Inheritance of calligraphy treasures of the Qing Dynasty: a collection of 40 calligraphy treasures by Bao Shichen
Bao Shichen, a master of calligraphy in the Qing Dynasty, has 40 classic calligraphy masterpieces, which not only highlight the artistic charm of Qing Dynasty calligraphy, but also carry the thousand-year-old inheritance of Chinese calligraphy. This collection is here for calligraphy lovers to enjoy.
—Epigraph
Qing Dynasty calligraphy has undergone a transformation from the study of the stele to the study of steles, the early continuation of the style of calligraphy in the Ming season, the decline of the study of the post in the middle period, the rise of the study of stele, and the rise of the study of steles in the late period. Calligraphers such as Wang Duo and Fu Shan inherited the legacy of the Ming Dynasty while also creating a new style of calligraphy, forming a majestic and profound style of calligraphy. The calligraphy of the Qing Dynasty is the culmination of the past dynasties, and the style of the seal is prosperous, which is another period in the history of the development of calligraphy.
Let's share the calligraphy works of the famous Qing Dynasty calligrapher Bao Shichen.
Bao Shichen (1775-1855), a native of Jing County, Anhui Province, was a native of Jiaqing, and served as the magistrate of Jiangxi County. He was very knowledgeable, proficient in economics, literature and art, and was especially good at poetry, calligraphy, painting and seal carving. The calligraphy is self-contained, and it is the length of the inscription. Works such as "Art Boat Shuangji" are classics of Qing Dynasty stele studies and have a far-reaching influence. He also wrote "Books of the Qing Dynasty", etc., leaving a rich cultural heritage for future generations.
The representative works of calligraphy include: "Regular Script Warning Words", "Xiaocao Poems", "Art Boat Shuangji", "Qi Min Four Techniques" and so on.
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen appreciated the "Jiao Wu Leaning on the Bed".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Jiao Wu Leaning on the Bed and Drawing a Scroll of Noodles and Letters" is in the collection of the Lan Qianshan Museum in Japan, which is presumed to be a work of the period of research on the North Monument. This work is written in regular script, with a boundary, showing the charm of the North Monument style. The use of the pen with multiple sides and exposed front into the paper, which is different from the brushwork of the Six Dynasties of "no sharp edge at the beginning", reflects the contradiction between his calligraphy theory and practice. Despite this, this work is still a representative work of Bao Shichen's northern inscription and has an important position.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Regular Script is Good at Friendship with People".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Regular Script is Good at Friendship with People" was stored in the Forbidden City, and he was 59 years old. This year, he was deeply influenced by Wang Xizhi, and his works show the style of worshipping kings. The work is sleek and well-structured, with a traditional charm and a personal style. With profound calligraphy skills and rigorous attitude, this work occupies an important position in the history of calligraphy in the Qing Dynasty.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Walking Book Fan".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Xingshu Fan Surface" did not show its early skills, but it was a legend with persistence. Unlimited by his talents, he studied diligently and eventually developed a unique style. The work is smooth and changeable, compact and elegant, although the skills are insufficient, but full of personality and charm. With tenacity and talent, Bao Shichen wrote a brilliant chapter in his life.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Five Words of Regular Script Beads and Green Trees".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Five Words of Regular Script Beads and Green Trees" showed his profound calligraphy skills, and his literacy showed his literary attainments. Diligent and persistent, he eventually became a masterpiece of calligraphy, reflecting his love and pursuit of art. Literacy: "Zhu Cui Huang Chu Fu, green trees and white poems".
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Cursive Five Words Couplet".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Cursive Five Words Couplet" was frustrated in the early days, but it did not prevent him from becoming a master of calligraphy. This work shows a unique cursive style and is a representative of the cursive art of the Qing Dynasty.
In the early Qing Dynasty, the calligrapher Bao Shichen appreciated and analyzed the "Xingshu Collection of Tianxing Wanjiu Couplet".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Xingshu Collects Tianxing Wanjiu Couplet" witnessed the growth of his calligraphy. Influenced by Zhai Jinlan, he explored calligraphy and finally formed a unique style, and his works were round and heavy, showing his exploration and persistence.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Quadruple Screen".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Quadruple Screen of Calligraphy" witnessed his calligraphy exploration period, studied Wang Xizhi, integrated and innovated, showed a unique style of calligraphy, and reflected a profound artistic pursuit.
In the early Qing Dynasty, the calligrapher Bao Shichen appreciated the "Writing for the Seat and the Vertical Scroll".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Writing for the Seat and the Vertical Scroll" represents the pinnacle of his calligraphy, and his style changed greatly after being influenced by Deng Shiru. Despite the controversy, it still does not hide his artistic achievements.
In the early Qing Dynasty, the calligrapher Bao Shichen appreciated and analyzed the six words of the book, the drum, and the piano
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Xingshu Jishu Drum and Piano Six Words Couplet" showed his calligraphy art, and melted the essence of tablet plate and post, into a unique style. Rong Ouyang is rigorous, Yan Zhenqing is vigorous, dignified and fluent, and the law is at ease.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Cursive Little Sun Habitual Seven Words Couplet".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Cursive Xiaosun Habitual Seven Words Couplet" reflects his artistic attainments, exchanging calligraphy with Huang Yisheng, and after being inspired, he practiced the "Beginning and Ending Dry" brushwork, integrating his personal style.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Cursive Vertical Scroll".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Cursive Vertical Scroll" showed his artistic pursuit, made at the age of 43, praised the paper, humbly called the book to interpret the book, inferior to the previous sages, and was in awe of the "Huang Ting Jing", not lightly penned.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Walking Book Mirror Heart".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Xingshu Mirror Heart" was written in 1851, and he still pursued Wang Xi's calligraphy style in his later years. Although the essence is not obtained, the love and pursuit are fully displayed in the work.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Regular Script Warning Scroll".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Regular Script Warning Scroll" was stored in the Forbidden City, with a unique style of calligraphy, 137.5 cm in length and 63.5 cm in width. He dabbled in the calligraphy style of Seal, Northern Wei and Erwang, and self-evaluated from Yan, Ou to Su and Dong, and finally became a masterpiece, which had a profound influence on the style of calligraphy in the Qing Dynasty.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Record Po Gongyu Vertical Scroll".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen "Lupo Gongyu Vertical Scroll" is 135.2 centimeters in length and 38.5 centimeters in width, and is now in the Forbidden City. After learning the "Pavilion Style" at the beginning, he turned to tablet calligraphy, practiced his skills hard, and eventually became a master of calligraphy in the Qing Dynasty, and his works integrated tradition and innovation.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Regular Book Po Old Language Axis".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen "Kaishu Po Old Language Axis" is 130 cm in length and 57.7 cm in width, hidden in the Forbidden City, regular script on paper, and has profound skills. His book on "Art Boat Shuangji" has a far-reaching influence and contributes to the discussion of inscriptions. Bao Shichen's calligraphy has a unique style, integrating tradition and innovation, and is a master of calligraphy in the Qing Dynasty.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Festival Coming Zhang Xuqiu Deep Post".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen "Festival Advent Zhang Xuqiu Deep Post" is 167.5 cm in length and 89.5 cm in width, and is stored in Yangzhou Museum, which is written on paper. Although it was influenced by Su Shi and Sun Guoting, it pursued loose technology and words. The work still shows its unique style and innovative spirit.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "The Internal History of Xingcao Script and Xie Shangshu Scroll".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen "Xingcao Shulu Internal History and Xie Shangshu Scroll" is 132 cm in length and 55.5 cm in width, and is stored in the Shanxi Provincial Museum, with exquisite cursive calligraphy. His works show his political anxieties and love for calligraphy, and his knowledge and seals add to his artistic charm. The calligraphy skills are perfect, showing the personality and aesthetic pursuit.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Cursive Chunhui Zhunping Eight Words Couplet".
Bao Shichen, a calligrapher in the early Qing Dynasty, "Cursive Chunhui Zhunping Eight Words Couplet" chalk paper cursive, 171.5 cm long and 30 cm wide, collected by Shenzhen Museum. Interpretation: "Chunhui and Autumn Ming Sea Cheng Yue Jing, quasi-flat rope straight rules round square." Style: Mr. Uncle Bao Yajian, An Wu Bao Shichen. Seals: Bao Shichen Yin (Baiwen), Shen Bo (Zhu Wen).
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Writing on the Book Axis".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen "Xingshu on the Book Axis" color paper line, 134 cm in length and 30.5 cm in width, Anhui Provincial Museum collection.
Commentary: "Young Master Yang's book is from "Lanting", and he also uses the Zhou Sui division method, and the right army is derived from Zhonglang, which is a family member. Therefore, Gu Guyun: "The world has learned from Lanting noodles, and wants to exchange for mortal bones without gold pills." Who knows Luoyang Yang Fengzi, the next pen will go to Wusi. "If you realize this, you can see the true face of the ancients. Mr. Bo Fu is drawing. An Wu Bao Shichen".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen appreciated and analyzed the "Eight Words Couplet".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen "Writing and Writing Often, Eight Words Couplet" was collected in Kunlun Hall. Although the calligraphy is not first-class, the influence of "Yizhou Shuangji" is far-reaching, and its calligraphy advocates changing the calligraphy atmosphere in the late Qing Dynasty. Commentary: "Make friends with the world's virtuous elders, and often be the master of the smoke and moon on the river."
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Cursive Calligraphy Like a Heart Like Ten Words Couplet".
At the beginning of the Qing Dynasty, calligrapher Bao Shichen "Cursive Learning Like Ten Words Couplet" cursive on paper, 175 cm long and 23 cm wide, 2 couplets, Huai'an City Museum collection. Commentary: "Learning is like sailing against the current, and if you don't advance, you will retreat; The heart is like a horse on the plain, easy to let go and difficult to receive". Style: Shu Chengshi said that it belongs to the book of this couplet, since its ambition, immeasurable, Anwu Bao Shichen book in ancient Hanshui. Seals: Shichen's Seal (Baiwen), Shenbo (Zhuwen).
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen appreciated the "Xingshu Songtao French Inscription Screen Four Screens".
Bao Shichen, a calligrapher in the early Qing Dynasty, "Xingshu Songtao French Inscription Screen Four Screens" on paper, 163 cm long and 35 cm wide 4 couplets, Huai'an City Museum collection.
Commentary: "If I hear it, I have nothing to say about Faguo? Do you want to understand the true meaning of the truth, but you will not gain anything from the Fa? There are 84,000 chapters and verses, and the purpose is not to establish language and writing. The supreme subtlety of the law, so it is not something that can be described by the tongue and can be described by Hanmo. The vulture tried to cite this righteousness to be difficult, and Yu said: Those who do not establish language and writing should have no place to live and give birth to their hearts. Those who accumulate 84,000 chapters and sentences are good at using metaphors to illustrate people, and have no place to live and have hearts, so they have nothing to gain from the law, and they are good at using metaphors to understand people, so they have nothing to say in the law. Yigong said: Good! Fallout. The Master of the Pauline Pines. The dragon elephant under a male seat is also shown in several volumes in French. Wonderful! Don't fall into words. Yu is happy to be a bearer of the Mahayana, and a disciple of my deceased. He rejoiced and admired and inscribed the frontispiece to the reader."
Style: Suzhou Baolian Temple Lord Songtao French inscription, Daoguang 14 years old also. The Xianfeng era is the great monk of Canzhu in Yuanpu, that is, please drink the government. Jiangdong cloth bag Shichen.
In the early Qing Dynasty, the calligrapher Bao Shichen appreciated the "Seven Words of the Cursive Landscape and Forest Pavilion".
The early Qing Dynasty calligrapher Bao Shichen's "Cursive Landscape and Forest Pavilion Seven Words Couplet" cursive script on paper, 132.7 cm long and 27.6 cm wide, 2 couplets, collection of the National Palace Museum, Taipei.
Commentary: "There is a clear deed between the mountains and rivers. There is no love outside the Lin Pavilion". Style: Zifeng's first brother Ya Yan. Tired Weng Bao Shichen. Seal: Shichen's private seal, Bao's Shenbo, and Baimen's tired tour of the outer history chapter.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Festival Scroll".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Jielin Calligraphy Scroll" is in the collection of Tianjin Museum, cursive script on paper, 144.6 cm long, 74.3 cm wide. His academic ideas and writings were deeply influenced by the Qian, Jia, Dao and Xian dynasties.
In the early Qing Dynasty, the calligrapher Bao Shichen appreciated and analyzed the "Seven Words of Jiashu Couplet".
Bao Shichen, a calligrapher in the early Qing Dynasty, "Xingshu Good Books and Jiashu Seven Words Couplet" on paper, 137 cm long and 30.2 cm wide, 2 couplets, Guangdong Provincial Museum.
Commentary: "Good books are not tired of reading hundreds of times, and Jiashu is new to ten acres of yin." Style: Meizhuang Eleven Brothers Yajian. An Wu Bao Shichen.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Zhi Xi Zaizha".
One of the parts of Bao Shichen's "To Xi Zaizha".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Zhi Xi Zaizha" is a book on paper, 23 cm in length and 13 cm in width, 2 couplets, hidden in the hands of a private person in Japan. The calligraphy works show his profound calligraphy skills, and the content of the commentary is not detailed.
Bao Shichen's "To Xi Zaizha" part 2
In the early Qing Dynasty, the calligrapher Bao Shichen appreciated the "Four Screens of the Gift Pavilion".
One of Bao Shichen's "Four Screens in Regular Script for Gifting Pavilion".
Bao Shichen's "Four Screens in Regular Script of the Gift Pavilion" is in the collection of Liaoning Provincial Museum, made in the 22nd year of Daoguang. His academic thinking attaches great importance to the application of the world, pursues the application of learning, and does not talk about academics, but integrates knowledge into social reality and shows his profound practical spirit.
Bao Shichen's "Four Screens in Regular Script for the Gift Pavilion" II
Bao Shichen's "Four Screens of Gift Pavilion" No. 3
Bao Shichen's "Four Screens of the Gift Pavilion Kaishu" is the fourth
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Linwang Xi's Thought Post to the Screen".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen "Linwang Xizhi's Thought Post to the Screen" cursive script on paper, 180.5 cm long and 40 cm wide, 2 couplets. Collection of Jiangsu Provincial Art Museum.
Commentary: Xi Zhi's head, no longer see the king, very thoughtful, to be comforted, so the bitterness and desire to go down, deep sorrow. Little Jacques noodles. Wang Xizhi paused. Style: Bao Shichen Pro.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Wei Tablet Slip Vertical Scroll".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Wei Tablet Slip Vertical Scroll" is in the collection of Jiangsu Art Museum, 165.7 cm in length and 21 cm in width. His regular script works detail the process of learning calligraphy and calligraphy insights, which are of great significance for the study of his calligraphy evaluation thoughts.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Gift to the Nine Kai Book Scrolls".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Gift to the Nine Kai Book Scrolls" was collected in the Qianshan Pavilion of Zanglan, with the inscription of the Northern Dynasty as the core, tracing the ancient methods of the Han and Wei dynasties. The penmanship inherits the "seal will of the will", the essence of this stele calligraphy.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Cursive Pinqi Qi Qing Eight Words Couplet".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Cursive Pinqi Qi Qing Eight Words Couplet" described "the quality of the disagreement and the void of the wind and the ancient, the air is clear and clean, and the bamboo inscription poem is carved". He respected the stele and suppressed the post, explored the stele school techniques, improved the stele theory, and established the "seal division of the will" as the aesthetic standard of calligraphy.
Appreciation and analysis of the early Qing Dynasty calligrapher Bao Shichen's "Eight Words of Writing Two Moss Marks".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Eight Words of the Two Moss Marks of Xingshu" shows the atmosphere of the ancient seal, and the Tao is strong and upright, which is in stark contrast to the charm and flashiness of the Ming and Qing dynasties, and touches the hearts of the declining feudal scholars. Literacy: "Two rings of green and one stream are green, and moss marks nourish the rain and bamboo shadows leave clouds."
In the early Qing Dynasty, the calligrapher Bao Shichen appreciated and analyzed the Eight Words of the Farmer and the Confucian Scholar
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Eight Words of the Farmer and the Confucian Scholar" was obtained from Wu Shanzi, and the gesture inherited from Zhu Qingli. He emphasized that the pen starts after it is broken, does not turn or breaks, and the grass must turn around the center of the pen to avoid bias. Literacy: "The farmer is not slacking off, and the more he has millet, the more he is determined, and the Confucian is determined to admire Huilan."
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Four Screens of Excerpted Calligraphy".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Four Screens of Excerpts and Calligraphy" emphasized that "the pen breaks and then rises", taking Wang Xianzhi as an example. He innovated the penmanship and perfected the theory, which was deeply loved by the people.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Four Screens in Regular Script".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Four Screens in Regular Script" proposed that there is no turning and no folding, emphasizing that the grass secretly changes the heart of the pen, and promotes the combination of inscriptions and posters, showing his unique calligraphy concept.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Five Words of Calligraphy".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Xingshu Five Words Couplet" is 141 centimeters in length and 30 centimeters in width, and the book "holds the piano to see the crane, and the pillow stone waits for the clouds to return". In his early years, he realized the brushwork of straight and straight songs, and dialectically explained the relationship between straight and curved.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Xingshu Tang Shizhai".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Xingshu Tang Shizhai" is 30.3 centimeters in length and 134.7 centimeters in width. Seal: Bao Shichen seal, Bao Shi fifteen. Inscription: Shichen Question. Collection seal: Mengquan Book House calligraphy and painting approval seal, Wenxin approval.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Eight Words of Calligraphy, Spring Show, Breeze and Eight Words".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Eight Words of Calligraphy, Spring Show, and Breeze" was written on a vertical scroll, showing the subtlety and unique charm of his calligraphy.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Xing Letters and Six Links".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Xing Shu Za Liutong" shows his superb calligraphy talent and profound literati feelings, which have been passed down through the ages.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Calligraphy Handscroll".
Early Qing Dynasty calligrapher Bao Shichen, "Calligraphy Handscroll", 1844. It shows his profound calligraphy skills and unique artistic charm.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Linlan Pavilion Preface".
In the early Qing Dynasty, the calligrapher Bao Shichen's "Linlan Pavilion Preface" paper work shows his profound calligraphy skills. He is well versed in the essence of Jin and Tang calligraphy, praising the ethereal and rigorous Jin people and praising the Tang people for being straightforward. Wu Changshuo praised the grandeur of his calligraphy, dating back to the Qin and Han dynasties. Wang Zhen's inscription is known as "Lanting Boutique". This work is not only highly skilled, but also full of unique insights, and is now in the museum's collection and highly regarded by calligraphy enthusiasts.
Appreciation of the early Qing Dynasty calligrapher Bao Shichen's "Small Grass Standing Scroll".
At the beginning of the Qing Dynasty, the calligrapher Bao Shichen's "Small Grass Vertical Scroll" has a unique charm, although it is not among the first-class, but his calligraphy attainments are profound. His works incorporate the essence of the inscription and show a unique style. Works such as "Art Boat Shuangji" have made outstanding contributions and promoted the idea of stele science. "Little Grass Vertical Scroll" is smooth and natural, with a powerful structure, which is both traditional and innovative. This work demonstrates Bao Shichen's love and pursuit of calligraphy.
After admiring the 40 calligraphy works of the early Qing Dynasty calligrapher Bao Shichen, I was deeply impressed by the unique and profound style of his calligraphy, as well as the exquisite and varied technique. His brushstrokes are not only traditional heavy and steady, but also reveal a unique personality and agility. Each work seems to tell an ancient story, allowing people to appreciate the infinite charm of calligraphy between the lines. In particular, his calligraphy treatises had a profound impact on later generations.
Appreciating the calligraphy of famous artists, enjoying a calm life. Readers, what do you think of Bao Shichen's above works? Welcome to leave a message in the comment area~