the "Later Four Kings".
Wang Yuzi at the beginning of the day, the old man of Dongzhuang, also known as YunchaShanren, Xishanshui, his paintings are light but not thin, sparse and elegant, and the pen is intended to be between Ni Zhan and Fang Congyi.
Wang Yu character Cunsu, no. 1 Lin Wu, No. 1 Pu Lu, Shanshui Dry Ink Heavy Pen without rendering, deyuan people Simple Law.
Wang Chen's character zi condensed, a word purple condensation, a zuo zi bing, the number Pengxin. Shanshui inherits the family study, taking the Yuan Four Families as the sect, and deeply won the Huang Gongwang Law. Withered heavy ink, the smell is absurd, and it is slightly similar to the shape, imitating the essence of Wang Fu. Middle-aged paintings, there is still luster in the dry. In his old age, he withered and showed, and the mountains and stones were in shape.
Wang Sanxi character Huaibang, self-proclaimed Bamboo Ridge, Good Landscape, His Ancestral Brushwork, Hilly Position, Unusual Path, Unique and Elegant.
In general, the court landscape brushes based on the "Four Kings" are ancient, lack of novelty, exquisite color paintings, strong decoration, and insufficient artistry.