directory
A Film Introduction... 3
1 Affair.... 3
2 Themes.... 4
2. Analysis of human and field design... 4
1 Laws of motion.... 4
2 Character styling.... 4
3 Scenario analysis.... 5
THREE Music Analysis... 5
1 Musical observations in the play.... 5
2 Behind the scenes dubbing.... 6
Design tips and preparations for the four-shot table... 7
1 The role of the storyboard.... 7
2 Composition of the characters in the shot.... 8
3 Animation Director Creation Tips.... 9
4 The concept of directing work.... 9
5 Artistic understanding of the film.... 10
V. Marketing... 13
1 Surroundings.... 14
2 Posters.... 15
3 Selling Points.... 15
4 Easter Eggs.... 15
6, References ... 16
<h1 class="pgc-h-arrow-right" data-track="50" > a movie introduction</h1>
< h1 class="pgc-h-arrow-right" data-track="52">1 Incidental content</h1>
Wen Tsukishima, a girl who is in her third year of junior high school, like every student who is about to graduate, she is also facing a future choice. But she's not a girl who is obsessed with her homework, she loves to read more storybooks. But there was a person on the library card who had been reading the same book as her, and even sometimes faster than her, which made her very curious, and that person was called "Tenzawa Seiji". When communicating with the girlfriend, because the girlfriend met the boy she liked, the girlfriend ran away in a hurry, Wen chased after it, but left the book, and when Wen went back to find the book, she met a teenager, who watched the song "COUNTRY ROAD" that Wen was translating and laughed at the "cement road" translated by Wen and returned the book to Wen, and left. One day, Wen delivers a box lunch to her father, who is a librarian, and meets a fat cat on the road, which can ride the tram like a human. Curious, she traced the way, so she found an old and exquisite toy store on the hillside, the "Earth House". An old man in the twilight of the twilight introduced her to the shop, and she was fascinated by the cat doll baron on the table in the store, which flashed a magical halo. Suddenly forgetting the task of delivering food to her father, Wen ran all the way, and when she arrived at the library where her father worked, the boy who had returned her book returned the bento she had forgotten, and Wen knew that he was the grandson of the old man in the Earth House.
In school, because of some things exclusive to the junior high school girls, Wen was depressed and overwhelmed, she relied on the guidance of memory, and came to the "Earth House", in front of the Earth House she met the boy she met before, the boy took Wen into the Earth House, and let Wen browse the Earth House, Wen played until very late, when she returned to God, she went to look for the boy, it turned out that the boy himself was learning to do violin, and hoped that Wen could sing an English song she was translating: John Denver's "COUNTRY ROAD", He played her with a violin. At this time, the owner of the Earth House, Sishiro, and two other old musicians (North South) returned, so they played their instruments in the "Earth House". This warm little concert ended with everyone's happy applause. After introducing each other, Wen discovers that the boy in front of her is exactly what makes her curious- Tenzawa Seiji. Saint Si confided in Wen his dream of going to study at an old Italian violin-making school. Inspired by the love story of the Cat Baron in the toy store, Wen also decided to write about the Cat Baron - a story about two people who love each other but can't be together because of various misunderstandings. Both Wen and Shengji are facing the crossroads of graduation choices, but they firmly choose the path they aspire to. Resisting the pressure of her studies and exams, Wen finally finished the novel and showed it to the grandfather of the toy store. Grandpa was deeply moved and told the real story of the Cat Baron. It turns out that the story of the cat baron coincides with the story written by Wen. Wen was enchanted by all these fantastical experiences. And Shengji finally got the understanding of his parents at home and could finally go to Italy to learn the art of making the violin. Finally, at that sunrise, under the clear and clear sky, Saint Si, who had returned from Italy, bravely confessed to Wen, and Wen happily agreed.
<h1 class="pgc-h-arrow-right" data-track="58" >2 topics</h1>
Seeing reality, actually a fairy tale, seemingly in love, actually life, seemingly side ears, actually listening, telling a fairy tale that can make people think, a childish, interesting, touching, complex story, an opportunity for people to listen to themselves
<h1 class="pgc-h-arrow-right" data-track="62" > two-person and field design analysis</h1>
<h1 class="pgc-h-arrow-right" data-track="64" >1 law of motion</h1>
The frame rate specification of this film is one beat three, that is, 1 second 8 pictures, which is the result of using modern software to export frame by frame, but in some places Miyazaki will pursue details, such as the female protagonist writing a book is a dream scene, the frame rate has risen significantly, and in the animation, it took the production staff half a year to deal with the scene of the female protagonist and the male protagonist singing the music, and Kenichi Konishi, who is responsible for handling this bridge section, in order to make the action of the characters playing the instrument realistically in the picture, In just 3 minutes of the plot, nearly 3,000 basemaps are used, which is about the weight of a half-hour TV animation. There are many action details in the play, most of them are close to reality, no action is superfluous, of which I most sighed, when the heroine's father asked the heroine to talk, the expressionless face seriously lit a cigarette, and then spit out, although this seems to be commonplace, but as a father, and the warning of the heroine's mother, a simple action of less than 5s, enough to see an old father's concern about the future of his children to let go and recognize the complex feelings, there are sorrows, doubts, self-blame, there are sighs, perfecting the image of the father, A vicissitudes but sensible father was shaped.
<h1 class="pgc-h-arrow-right" data-track="68" >2 Character modeling</h1>
In terms of styling, in addition to the classic restoration of Japan's 95 years of dressing style, sailor suit, the thing that can most attract me, the male protagonist's dress, the classic shirt tucked into the pants (there is a saying that in my opinion, the thief soil, although it looks a lot better under the beautification of the animation), in order to prevent the wrinkles of the shirt, so the invention of the simple wearing method, and because it is an animation, I have been thinking after watching it, the inside of the male protagonist's clothes is not like this, a bit outrageous, and in terms of details, it is at the end of the film, When the male protagonist rides a bicycle to pick up the female protagonist, the male protagonist violates three Japanese traffic rules, 1. Bicycle treatment 2. The right side of the bicycle is retrograde 3. At night (including the sun does not rise) the bicycle does not drive the lights (Japanese bicycles will be equipped with lights), everyone in Japan do not imitate the male protagonist, the male protagonist is too crumbling, at this point.
<h1 class="pgc-h-arrow-right" data-track="72" >3 Scene analysis</h1>
The scene is taken from the real city of Tama in Japan, and Yoshifumi Kondo, when making "Listening with One Ear", hoped to depict the hometown of people born in the city. The original game did not set it in detail, but the anime version placed the entire story around Sakuragaoka Station on the Keio Line in Tama City, Tokyo. To this day, it is still a famous site for visiting the Holy Land. In the West Exit Square of Sakuragaoka Station, there is a prototype map of "Side Ear Listening". Several iconic locations in the story are detailed, such as the Kimbiro Shrine where Sugimura confessed to Shizuku, the Kasumi-Guan Bridge connecting the subway station to the library, and so on. Some enthusiasts believe that the prototype of the boutique antiquities store "Earth House" run by Nishishiro is a café called "桜ヶ丘邪宗門". Due to the death of the owner, the café closed in 2012. In fact, this café is not too similar to the Earth House from the outside, but according to the repo on the Internet, the atmosphere inside is similar. Moreover, the animation prototype city of "Magical Forbidden Books Catalog" and "A Scientific Super Electromagnetic Cannon" is also Tama City (I also like animation)
Color, ambient light play a very important role in the visual, style, and design of an animation film. Color can create a sense of time and space, create the atmosphere of the film, and make the film produce an emotional effect. Bright colors can add a sense of energy to the picture, the pastel series conveys a sense of harmony and stability, most of the colors of this film, the light is more vivid, but it is balanced, there is no overexposure, after all, Studio Ghibli is based on the fantastic animation scenes and touching stories as the selling point, naturally needless to say, it is worth saying that it is still a part of the dream world of the heroine's dream, which is Miyazaki's style when visiting Naohisa Inoue's painting exhibition that his style is very suitable for putting into "Side Ear Listening" Nakatsukishima shizuku wrote a scene for the cat baron. So Miyazaki asked Satoshi Kuroda, the art supervisor of the game, to make it in the style of Naohisa Inoue. But given the production process, Satoshi Kuroda turned down Hayao Miyazaki. Later, Toshio Suzuki directly applied to Naohisa Inoue to join the production team of "Side Ear Listening". But the overseer Kondo kifumi was unaware of this matter.
<h1 class="pgc-h-arrow-right" data-track="78" > music analysis</h1>
<h1 class="pgc-h-arrow-right" data-track="80" >1 Musical experiences in the play</h1>
In cartoons, sound is an important creative element. Sound can match the theme of the film, better show the thoughts and actions of the characters, and drive the audience's senses to participate in the film. Sound runs through the entire process of the film, can convey content and emotion, and is rich in new meanings of the film.
The soundtrack of the anime was played by Yuji Nomi, and at first the track content of the impression album was mostly conceived from storyboard drawings from Hayao Miyazaki. The third track of the impression album, "Convenience Supermarket", was inspired by Yuji Nomi's trip to a supermarket near Iidabashi in Tokyo to see the shop's work students practicing their guitars in the gap, when Yuji Nomi used the style of the song as the guitar soundtrack composed by singer "Ry Cooder" in the movie "Paris, Texas", but later Miyazaki thought that this song was more suitable as the soundtrack of the fat cat Azuki in the anime. When Yuji Nomi adapted the song "Take Me Home Country Roads", he originally accompanied it with a clarinet and a piano, but showed a feeling close to jazz, and later changed to a more European-style instrument such as the lute. In the film "Listening with One Ear", ancient instruments such as mandolin, wooden piccolo, and ancient cello are used.
The theme song "COUNTRY ROAD" sung in the film is a cover of the famous song "TAKE ME HOME COUNTRY ROADS" by American country singer John Denver), in the film, Tsukishima Wen and her classmates try to translate the English lyrics for "Country Road" into Japanese and sing it at the graduation meeting, and Tsukishima Wen, who undertook the task of translation, always can't properly understand the love for the countryside expressed in the original song. After experiencing some distress, the girl who grew up in this city realized that for herself, the scenery of her hometown was the city where she lived in reinforced concrete, and decided to stand on the reality under her feet and pluck up the courage to live actively. "Country Road", which Tsukishima Wen finally filled in with new words, is the real theme song of this movie
<h1 class="pgc-h-arrow-right" data-track="88" >2 Behind-the-scenes dubbing</h1>
An obvious feature of animated films compared with film and television works is that the objects of occurrence in animated films are fake, and the sounds in animated films have the following sound characteristics, the virtuality of the sound emitter, the virtuality of the communication medium, and the authenticity of the recipient. Moreover, voice actors should respect people's psychological attributes, and analyze the psychological attributes of characters according to different character images and character characteristics and character backgrounds to create sounds.
In terms of dubbing, the male protagonist dubbing for the industry's well-known personnel Takahashi life, after completing the voice changer 2 years later still remain in the dubbing industry, the work involved can almost let me water 1000 words, it is too much, it is worth mentioning, Takahashi life himself has, to the film and television industry closer, starred in the comic drama "Shore Dew Companion Motionless"
The female protagonist's voice name is Yoko, not only the most voice actor, at that time to the "Side Ear Listening" heroine dubbing, has already released a personal single, and then worked as a singer and voice actor at the same time, and then went to make up for school, mastered Italian, Russian, in 2015 after the birth of her daughter gradually retreated behind the scenes
In particular, it is said that the two music friends of the male protagonist's grandfather, Sishiro, are the producer Toshio Suzuki, who assists Naohisa Inoue in the voice of the artist, and then the female teacher of the female protagonist is the voice of Conan Edogawa.
Most of the sound effects of this work, in addition to the common film and television sound production, more of them are actually the realistic sounds of Tama City, which greatly enhances the sense of reality and is not obtrusive
<h1 class="pgc-h-arrow-right" data-track="100" > design tips and preparations for the four-shot table book</h1>
<h1 class="pgc-h-arrow-right" data-track="102" >1 The role of the storyboard</h1>
Animation sub-shot screen script, referred to as sub-shot stage book, is an important work before an animation film enters the production process, and it is the specific presentation of the animation director's overall conception and artistic creation after the script is determined, which is the general basis for the production of the entire animation film. At that time, Miyazaki was not very satisfied with the ending and details of the original "Listening with One Ear", so most of the reforms were made to the script.
Because it was initially positioned as a sketch, Miyazaki did not use the large-format storyboard paper commonly used by Studio Ghibli when drawing storyboards, but instead used the standard specifications commonly used in the production of television animation. Because there is less content that can appear in the picture, the difficulty of painting will be relatively reduced, and the construction period will naturally be shortened. However, miyazaki felt that it was too difficult to draw in a small partition frame, so when it came to C PART, he changed back to the kind of storyboard paper commonly used by Studio Ghibli. In the storyboarding set that the audience saw, the A and B PARTs were both transcriptions of Kondo Yoshifumi.
Most of the filming of this work is in Tama City, most of the shots actually have a reference basis for realistic scenes, and even some fans have also carried out the "Pilgrimage Road" activity, the lens of this work gives people the same feeling as the name of the movie, the personal feeling is very reassuring, there is no lot of push and pull shaking, shaking, and strange close-up switching, most of them are actually fixed shots, as if the viewer is the protagonist's life just right camera, the panoramic view of the city night scene at the beginning, in fact, is the real Tama City night scene, And in fact, this picture is the same as the screen screen of the "Heisei Tanuki Battle" based on Tama City (Little Thief Lazy)
<h1 class="pgc-h-arrow-right" data-track="226" >2 Composition of the character in the shot</h1>
When designing the sub-lens picture, the main character should be arranged in the most eye-catching position in the picture frame, here the classic two people in the middle of the scene facing each other, leaving an open space for the character's line of sight, can make the audience fully understand the direction of the character's observation or the direction of movement, can also indicate that there is another role outside the picture, here is the male protagonist's downward look slightly frivolous eyes (in order to cover up their panic) The female protagonist is angry in the shade, from the surface it is indeed the heroine's aura is greater than the male protagonist, But in fact, the use of lens language here has implied that the male protagonist is high, the female protagonist is below, the male protagonist is in the light, and the female protagonist is in the dark, which also lays the groundwork for the showdown of the male protagonist later, and here it is implied that the dominant right of the two people's emotional route is the male protagonist (worthy of you Miyazaki Hayao)
<h1 class="pgc-h-arrow-right" data-track="230" >3 Creative skills for animation directors</h1>
Cartoons are drawn films, and he is full of assumptions and fantasies. The animation director uses the film montage technique to take many shots of the story atmosphere, and then uses the flexibility and flexibility of the film language to rent. What you always have to consider as a good animation director is how to stand on the screen is your animation work. In terms of creation, the fate of "Listening with One Ear" and Studio Ghibli is actually connected by Miyazaki. Miyazaki's father-in-law was a famous printmaker, Ota Koshi, who had a log cabin studio in Shinshu, Nagano Prefecture. It's an isolated place with no phones and no news. Every summer, Inspector Miyazaki would go to live here for a while. That's where he met Ear-To-Ear. After finishing Nausicaä, Miyazaki noticed that there were several shōnen manga magazines left by his mother-in-law and granddaughter in the cabin, and he read them casually. So every summer after that, when I came here, Miyazaki would flip through these girl comics.
<h1 class="pgc-h-arrow-right" data-track="234" >4 Concept of directorial work</h1>
The director is the key to the production of the whole work. The director does not need to draw every picture himself, but he must grasp the overall situation and make clear instructions and requirements for the scene and character setting, original painting, post-production, music and other work. In the whole process of animation production, the director has the leadership and command rights in the team, and must be fully and mainly responsible for the artistic creation and technical quality of the whole film. However, Studio Ghibli, which seems to create love and fairy tales, is not only for those who work inside, under the seemingly peaceful skin bag, there is a harsh heart, whether it is to others or to themselves, it will not be gentle. Miyazaki has been in the industry for more than 50 years, and has maintained the working habit of going to work at 9 a.m. and leaving work at 2 o'clock in the middle of the night, living like a machine every day, only for the sake of creation. He is even more bossy about employees, he will not forgive you for the mistakes you make because you are new to the industry, nor will he allow old employees to neglect themselves at any time, in his opinion, everyone in Ghibli should be like him, is a part of the machine, not a single screw can be loosened. Yuhei Sakuragi, who served as a CG in the short animation "Caterpillar Polo", has repeatedly posted on his social accounts because the production effect has not met the requirements of Miyazaki, saying that he is on the verge of collapse, his body and mind are suffering greatly, and he has even had suicidal thoughts.... At that time, the 23-year-old Hideaki Anno served as the original artist of the movie "Valley of the Wind", and because the leper had previous experience as the original artist in "Chrono Fortress", Miyazaki handed over the part of the Giant God Soldier to him. However, as a newcomer to the industry, he can only draw machinery and special effects, knows nothing about characters, and cannot take on heavy responsibilities at all, and the young leper replies, "How can I draw a giant god soldier". As a result, Miyazaki only coldly threw out a sentence: "If you want to paint, you can paint, if you can't draw, roll." Hideaki Anno had to harden his scalp, fortunately, after countless days and nights of rushing the draft, the leper still handed over a satisfactory answer, in the Valley of the Wind, the giant god soldier slowly melted, and launched a laser attack on the king worm scene, surprising everyone.
However, it is appreciated to be worthy of Miyazaki's praise, only the director of this film, Kondo Kifumi, for Kondo Kifumi, the predecessors have long fixed the framework and system of animation production, and they are just following their footsteps to patch up their achievements, he did not think about creating any glory for the animation industry, and only wanted to do his best to achieve his dreams. In order to chase her ideal of writing novels, Tsukishima Wen studied writing skills all day long, and even because she did not pay attention to the lectures and caused her grades to decline, she still insisted on her own ideas when she was reprimanded by her parents. And his creation was eventually approved by Grandpa Shengsi.
Any great creation has extraordinary experience, through understanding the story behind the animation creation, although we understand the cruel truth, but also did not break the beautiful fantasy of the second dimension in our hearts, but made those beautiful worlds like flower fields more shining, but also more respect for the creators.
<h1 class="pgc-h-arrow-right" data-track="242" >5 Artistic understanding of the film</h1>
"Side Ear Listening" is an anime film based on the manga of the same name by Kuwa Aoi, directed by Yoshifumi Kondo and supervised by Hayao Miyazaki, and among other translated scripts, this film is also translated as "Valley of hearts", "Dream Street Girl", "Whisper of the heart", based on the 1994 Tama city center in Japan, creating a sincere and touching and pure emotional story of teenagers and girls. As an animation produced by studio Ghibli, we will see a very familiar name "Hayao Miyazaki", but this movie is obviously not miyazaki style, not referring to the style of painting, but the spiritual core, after all, in fact, Miyazaki's central idea is actually more of a harmonious coexistence between man and nature and the understanding between people (environmental protection), like this delicate feeling between people is actually not Miyazaki's specialty, so the spiritual core of this film is Kondo Kibun and the original author Kuwa, Listening to the plot adaptation in the manga and the author Aoi herself, the young Aoi is the same as Wen in the manga, a young girl who frequents the library, and Aoi became a manga artist a few years after becoming a manga artist, she liked a gray cat doll in a dress at ginza Spring Department Store, but could not buy it because of the high price, but when Kuwai's boyfriend (who later became Kuwai's husband) secretly bought the gray cat doll and gave it to her, thus creating the manga "Side Ear Listening" based on this, because Kuwa is a fan of "Little Orphan Girl", Therefore, the appearance of the heroine refers to the protagonist of "Little Orphan Girl", "Anne. Shirley", at that time, when Miyazaki hayao and Kondo Kifumi looked at the original manga, they agreed that Kuwa Aoi was a fan of "Little Orphan Girl" (Kifumi Kondo had served as the drawing supervisor and character setting position of the "Little Orphan Girl" animation, and Miyazaki hayao was also responsible for the scene setting in some episodes of the series), and the novel written by the protagonist Wen in the film was also based on the real life of the original author Aoi, and the book written in the film did not clearly state the name, However, according to the content of the film (Wen's storybook written with baron as his creative roots), although the title and the animation title are consistent, it is similar to the original author's real-life work "The Cat's Reward", which was also adapted into an animated film by Studio Ghibli in 2002, and its main characters appear in the text, which may be a small Easter egg, and the latter is also a very good animated film. Its director is Kondo Kifumi, but in the data survey, in fact, director Kondo Kifumi is not really responsible for the vast majority of the film, at the beginning of the "Side Ear Listening" original manga was Miyazaki Hayao working in a separately trained Nagano Prefecture cabin, casually flipping through the girl manga magazine left by his mother-in-law's granddaughter, so as to get acquainted with the original manga, and adapted into a movie, and the film's storyboard is drawn by Hayao Miyazaki, and few animation directors do not draw the animation storyboard himself, and at the beginning of "Side Ear Listening" It is to run in the direction of the sketch work to produce, but because Miyazaki began to require animation quality, resulting in the production team and production scale become more and more large, the distributor also changed from Hered ace to Toho, and including personnel recruitment did not even say hello to Kondo Kifumi, are Miyazaki Hayao and Suzuki Toshio are responsible, so in fact, this film did not give director Kondo Kifumi much room to play, and soon after Mr. Kondo Kifumi died of a sudden aorta mezzanine due to work fatigue, unfortunately died at the age of 47, We can no longer see the fairy tales he made up, not so much as the director of "Listening sideways" is Kifumi Kondo, but rather that Hayao Miyazaki fulfilled a promise made for Kifumi Kondo many years ago— "As time passes, even a small crack can be widened." Some things can only be like this. But when he directed Listening, I felt like I was finally fulfilling what I had made years ago. He made a great work that lived up to our expectations of him. It must have been a grueling journey for both his mind and body, but he never complained once, and with his patience he completed the work. Although it changes its form over time, Listening in The Ear is definitely the kind of film we once wanted to make in our 20s and 30s. —Hayao Miyazaki's eulogy"
The story of "Side Ear Listening" is very simple, and even says that it seems a bit monotonous now, colleagues are also Studio Ghibli's first realistic style animation film, which is an attempt, and at the beginning the positioning of the film is "fast, provincial and good" sketch animation (but the late imposing Hayao Miyazaki is still bold and serious, half rotten, not posed) so that side ear listening has become a generation of classic masterpieces, saying that it will be in the play, although this drama is a realistic style, But in my opinion, it is indeed a thorough Ghibli fantasy fairy tale style, because the plot content, and the personal feelings that give me, are too dreamy, too beautiful, too ideal, too gentle, this may be what attracts me to Studio Ghibli, if compared with the environment in which I live, the drama really has too many places worth improving, admiring, thinking about, is it love? Or is it just a wonderful fairy tale that the screenwriter showed me? Really because it is too beautiful, so in fact, the values transmitted by the film are very resistant at the first time, because this gap with reality is too big, and there are too many differences with the country, so that many places I can't accept, first of all, I personally hate the concept of "early love", it seems to know the concept of love too early, for us when we are young, it is actually a sense of guilt, similar to because there are too many people, so in order to avoid a small number of people, but also regardless of the interests of most people, the rules are one-size-fits-all, But because the contemptible people are not accustomed to Chinese education, so this point actually just led to my PTSD for a while, did not let me enter the contradiction of the resistance to subjective thinking, really let me feel difficult to accept, even a little jealous of the love details of the male and female protagonists, as well as their respective behavior measures, I first conducted an objective (Chinese-style) analysis, usually with the female protagonist as the main perspective, the development process of the relationship between the male and female protagonists is actually very simple 1. The female protagonist found the name of the male protagonist on the reading slip, thus beginning to be curious about the male protagonist 2. The male protagonist also left the book left by the female protagonist, and the first dialogue is just a joke 3.The male protagonist sends the lost bento to the female protagonist, and plays jokes in this female protagonist 4.The school meets, but does not listen to it 5.The female protagonist is disheartened, the key moment to send warmth, the perfect performance, at this time the female protagonist learns the male protagonist's name 6.The time is ripe, mutual complaints, classic rooftop, classic coaxing, male protagonist showdown, one step in place 7.The male protagonist tells the female protagonist his dream, the female protagonist begins to work hard in order not to drag the male protagonist 8.The female protagonist proves herself through action, the morning sun, The two sublimate their feelings, support each other, restrict each other, progress each other, crazy sugar, the end of the play. But if we bring into the main perspective of the male protagonist, 1. In order to arouse the female protagonist's curiosity, crazy reading 2.The female protagonist loses the book, grasps the fate, deliberately provokes the female protagonist, and leaves an impression 3.The female protagonist loses the bento, the cat assists, deliberately provokes the female protagonist here, deepens the impression 4.The school meets, pretends to be deep, and wants to catch the old 5.Grasp the opportunity, Grandpa God assists, recycles all the foreshadowing and details, and obtains the party with strong feelings 6.Find the female protagonist's showdown, say all her plans, realize her sincerity, and confess her true feelings 7. Not limited to comfort, combined with reality, tell the heroine's ideas, as well as the future development, and the fact that you may leave the heroine 8. Accompany the agreement, believe in feelings, be responsible for yourself, and also be responsible for feelings, resolutely chase dreams, and finally succeed in both feelings are sublimated, beautiful and infinite. Analysis from the perspective of the male protagonist, let me more deeply feel the beauty of character shaping, the film takes the female protagonist as the main perspective, depicts a positive sunny, rational and open-minded image in order not to involve the partner, but when I watch the whole play, I begin to look at the content from the perspective of the male protagonist, in fact, I personally admire the male protagonist, starting to read from the library, letting his name appear on the library card, the yearning for the female protagonist, forcing the male protagonist to like reading, and this is a possible meaningless comeback, The male protagonist does not know whether doing all this will attract the attention of the female protagonist in the end, if there is no fate behind, perhaps the male protagonist is just a person who makes the female protagonist curious, the two will not have any intersection, waiting for the male protagonist is to pay without any meaning, who can be sure that the fate of this kind of thing will definitely appear? (Maybe the screenwriter), this point I admire the male protagonist very much, because if the male protagonist fails, the male protagonist will become a clown who is alive and free, because in my opinion to do not know whether there is a result of things, that kind of person is stupid, live and get rid of the stupid, but I envy this kind of person, their courage, self-confidence, determination is what I lack, and the male protagonist is also from the beginning slowly began to correctly recognize his feelings, and at the same time did not live in the comfort of love, correctly assessed his future, Integrate feelings and reality, think about it, when you make an effort to catch up with the girl you like and then because of future thinking, you want to say to her, "You may have to leave her, and you may not see her for a long time in the future", it sounds very simple, but believe me, not most people who do not want to understand are absolutely afraid to do this, and even have no responsibility to think about it, because in the eyes of some people, love is just playing with each other. I am really envious of the characters in the play, the right people encounter the right things, Chinese pay attention to the door to the door, in the play if you pay attention to the details, you will find that the female protagonist's family situation is actually the family can not provide the economy of the master's mother, working in the library, into the society, will take the initiative to correct the female protagonist's sister, on the contrary, the male protagonist, the grandfather is to open a shop, but if through the female protagonist to ask Tianze Hangyi to donate the details of the book, through the mouth of the teacher will find that the male protagonist's father is opening a hospital (and the original comic, the male protagonist's personality is a rich child). , hemp), and the parents of the male protagonist are strongly opposed to the "dream" of the male protagonist, but the parents of the female protagonist have openly agreed to the request of their daughter, whether it is in the economic situation or family education, in China's exquisite door to door, look at it, the two are definitely eight characters in opposition, each other as disaster stars, but the plot cleverly expresses these things, so that I found out after reading it that the family environment of the two is so large. The whole play gives me the feeling is very wonderful and contradictory, I want to become the person of the play, but I look closely and find that the characters in the play are actually composed of thousands of people, I can always find similarities in the people in the play, although I don't want to admit it, but this may really be the perfect love I yearn for, from the beginning just try, to work together to progress, grow together, support each other, think about each other, what a beautiful, and idealized love, but is it really just that? If this film just establishes a beautiful and ideal love story, so that we want us to convey the ideal love values, if it is only like this, you are really too small to look at the contradictory, imposing strange old man (Miyazaki Hayao), back to the very beginning, the title of this film "side ear listening", this name according to the original author himself, in fact, is simply to take a title that can make people feel at ease, but after the drastic reform of the animation, side ear listening has become the finishing touch, Is it also that I began to dig into the core content of this drama and listen to it with my ears? Listen to whom? What the heroine in the play listens to, what does the side ear listening refer to, if I suddenly ask this question, you will feel very strange, after all, compared to the vernacular title of "Harle's Moving Castle", "Spirited Away", "Cat's Reward", you will find that "Side Ear Listening" seems to be a bit out of place, obviously our animation tyrant Mr. Miyazaki Hayao and Mr. Kondo Kifumi will not make such a low-level mistake, side ear listening here actually refers to the side ear listening to themselves, every deep thought of the heroine, It is all a torture of ourselves, a listening, when life is confused, what we should understand most is not what we are going to do, but to understand us, do not forget who we are, do not forget what kind of person we are, this may be what the two common producers want to express, just like the stone that grandpa took out, maybe incomplete, maybe not able to live according to the pattern expected by parents and teachers, maybe life is ordinary, learning is not good enough, but do not forget yourself, Forget your truest heart, everyone has something to be good at, believe in yourself, strengthen yourself, face yourself, don't mess up, work hard for the so-called dream, live bravely, don't numb life, don't say that society is so cruel in reality, don't be all the lives of material things, please be sure to find yourself, be kind to your heart, don't be swept away by the darkness of the so-called rabble-rousers of your own spirit and your own beautiful life.
Especially in some places, I am particularly moved, when the heroine's father, calmly called the heroine over to talk, and smoked a cigarette, calmly and forcefully support the heroine's own ideas, I Bengbu lord, because of their own reasons, there is a willing to support their elders is really very rare and precious, there is the heroine to show the novel to the grandfather, the grandfather read it, calmly give the heroine advice and affirmation, encouragement, this kind of gentleness from the older generation, the responsibility and responsibility of the elders, really, too handsome.
<h1 class="pgc-h-arrow-right" data-track="250" > marketing</h1>
<h1 class="pgc-h-arrow-right" data-track="252" >1</h1>
This stuff is 260RMB
Two books 400RMB
Cat cat for 520, plus his wife 1000
There are more than 100 treasures in the original work, which is not counted as a variety of derivatives, such as picture albums, male and female handmade, commemorative books, etc.
<h1 class="pgc-h-arrow-right" data-track="264" >2 poster</h1>
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<h1 class="pgc-h-arrow-right" data-track="266" >3 Selling points</h1>
Studio Ghibli's first realistic style animation
Japan's first animated film to introduce Dolby digital stereo sound technology
Mr. Kondo's only directing work
The Cat's Reward (pseudo)
<h1 class="pgc-h-arrow-right" data-track="276" >4 Easter eggs</h1>
The night scene that appears at the beginning of "Listening sideways" accompanies "TAKE ME HOME COUNTRY ROADS" is the same as the night scene that appeared at the end of Studio Ghibli's previous work, "Heisei Tanuki Battle". They are also anime works set in Tama.
(3:28) (13:56) Shizuku's house has a black-robed witch riding a broom, which is easily reminiscent of Kiki in Witch House Rush.
(3:43) In the anime, Shizuku uses a library card with a personal signature on it when borrowing books, but in order to ensure personal privacy and security, all public libraries in Tokyo at that time have changed to computer records. In the face of protest from the Library Association, "Ear-to-Ear" added an explanation to this point when it released the DVD.
(7:01) In the shot of Shizuku looking for a book on the shelf, the book is placed obliquely under the title "TOTORO", which is the famous Totoro.
(11:17) While Shizuku and Yukiko are discussing their favorite people, there is a passing train, and a closer look reveals that it is the car of Yamato Transport Company, the sponsor of Witch House Rush
(16:46) When Shizuku's sister finishes delivering the letter and catches up on the subway that delivers lunch boxes to her father, the girl standing on the platform opposite the window of the carriage looks like The heroine of "Hearing the Waves" Muto Rikako
(25:31) The ancient grandfather clock that Grandpa Nishiji shows Shizuku is inscribed with "Porco Rosso", the title of the protagonist in the Ghibli animation Porco Rosso.
(1:12:27) Shizuku writes the same title as the anime, both of which are "Ear をすませば" and "Side Ear Listening"
(1:17:56) The illustration of the prints that Shizuku sees in the book was created by Keisuke Miyazaki, Miyazaki's second. At the beginning of the show, we also mentioned that Miyazaki's father-in-law was also a printmaker.
(1:18:39) In this shot, Sekiji is holding a book called "The Wonderful Town in the Mist." Studio Ghibli had held a discussion to adapt the novel into an animation before the production of Listening in the Ear. But it is a pity that the animated version of "Wonderful Town in the Mist" did not appear in front of the audience.
(1:20:12) On the eve of Saji's departure to Italy, Shizuku saw a huge billboard for "Listening sideways" in the view from the tram
(1:20:53) Baron Cat says he was created by an apprentice in which the apprentice's table hides blue and white Naka, a small tonette, Yoshiyoshi the black cat from Witch House Rush, and Naohisa Inoue's original "Dejected Elephant."
(1:41:51) The prototype of The Bike of The Sun-carrying Shizuku is Bridgestone's Superlight, a bike that won the GOOD DESIGN Award in 1980.
< h1 class="pgc-h-arrow-right" data-track="304" >6, See Resources</h1>
"Animation Director's Storyboarding Skills and Animation Short Film Creation Skills"