A peculiar phenomenon: the "evil girl" in the TV series is sometimes more popular and more nostalgic.
Xu Yingmei in "In Love with female anchors";
Zhou Zhiruo after blackening in "The Book of the Dragon Slayer in the Heavens";
The most peak may be that the villain Jiang Yuyan in "Little Fish and Flowers" has also been re-examined.
Jiang Yuyan is the original image of the TV series based on the novel prototype "Jiang Yulang", changing the male villain into a snake and scorpion beauty, but unexpectedly gaining higher popularity than the protagonist. Many netizens even called for wanting to see "The Biography of Jiang Yuyan".
Why does "Evil Girl" also have an audience?
It may be because, at the moment, many stories are too narrow in their creative thinking. Domestic dramas and domestic love are more and more bound by the "three views of the party and double purity", the heroine usually carries the most fantasies and substitutions and moral codes, and there are dramatic conflicts, and finally made a lucky innocent fool white sweet, become flat.
These constraints of the female partner are relatively small, they are responsible for the pursuit of the self or the unloved part, but it is real, the desire and pain are released, and it becomes a human existence. The character stands for the beauty of the person.
Jiang Yuyan is like this, her birth, the ins and outs of life, her desires, and the motivation of everything are all standing. In ancient times, "evil women" would appear "evil" in feudal society because they were incompatible with the oppressive environment, because they were rebelling and pursuing.
On the other hand, the "evil girl" has such a rich layer, naturally there is also room for acting skills, as long as the actresses pass the acting skills, they will certainly be able to shine in the "evil girl".
Jiang Yuyan, played by Yang Xue, never relies on smoky eyes and only relies on acting skills, so the more you look back, the more you feel.
Instead of saying that everyone looks at it but "evil women", in fact, what we need is a real woman with flesh and blood and desire, and we need to re-look at women's fate from a female perspective.
In recent Hollywood blockbusters, the evil girls have also ushered in their own era of big heroines. Like Kuila in the anime "101 Loyal Dogs", the female villain Joker in "Batman" has the opportunity to be the heroine in the big movie.
In their big movies, they can be justifiably radiant, evil and beautiful.
The configuration of this type of film is also top-notch. Whether it is the Clown Girl or Kuila, there are actresses of the post-film level to play.
However, the biggest progress of these films is not in the packaging, but in the core, that is, it is detached from the black and white examination, giving the "evil girls" the opportunity to explain.
The audience knows both the clown woman's madness and why she is mad: forced by bad people.
The audience knows both Kuira's "evil" and why she is "evil": her life is extremely tragic and her talent is extraordinary.
Carefully understanding the causes and consequences, it is not so much "evil women" as they are rebellion against the harsh environment.
There are also many moments in the story that show their humanity, and she is also defending the justice in her heart. And these moments will be particularly moving.
The "Evil Girl" story has been rewritten and is very popular, which also shows that the needs of female audiences for female images have changed.
Silly white sweetness is also the product of male perspective, women's pursuit, about their own goals, is the real "big heroine".
Why can't women crave power? Why can't women be ostentatious? Crushed by fate, why can't she fight back?
The real "big heroine" should not be a Mary Sue, should not be a legend of women being protected, and should be a voice for women themselves.