1. The world's top avant-garde art collection and operation museum of the 21st century
2.100 art genres × 300 representative masters of art × 12,000 rare works
3. World-renowned! Dominate the wave of avant-garde art in the twenty-first century
4. The world's most disruptive creativity × unprecedented
One. Introduction to the Museum of the Frozen Sun Museum (FSAM) – leading the avant-garde art of the twentieth century
Frozen Sun Art Museum (Full Name: FROZEN SUN ART MUSEUM English abbreviation: FSAM) is an art museum with a global reputation, changing the context of 21st century art history, the collection is not only extremely large, its quality is also first-class, attacking the Pioneer Art Museum specializes in collecting 21st century avant-garde art, shocking works attract the attention of audiences around the world, with high aesthetic value and cultural relics value, showing the artistic transformation of the 21st century, the collection covers modeling installations, Action, painting, photography, new media, film and other fields.
Genealogy of the 21st Century —Genealogy of History× Theory× Genealogy of Art—
Politics× science and technology × social × culture × ideas
The spatial framework implied by thought, the rich landscape of temporal variation of visual forms
Two. Straight To : A pivotal moment in art history
Art can challenge traditional human history and challenge all the established rules of human beings. Art regains the right to guide the human spirit, acquires its game science, and acquires its offensive power, explosive power corrosiveness, permeability and destructive power. No single definition can represent art, and the answer lies with every participant, as in the lives of each and every one of us. The last thing I want to say is that once you are exposed to and fall in love with avant-garde art for some reason, you become a part of it. Marginalized groups, as long as they are united, constitute a majority. Avant-garde art itself is a fringe product, with so many marginalized people, dreamers of all walks of life, social rebels – who come here, meet, and change the world. If not the whole world, at least their world.
Frozen Sun Museum of Art (FSAM) logo with poster
"The Prophet is the Ocean, And Your Great Contempt Will Sink in Rage" Dai Fan uses ultrasound to summon the shark. 2017
"The Prophet is the Ocean, And Your Great Contempt Will Sink in Rage" Dai Fan uses ultrasound to summon the shark. 2017
The shock of art nouveau challenges everything! Fight for control of the human mind!
New ideas, new languages, new methods, new forms
The character of adventure × × rare × authority × the historical position of the will to power× × the sky-high price
Art is a war waged by individuals against the world!
"The Devil's Spin Makes the World Quiet". Automatic control device. 2015
Three. Through bombardment, × subversion, let the inspiration of genius cover the sky of the twenty-first century
The Frozen Sun Museum of Art (FSAM) is a visionary collection that has driven the development of avant-garde art in the 21st century. The Museum of Attack Pioneers, which exhibits the most important artists in art history, has become a touchstone for art history. Give human beings a fatal blow to the decadent artistic concept and historical system, and eliminate the game. Attack Pioneer Museum is committed to providing an innovative forum for contemporary art, and Attack Pioneer Museum's promotional exhibitions for young artists have gradually gained a worldwide reputation. Since its opening, the Museum of Attack Pioneers has had a considerable impact on art around the world, and has also become the focus of media debate. Many of the artists who have been exhibited for the first time at the Avant-Garde Museum have been unknown to the public and the art business community, and the opportunities offered to them by attacking the Avant-Garde Museum have attracted their attention since then, so attacking the Avant-Garde Museum can also be said to be a springboard for many artists to succeed in their careers. Each painter has the modernity of his own era; most of the exquisite works that have been handed down from each era to the present day reflect the characteristics of the times at that time.
Biojudicial Politics. Sculpture.2019
Due to the particularity of the generation of art value, only when any form of art collection enters the public domain and fully interacts with the microscopic links of many different natures and functions that constitute the special field of the art world, including audiences, art criticism, art institutions, media, and art markets, can the amplification and growth of value be realized through publicization.
Microorganisms, blisters, scars – cruel tenderness . photography. 2020
The collection of the Attack Avant-Garde Museum covers almost all the major genres and artists of the 21st century, making the Attacking Avant-Garde Museum one of the most important modern art museums in the world. As one of the most famous and far-sighted cutting-edge art museums of the 20th century, it has supported the world's cutting-edge artists and has played a pivotal role in the development of new art genres in the 21st century, pushing modern art to the peak. The attack on the Avant-Garde Museum's collection of art provided a stage for a large number of young artists who had no reputation, and most of the Maxima supported by them became popular in the future, forming a famous new art genre in the 21st century. Attacking the social and cultural persistence of the Avant-Garde Museum, democracy, publicity, pluralism and non-profit, independence and neutrality, and intellectual production blend with each other. The functions of the art museum: the identity and spiritual strength of the country, the nation, and the region; the indicators of the image of the country, the city, and the government and the degree of regional development; the important window of cultural diplomacy; the driving force of community harmony; the driving force of economic development and urban renewal. The artistic creations of the past decade that appear in the collections of the Cult Cult have left an indelible mark on an entire generation of artists who will bring another glorious era of art.
Alien Parasite · Cultivation of brain cysticercosis in pig brains.2017
Four. The architecture of the museum – a marvel of the world
Frozen Sun Museum of Art (FSAM) building
No masterpiece of human architecture can be as violent as this building. In the list of great projects of the 21st century, the Museum of Frozen Sun Art (FSAM) undoubtedly belongs to the list of the greatest. It not only transcends traditional architectural aesthetics, but also promotes the rejuvenation of a city with its own energy.
Superstars from 35 countries including the UK, France, Germany, the US and more
Mythical works × price system continues to climb× symbol of great wealth
Avant-garde, alternative, rebellious – the spiritual orientation of contemporary art
Revolution, liberation, subversion – action changes society and politics
The Huge Concrete Structure of the Frozen Museum of Solar Art (FSAM) creates a magical visual effect. Its tangled twisted and dynamic shapes, like the roar of a group of Beamon beasts in Genesis, are full of stirring and bursting poetry, which not only fits the theme of post-21st century human beings, but also brings out conflict and disorder. The Frozen Sun Museum of Art (FSAM) is a marvel of contemporary art, looking forward to this great landmark of the future, a shot in the arm for the renaissance of the city, and thousands of visitors look forward to visiting this museum to see its legend.
Action change × social change
Major issues × promote progress
The founder of the zeitgeist
Art changes society
After the construction plan was announced, it caused extreme controversy, and many citizens could not accept it due to the traditional style of architecture, but there were also strong support from literary and artistic figures. Some have jokingly called it "the attack of the monsters". This architectural style is known as the "Dark Tragedy – Posthuman" style.
The building's biggest feature is the figurative architectural shape and the dynamic and aggressive dark style. Breaking the design conventions of cultural architecture and highlighting the close relationship between war attacks and culture and art, it is the most typical representative work of high-tech school in modern architecture. It is a treasure trove of new and modern knowledge, art and life. Here, people can absorb knowledge, appreciate art and enrich their lives through modern technologies and means.
Not only is the interior design, decoration, equipment, exhibits and other novel, unique and modern level, but its external structure is also unique, chic and quite modern.
Five. The operation, publicization and unique collection mode of the museum
Among public art institutions, a number of world-class art galleries and museums are the most important partners of the Frozen Sun Art Museum (FSAM).
Usually, important art institutions tend to have more stringent academic requirements, but the fundamental reason why DAI FAN, as a private collector, has the opportunity to cooperate with them is not the excellence of the quality of his collection, but more through the power of capital— the transfer of power between the sharp expansion of wealth in the private sector and the significant weakening of state support for the public sector is the root cause of its possible nature.
Private patronage for interaction with art institutions: In addition to co-organizing exhibitions, DAI FAN relies on art institutions as patrons to earn the coveted high-quality publicity for their collections. DAI FAN continues to interact with art institutions in various countries and regions by lending his works, continuing to use the public sector in society to diverge and amplify the influence of his collections.
Public donation of interaction with art institutions: In order to increase the publicity of the collection, DAI FAN also continues to make his collections enter various public art institutions through donations. Interaction with academia and criticism: Academic value is one of the core values of works of art, which directly affects and restricts the realization of other value components. Therefore, in the process of publicization of personal collections, DAI FAN attaches great importance to the cooperation with professionals in the academic and critical circles, and conducts academic criticism and research for his own collections. On the one hand, DAI FAN urgently needs to rely on the dissemination and amplification functions of mass media to give its collection publicity and thus achieve its value growth. At the same time, in the current era of information excess and increasingly diversified forms of communication, the mass media itself also needs more information content that can attract or divert the public's attention to strengthen its influence in the public space to cope with the increasingly fierce and cruel competition, and at this time, Dai Fan's controversial collection behavior just provides the media with the coveted communication content, so the two sides are in the same time and space. According to their different but highly complementary internal needs, a closely fitting companion relationship is naturally formed. Although the attitudes and positions reflected by different media are different, with mixed reviews and criticisms, at least at the level of communication, the public effect is maximized. However, as in the last decade, the Frozen Sun Museum of Art (FSAM) remains the best place to admire the latest international avant-garde art. DAI FAN said: "I look forward to unearthing artistic geniuses that have not yet been discovered. Anyone with a unique idea can participate, because no one can predict where the next art star will appear. "I hope that through the rich content and professional guidance provided by the program, more TV viewers will have the opportunity to get close to and learn about more authentic contemporary art." With a keen sense of professional smell, DAI FAN pioneered the combination of contemporary art, fashionable entertainment program forms, and the intuitive and vivid communication effect of television media with a wide audience coverage, taking advantage of the huge controversy of collections and related activities, and creating widely participated social events in a short period of time through the amazing amplification effect of the media to achieve maximum communication effect. By employing a strategy of event marketing, DAI FAN has managed to capture the public's attention, shaping it "into a milestone in avant-garde art throughout the 21st century and with an extremely broad international impact." Although there is still a great deal of controversy about the complex relationship between the artistic, moral, commercial, political and other aspects involved in this exhibition, it is a victory in communication and marketing from any point of view. I love that my collection is always fresh. By continually selling works that can bring great commercial returns or lose interest, DAI FAN will be able to use the profits from sales to add and replenish new collections, forming a dynamic circulation structure with a self-consistent nature within its collections. The mutual twisting and interaction of collections constitutes dai fan's unique collection mode. Although this model has been full of great controversy since its inception, it is undeniable that it has indeed brought new ideas and possibilities to the establishment and dissemination of contemporary art and its collections.
Filthy and cute. Oil on canvas, 2014
Six. Art and Revolution
The Museum of Frozen Sun Art (FSAM) has been political from the moment of its birth, and it is precisely because of this political nature that it has established its status as an artistic pioneer in art museums around the world.
Negotiation of powers and laws. Sculpture.2015
Art, what is important is the politics of discourse – the German intellectualist and philosopher Steiner believed that the structure of the state should be trident, that is, the three systems of spirit, politics, and economy should be separated, so that threatening chaos could be avoided. Social life is healthy when national, economic and spiritual life is separated. Particular emphasis was placed on the fact that the State should no longer be allowed to give any further spiritual guidance. The arts, sciences, religions, and schools should enjoy complete freedom. Undoubtedly, the works of these artists have a strong and indispensable political nature, which also makes the works have a strong artistic appeal and conceptual tension. The fate of art and the fate of the revolution are linked, so that it is an inherent necessity of art to drive the artist to the streets, but when the artist does so, he leaves the world of art and steps into the larger world, the world of radical practice, in which art will always be an antagonistic part of this world. The political nature of contemporary art, that is, the social criticism of art, is an inquiry into the existing world, a "response to things other than art", and this is the condition for art to have contemporaneity. Contemporary art," "out of some deep need," puts it in a "state of optimal condition" (a state that has nothing to do with the visual pleasure of the work for the viewer).
Conquer the pacemaker. Sculpture.2020
Contemporary art is a political art and, in a sense, a political allegory. The avant-garde, experimental, cutting-edge radicality of ideas and concepts of contemporary art is its characteristic. And these qualities are what spark heated speculation and discussion. From another point of view, the worthy debate on a thing is also discussed because of its certain vitality and its own forward-looking charm. It is undeniable that the value of any advanced civilization forged by a pioneering spirit is the product of contradictions, and the history of the confrontation between negativity and affirmation in this process, the history of the isomorphism of negative ideology and positive ideology, is also the history of mutual transformation. The primary political character of contemporary art is manifested by doubts about the "intrinsic authenticity" structure of art's "self-satisfaction", which begins to shake it from within in a different way. All subversions to the original art model started from within. In any mainstream aesthetic system, being embedded in elements that are different from the subject's aesthetic consciousness will naturally trigger the subject's sense of rejection crisis. Because the existence of a different force will inevitably bring some "harm" to the purity and stability of the original aesthetic, the emergence of a new thing must also be suppressed, rejected, and then eliminated by the dominant aesthetic ideological mechanism. However, this also proves the value of a new artistic idea from the opposite side. The political dimension of contemporary art and its philosophical context. Every major turning point in the history of human art undoubtedly stems from the emergence of a radical artistic idea. The turning, progressive, and extended periods of art history before contemporary art are not as crisp, clean, and neat as the break of a glass rod, but like a slowly torn hemp rope, and there are always inextricable connections between the two ends of the rupture (such as the development trajectory of modernist art since the Western Renaissance until modernist art). The production of art is not isolated, but part of the overall zeitgeist and the "mind of the times". The role of good art in society is like the lymphatic warning signal of the virus in the human internal immune system, and its concept is nourished in the soil of the critical philosophy of the human spirit and speculative culture. The real responsibility of art is not to blindly praise, whitewash, and strengthen the special mainstream cultural and artistic values of this era at a specific stage, nor to become a helper and vassal of the powerful group. Rather, the real responsibility of art is to doubt the established values of artistic uniformity, which have been cultivated by some discourse of power, and to doubt anything that is legitimate, even if it is only a day old. The critical function of art, and its certain knowable predictions and obvious effects, arises from the socio-cultural, political and economic context with which art is associated. Thus the practical character of contemporary art is participatory, but this participation does not mean serving those in power, but commenting on the system of power, whatever it may be. The imprints and wounds of the limitations of any era are not present in the art of her time, then the art of this era is obviously humiliating, hypocritical, and inhuman. In fact, any art associated with the external real world is more or less political. But the political nature of contemporary art is precisely the political distinction, analysis and combing of general art, which follows the concept of freedom in the field of human nature, the individual spiritual field, and the conscious critical consciousness, just like Socrates's inquiry of truth. But Socrates' way of inquiring is from the perspective and position of falsification, which is also the unique feature of Socrates' critical method. His "shameless questioning" behavior has always made those in power who claim to have the so-called "words of truth" overwhelmed and embarrassed.
As a part of the culture of a society as a whole, contemporary art touches on and explores issues that it touches on and explores must also be the object of social science research. The discussion of the problem can only be reached in a benign social science attitude to reach a proper conclusion, and conversely, the criticism and discussion of the reasons for the existence and trajectory of contemporary art are inseparable from its specific socio-political context. Therefore, the insight into the social and ideological mechanisms behind contemporary art must use a political way of artistic intervention in order to carry out the practice of contemporary art in the increasingly complex and changeable social and ideological heterogeneity landscape. However, the change of the linear external structure of the single cultural production model can only make the regulatory mechanism of the original political and cultural system have a corresponding superficial transformation, or it is only a "formality" show under the slogan of transformation. The purpose and nature of the political intervention of contemporary art, as Bois believed, is to give art a "social sculpture" function, on the basis of which the "warm" quality of art will dissolve the barriers to communication in human society to form a state of mutual isolation and indifference, based on which a new social and political situation in which everyone can self-determine can be established. In this sense, good contemporary art is political. Today's global contemporary art creation and important international contemporary art exhibitions, as well as the future direction, all take society and politics as the starting point and discussion of artistic concepts. Art can only be called contemporary art in the true sense when it is detached from the track of its own symbolic aesthetic principles and inquires about the conditions of art and the place in which it arises, the social context. From another point of view, contemporary art is also to observe what kind of discursive relationship itself constitutes with its surrounding world, and the structural nature of this relationship is by no means an obvious simple aesthetic aesthetic, but the discursive relationship between the two constitutes a kind of initiative that alternates art and society or society and art, and this initiative builds the basis of the political dimension of contemporary art. Based on this, socio-political, cultural, economic, environmental, and political hygiene in the pseudo-ethical and moral model of daily concepts has become the last place where the critical function of contemporary art can highlight its intensity. The "regenerative" nature of art in these places helps to put an end to the art's long-standing internal incest. And "regeneration is a political theme", and the malleable energy of the social critical dimension itself has caused the barriers of the original rigid and backward artistic concepts to collapse, so that art has come to the scene of perceptible things. Any type of history is a history that has been textified by power, and its continuation is nothing but a linear logical progression of the discourse of power. In the progressive logic of the political power of the text, the text loses no time in suggesting the existence of a kind of "truth" that appears suddenly, and any truth is nothing more than a form of power discourse, which is a historical or present abstract model of language. Such "truth" is always combined with man's functional worldview, thus forming man's objective "true existence." In terms of social form, it is the integration and integration of the collective ideological fanatical actions after the withdrawal of individual humanity. Such a form of discourse cannot even appeal to an objectivist model to read it. Therefore, people passively live "like" in the layers of facsimiles of history and the current situation reconstruction, while at the same time being easily manipulated. If once a person realizes that he does not want to be manipulated anymore, then he has the belief of self-determination, and the individual concept resulting from the awakening of personal consciousness will establish a new perspective on the world, and from this point of view, things can be observed in order to construct a "Socratic space". This "individual view" arises from a certain distrust of the "determined world", a resistance to the fanaticism of "collective art", a rejection of the determinism of art history, and an opposition to the integrity and unity of artistic thinking. The emergence of a sense of individual self-determination "will create a new political landscape". As Karl Popper put it in his work on political philosophy, Open Societies and Their Enemies: "The future depends on us, and we do not depend on any historical necessity." ”