This article is reproduced from the public account of Zhejiang People's Fine Arts Publishing House, and the content has been modified.
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He has been at the helm of the highest school of Chinese art for 20 years
With the concept of "pluralistic interaction, harmony and difference"
Put forward the school motto of "Walking Healthy, Respecting, Meeting, and Performing Far"
The China Academy of Art, which created the "world"
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He has the concept of "looking at the horizon"
Committed to the creation of "Shanshui Academy"
Supported Wang Shu in designing the Xiangshan Campus of the China Academy of Fine Arts
In 2012, Chinese won for the first time
The Nobel Prize in architecture - the Pritzker Architecture Prize
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He was a standout for painting on the shelf
For decades, it has been like painting sunflowers, writing sunflowers, and writing flowers
With the vicissitudes and strength of the group Aoi
Recreate the grand narrative of the times
Recreate the spiritual map of a generation of Chinese that has been tried and lost
He became a leading figure in contemporary Chinese expressive painting
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He is an important promoter of Chinese contemporary art
It has created many international academic platforms for Chinese contemporary art
He founded the School of Transmedia Arts
He has also long thought about the question of what painting is in the image era
Emphasize the importance of feelings and thoughts
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He was the twelfth president of the China Academy of Art
Xu Jiang
He was an artist, but also a thinker
He is passionate and sane and calm
Visionary and strategic
It is a comprehensive figure that is almost difficult to replicate in the current art world
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"Hushan Art Cong" launched three volumes of Xu Jiang's special edition
"Wangjing", "Sir", "Shelf Talk"
In the form of a "little book for everyone"
It brings together the academic views and ideological essences formed by Xu Jiang over the years
From three far-reaching perspectives
Presents its poetic contemplation and grandeur
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"Hopeland"
The ideal university, the ideal of the university
"Wangjing" is a very important artistic concept put forward by Xu Jiang, which refers to the realm where lakes and mountains look at each other, and is also the realm of spiritual shaping facing the historical context, values and spiritual quality. On the one hand, it contains the poetry of landscape and water, and on the other hand, it carries the mission and responsibility. This realm of mutual communication and mutual existence and mutual respect makes people clear and open.
The whole book takes this concept as the overall photograph, conveys to the reader that university education should cultivate people, and art education also needs to pay attention to the cultivation of learning and spiritual realm, and puts forward thoughts and suggestions on the current situation of specialized discipline education in contemporary China, which is of great help to contemporary confused college students and educators.
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"Sir"
Look up at the peak of Chinese art and culture
Looking up to a generation of masters is intended to cultivate people's minds, improve people's hearts, and enhance people's hearts. The masters discussed in the book include Lin Fengmian, the first president of the China Academy of Art, Wu Dayu, a master of modern art, Wu Guanzhong, who has made outstanding achievements in the integration of Chinese and Western painting, Huang Binhong, a master of modern And contemporary Chinese painting, Pan Tianshou, a master of Chinese painting who has served twice as the president of the Academy of Fine Arts, Wang Yuanhua, a famous cultural scholar, Xu Wei, an artistic wizard, and Jin Shangyi, Zhan Jianjun and Quan Shanshi, as well as contemporary oil painters Jin Shangyi, Zhan Jianjun and Quan Shanshi.
Several essays, whether it is the written rules, or the life experiences of the people they write about, and their devotion to art and culture, have the power to move.
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"Talk on the Shelf"
The pursuit and mission of art
The main topics discussed in this book are painting and other visual arts, including "Talk on the Shelf", "Dialogue with Mr. Wu Guanzhong", "The Entanglement and Poetry of Painting", "Yaji Xing answer" and other articles. Among them, "Words on the Shelf" discusses what painting is in the pictorial era through several parts: "Vision and Figuration", "Water Traces, Heart Marks", and "Later Appearance and Non-Line". "Dialogue with Mr. Wu Guanzhong" starts from the review of Xu Jiang's works, talks about the importance of artistic sensitivity and the ability to appreciate beauty, and discusses what is the most important connotation of painting. "The Entanglement and Poetry of Painting" returns to the source of sensibility, and discusses how painting poeticizes personal experience from three aspects: "body and body image", "challenge and transformation", and "slow process and intuitive generation". "Yaji Xing answer" talks about the importance of traditional yaji, including the realms of ascending to the victory trail, going far away, sadness and sorrow, and imperial wind intoxication.
Several articles have deeply explored the appreciation of artistic sensibility and beauty, and the articles have a broad connotation, unique thinking, and simple depth, which is worthy of deep consideration by art students and the general public who love art.
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Three small books are bound in a clean and elegant manner
It is bound in an empty, flattenable fit
With just one cup of tea, you can appreciate the profound thinking of the former head of the highest school of chinese art on art, culture and education, feel the value concept, spiritual pursuit, artistic height and academic lifeblood of a century-old famous school, and understand why the Chinese Academy of Fine Arts has become the intrinsic gene of the Chinese Academy of Art.
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Recommended by famous artists
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● Wu Guanzhong: "Xu Jiang's paintings have poetic power. There is always a sense of vicissitudes in his paintings, as if looking at the mountains from afar, looking at the vicissitudes of history and seeing the distant vicissitudes. What he seeks is to expose the essence of life. ”
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● Chen Jiaying: "Among contemporary Chinese painters, painting and literature are excellent, Xu Jiang is famous, and his words reflect the artistic conception of his paintings, giving rise to the ideas in the paintings, and reflect each other." ...... We in the fifties are often called idealists, and Xu Jiang is particularly idealistic. Xu Jiang's paintings and texts richly interpret the positive meaning of idealism, or rather, interpret what idealism is in the proper sense. ”
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● Fan Di'an: "The biggest feature of Xujiang art is the simplicity of artistic themes and the richness of artistic expression language. ...... Xu Jiang's multiple professional identities such as art education, art organization and management, theoretical thinking and creative practice have made him see a wide range of people and know many people, but back to his own creation, his artistic concerns are more and more focused, more and more towards deep thinking. It can be said that in the organic unity of the depth of artistic thinking and the breadth of artistic language, he is a prominent phenomenon in the contemporary Chinese art world. ”
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● Yu Hua: "Xu Jiang, born in 1955, me born in 1960, born in the 1950s and 1960s, people who did not know each other, sunflowers are a common memory for us, an image that makes our generation Chinese tearful." ”
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● Gao Shiming: "Xu Jiang has two pens, one of which is scribbled on the canvas, and the other pen is reined on the manuscript paper. With the temperament of these two pens, he constructed a world in which the interaction between pictures and texts, speech and vision occurs. ”