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Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph

Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph

Ouyang inquired

Ouyang Zhen (557-641 AD) was born in 557 AD in Hengzhou (present-day Hengyang), and his ancestral home was Linxiang (present-day Changsha), Tangtan Prefecture. The official position was more ordered for the prince rate.

Ouyang Qingkai's calligraphy is rigorous, his pen strength is precipitous, and he is unparalleled in the world, and is known as the first Tang Dynasty calligraphy. He and Yu Shinan were known for their calligraphy in the early Tang Dynasty. Later generations called it "European Body" for its book "Seeing Danger in the Middle of Peace".

In 2014, Ouyang Inquiry's fine calligraphy "Li Yu's Epitaph" was unearthed. The "Li Yu Epitaph" was established in the fifteenth year of Zhenguan, and in the same year Ouyang Qing died. Probably Ouyang Inquiry's last epitaph.

Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph

"Li Yu's Epitaph" epitaph cover

Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph

The full text of Li Yu's Epitaph

"Li Yu Epitaph", also known as "Li Cemetery", the full name is "Tang Dynasty Zuo Guanglu Doctor Shangzhu Guo deguang County Gong Li Cemetery Inscription". The owner of the epitaph, Li Yu, was a famous minister of the founding of the Tang Dynasty.

It is square in shape and 58.5 cm high and 58.5 cm wide. Newly excavated in 2014, it is square, 58.5 cm high and 58.5 cm wide. The surrounding wall is engraved with 12 genera phase patterns. The inscription has thirty-six lines, each line is thirty-six words, and the actual inscription is 1249 words. Small letters, the width of the text is about 1 cm.

Unlike the tombstone, the epitaph is buried in the tomb and is difficult to see without accidental excavation. The inscription is elegant and has both subordination and is the work of Ouyang Qian's later years. On the basis of showing the characteristics of Ou Kai, this Kai is more ethereal, and it has the dashing style of "Two Kings" in view.

Therefore, compared with Ouyang Qian's most famous "Jiucheng Palace", this calligraphy is more flexible and vivid. If "JiuchengGong" is full of rational colors, "Li Yu's Epitaph" has more emotional components.

"Li Yu's Epitaph" appreciation

Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph
Unearthed in 2014, it is the masterpiece in Ouyang Qing's epitaph

Ouyang Inquiry is not only a generation of calligraphy masters, but also a calligraphy theorist, he summed up the eight methods of practicing calligraphy and learning characters in his long-term calligraphy practice, Ouyang Inquiry's "Teaching Tips", "Theory of Using the Pen", "Eight Tips", "Thirty-Six Laws", etc. are all summaries of his own experience in learning books, more specifically summarizing the calligraphy techniques and aesthetic requirements such as calligraphy with pens, knots, chapters, etc., which is a precious heritage of Chinese calligraphy theory.

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