Fu Mei (1628-1684) was a native of Yangqu, Shanxi, and the only son of Fu Shan. Painter of the Qing Dynasty. The word Shou Xian, a shou mao, also the word Zhuling, self-proclaimed little tiller Zen.
Since childhood, he was intelligent and wise, lost his mother at the age of five, and received a strict education from his father since he was a child, and achieved high achievements in word endowment, calligraphy and painting. Dai Tingyu's "Gao Shi Fu Mei Xing Zhi Zhi ”
At the age of seven, he composed small poems and small gifts, at the age of twelve, he composed "Drama as Lotus Leaf Pocket Jian Fu", and at the age of fifteen, he was quite familiar with the history of the scriptures. Tang and Song dynasty three hundred articles, read through imitation, a day into sixteen arts, always ready to follow the ancestors in the name of the subject, but at the age of seventeen was changed by the country, the study was abolished, with his father to avoid chaos, the four seas for the home is uncertain, during the Period of Dongshan Songzhuang, often for the father to socialize the calligraphy and painting, today we see a lot of calligraphy and painting, is written by Fu Mei. Since he was a child, he followed Fu Shan to study in Shanglan Hongchao, so he wrote "The First Three Songs of the Martyrs' Shrine".
Fu Mei is the author of "My Son", "My Poem", "I Fu", And The poems written by Fu Mei are "do not imitate the ancients, do not attack the sages of the times", "do not follow the words of the predecessors, the calligraphy and painting seal is Qingya Qiyi, the neck is strong and strong, and the painting is layered with waterfalls, which is gratifying and amazing; the inscription of the seal of the seal is the meaning of the ink law." ”
Fu Mei is inferior to Fu Shan in poetry and calligraphy, but he is more exquisite in painting than Fu Shan. "Willow Moon In the Middle" also expresses the moon color, but it conveys a completely different mood from Fu Shan's "West Village Night". In the hazy moonlight, it seems to bring people into an illusory realm, the weeping willows in the upper part are outlined with curved lines, and then rendered in dan color, and the curves surrounding the whole picture create a strong form of beauty, quiet and without a trace of wind blowing in the night in the mountains, bringing people unlimited feelings and reverie.
"Cursive Tang Li Duan Title Cui Duan Park Forest Poem" Axis Silk 110× 45cm Shanxi Provincial Museum Collection
Explanation: The sergeant loves Qinghui and opens the door to Cuiwei. Holding the piano to watch the crane go, the pillow stone waiting for the cloud to return. Wild sitting moss mat, high sleeping bamboo hanging clothes. Old Shandong looked far away, and the twilight flowers flew. Fu Mei.
"Cursive King Weiputi Temple Forbidden Slogan and Pei Di Poem" Scroll Silk 106.5×73.5cm Shanxi Provincial Museum Collection
Interpretation: Anderson dust net, whispering clothes and passing away. Leisurely plan the staff and return to the peach blossom source. Fu Mei Shu.
Moving Lan Poems, vertical scroll on paper, 181×57 cm
钤印: 傅眉印,字寿毛
Paragraph: (Wen Luo) Fu Mei.
Tibetan seal: Chang'an Minlu, Qi di waiting for the master of Danzhai to collect golden stone calligraphy and paintings
Landscape Atlas Album on Silk 20.6×22cm
This picture is beautiful and ancient, and it is full of interest. A garden pavilion is painted on the stone hill of the waterhole, which is slightly decorative and elegant. The water has a ripple flowing trend, as if it is babbling and sounding. In the middle of the weeping willow, the trunk of the plant is dense, lush forest, fu green willow shade god.
Fu Shan Fu Mei "Qiu Lei Ke Tu" Album Silk Color 22.2×24.5cm
This page is one of the sixteen pages in the Fu Shan and Fu Mei Landscape Album. The figure "Qiu Lei Ke Tu". In the distance is a high mountain cliff, and the close-up view is a majestic overhanging rock rock, which is set off by Danfeng and Gubai, which is unique. Like a curtain waterfall, it is splashed in the valley on all sides, and there is a threat of thunder and snow. The cloister is stretched out, quiet and elegant, and constitutes a considerable and livable scene. Deep in the mountains under the wall of the village temple. The dense forest inside and outside the foothills of the temple is arranged, rich and shady, the scenery is secluded, the layout is plain and interesting, the pen is concise, the ink is blended, the color is refreshing, the old and ancient rhyme, vivid and natural. In the Qing Dynasty Zhang Geng's "Records of Paintings of the National Dynasty", it is said that Fu Shan is "good at painting landscapes, there are not many rubbings, and the hills and valleys are leike, and the bones are victorious." "This brush is transcendent and has a clumsy humor. It should be Fu Shan, Fu Mei's head and other fine products.