Recently, Jiang Kun, chairman of the Qu Association, published a long article in Guangming Daily, expounding the mission and responsibility of today's qu art workers from multiple angles.
Jiang Kun
However, in an objective evaluation, the points mentioned in Jiang Kun's article on the requirements of qu art workers are "too high", which belongs to the type of "easier said than done".
In this article, Jiang Kun, chairman of the Qu Association, first thanked our party for attaching importance to the development of the cause of qu art.
He mentioned that in the old days, the music artists had a low status and made a living by walking the streets and selling art on the ground. After the founding of New China, it was under the leadership of our party that Quyi ushered in prosperity and development, and the team of Quyi artists grew stronger and stronger!
Subsequently, Jiang Kun put forward requirements for qu art workers from three aspects.
First, qu art workers should integrate their personal artistic pursuits into the progressive cause of the party and the people.
Jiang Kun took the example of a famous qu artist, and he mentioned that Wang Zunsan, a pioneer of qu art reform who was not only a negative drum war,
Or Chang Baokun, a cross-talk master who spilled blood on the battlefield of the War to Resist US Aggression and Aid Korea,
Or Luo Yusheng, the Jingyun drum taidou who grew from an artist in the old era to an excellent literary and artistic warrior of our party,
and Hou Baolin, a famous cross-talk artist who reformed the traditional cross-talk,
They all integrated their personal ideals with national development, and truly stepped out of the "small self" and realized the "big me".
Hou Baolin
Second, today's musicians must come up with good works.
Jiang Kun mentioned that to measure the literary and artistic height of an era, we must ultimately look at the works, and the measure of the artistic achievements of a literary and art worker ultimately depends on the works. If you don't create a good work that people praise, and other things are hilarious and fancy, it is only a superficial article.
Matt
Jiang Kun also used his mentor Mr. Ma Ji as an example to illustrate that Ma Ji has created more than 300 cross-talk works, such as "Three to Zero" after China's table tennis won the world championship for the first time, and after the reform and opening up, he created "Five Senses Striving for Merit" and other well-known classic works;
In addition, yuan kuocheng, a master of storytelling, spent 3 years creating the commentary "Romance of the Three Kingdoms", and the working place was in a small black house of five square meters that was temporarily built, which shows the professionalism of the outstanding music workers of that year!
Third, the artist must have noble character.
Wang Wenlin
Jiang Kun mentioned that an accomplished artist must have profound cultural accomplishment and noble personality charm, and if he does not have these, no matter how proficient his skills are, it is not enough to be praised.
He cited li runjie, a master of allegro books who had twice gone to the front line of the War to Resist US Aggression and Aid Korea to offer condolences; on the occasion of his death, Li Runjie demanded that all funeral expenses be handed over to the party organization and that the "Creation and Performance of allegro books" that he had devoted his life to creating be left to the party and the people.
Overall, compared with the "anti-three customs" proposal released by the Ququ Association before, Jiang Kun's speech is more meaningful, more high-level, and more in line with the development law of the development of quyi.
In particular, the three expectations put forward by today's music artists are very in line with the development requirements of the times, and they are also the necessary behaviors for music artists to embark on the road of "people's artists".
Zhou Wei
Unfortunately, not every music artist wants to be a "people's artist", and what most music artists need is a performance opportunity, to become famous, to become a wrist, to be a house, to a car.
Therefore, whether it is a folk music artist or a music artist in the system, a very small number of people can reach the realm of Ma Sanli, Hou Baolin and even Ma Ji and Jiang Kun, and a very small number of people can create excellent works that breathe with the times;
Chen Hanbai
To put it bluntly, many so-called "famous artists of music" have not passed the basic skills, but they can become popular through platforms such as "CCTV Spring Festival Gala", and have since embarked on the road of "eating the old book", and even some "famous artists of music" do not hesitate to sacrifice the popularity of the audience in exchange for benefits;
The business card is printed with the three words "artist", but behind the scenes, it is doing "harming others and benefiting oneself".
From this point of view, Jiang Kun's "appeal" can only stay in writing at present, and it is a long way to go if he wants to "clean up the source" for the music and art circles!
Text/Song Fat Man