A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
Our little by little behavior, including a word, every thought can not be taken lightly, a small insignificant speech and behavior and thoughts accumulate into a multitude, together to create a common system of life, affecting others at the same time, but also affecting ourselves, in the road of life is full of sunshine.
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
Today, Ilya Yefimovich Repin (Илья Ефимович Репин, August 5, 1844 - September 29, 1930) studied at the Academy of Fine Arts in Petersburg, where he created a large number of genre paintings, portraits, and historical paintings, expressing people's desire and pursuit of a better life, and his representative works include "The Hauler on the Volga River" and "The Unexpected Return".
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
Repin's father was an officer, but life was difficult and poor. His paintings were influenced by his apprentice cousin in Western painting workshops, and Repin gradually became fascinated by painting and was loyal to art.
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
Those who constantly observe themselves and everyone around them, it seems that everyone is circling in their own inherent habits, if not broken, this acute is solidified into a mode of survival, which will inevitably make people fascinated by a mode of life, and Repin does not attribute the suffering to the injustice of fate, but the pull of powerful karma, and is fascinated.
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
In the 1880s, Repin was recognized as a titan of critical realism and became the banner of the touring exhibition school. The main reason is because in the picture of his work "Haulers on the Volga", a group of ragged haulers drag the cargo ship forward in the scorching sun and on the deserted beach. In terms of demeanor and posture, the characters fully embody the great power contained in the people, which will give people a sense of shock and motivation. The 11 porters are all living like slaves of ordinary people, and they embody the great power of people, which is the power of goodness and wisdom!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
Who can pronounce our lives in advance? Who can predict the loss of honor and disgrace in this life? Resigning to fate is just an excuse for not working hard and not struggling, and fate is transported by oneself. A perfect mindset can not only mobilize one's own life, but also stimulate the powerful force of counterattack when fighting against fate, and ultimately change fate.
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
A striking genre in the history of European art in the late 19th century, Monet and Repin are in common splendor!
Ilya Yefimovich Repin changed his destiny with his paintings, and we see in his works a kind of mentality, a powerful shock, a condensation of strength, an effort to dig out a useful source, perhaps his good mentality to transform the paintings, so condensed here, forming a huge force, enough to change the hearts of the whole world!
