Wen 丨 Xiaofeng Wanyue
Editor丨Xiaofeng Wanyue
In the feudal era, the emperor was supreme, and it was completely insufficient for actors to play the emperor well without an electric field.
Today's entertainment industry "little fresh meat" and "little white face" are in charge, and they have no aura to embarrass themselves as emperors!
Some of them have deep bitterness and hatred, and they wear dragon robes but "factory gas"!
Netizens stomped their feet after reading it: When can the East Factory also be an emperor?
I have to say that the emperor is not everyone can play, if you want to say domineering, you have to look at these old three!
An emperor without aura
In recent years, many emerging young actors have challenged the role of emperor in costume dramas.
I don't know if it's too young or has no temperament, the performance always looks like a product of the East Factory.
Zhang Yixing's Ming Dynasty emperor can't say it's not like it, it can only be said that it doesn't matter! It gives the impression that it is not expensive enough.
As a member of the group EXO, he directly played the male lead in the play by virtue of his appearance and popularity.
But obviously, his acting skills cannot support this role, and when the whole person seems general, there is no monarch nobility at all.
Compared with several senior actors who played against him, the gap is even more obvious.
This shows that Zhang Yixing, as a post-90s little fresh meat, is indeed not yet qualified for the role of emperor.
He needs to accumulate strength and experience for a longer period of time to play such a complex character.
Relying only on a handsome face is difficult to make the audience feel substitutionary.
Zhang Yixing's appearance is still very resistant, but playing the emperor's aura is indeed slightly insufficient.
It still looks like "February Red"!
It seems that this light is not enough to be handsome, and without a little domineering, it is impossible to act the feeling of the Nine Five.
Luo Jin's emperor is no better, the so-called domineering is completely absent, and there is no imperial appearance in the cowering.
After watching it, the audience said that they didn't know where it was wrong, but just this point made people feel that it was not the same thing at all!
Without that imperial aura, I still feel aggrieved and wasted that dragon robe.
And when Huo Jianhua played "Qianlong", although he looked outstanding, the overall image was too gloomy.
did not show the cheerful optimism that Qianlong should have.
Huo Jianhua looked bitter and bitter, and an expression could be embarrassed until the end of the film.
Shall we just say that we can't change our expression a little bit? It's not that you twist your eyebrows and have an aura with a serious face!
If it was really such a bitter hatred, Qianlong probably wouldn't be able to live that long.
This is mainly because although many emerging actors have outstanding appearance conditions, they still lack the acting skills and experience to play complex monarch roles.
Playing an emperor well requires rich life experience as a support to fully understand the temperament that this role should have.
At present, the entertainment industry pays too much attention to traffic, resulting in many young actors who still lack acting accomplishment being pushed onto the stage of historical dramas, and it is difficult to digest such roles.
In contrast, some old drama bones such as Chen Baoguo, Chen Daoming, and Zhang Guoli can naturally release a kind of "nobility" with their rich life experience when playing ancient emperors.
Their interpretation of the image of the emperor is more fleshed out and expressive, giving the audience a "sense of deity".
This also reflects from the side that in order to play a historical figure well, it is not enough to rely on external conditions.
It also needs actors to have enough connotation as support.
Therefore, if today's entertainment industry wants to present more high-quality costume works, it cannot only blindly pursue traffic newcomers.
When selecting actors, we should pay more attention to their acting accomplishment and life experience.
This is essential for shaping a three-dimensional historical figure.
Perhaps emerging actors can work on this aspect to improve their ability to play complex roles.
In this way, when the audience watches historical dramas, they can really feel the temperament of the wise and martial emperors of that era.
If you really want to improve the quality of domestic costume dramas, you need to pay more attention to the professionalism of actors in casting.
Instead of relying solely on external conditions.
With their rich life experience and performance skills, senior actors can often portray a three-dimensional historical figure more comprehensively.
And emerging actors also need to accumulate their acting skills to be competent for such roles.
The difference between the two is actually the difference in the inner cultivation of the actor himself.
To play the emperor, you have to be these "old three"
Chen Baoguo, Chen Daoming and Zhang Guoli, three old drama bones can be described as the "Three Musketeers of the Emperor" in contemporary Chinese film and television dramas.
With their excellent acting skills and "imperial temperament", they have successfully created many classic emperor roles.
Contribute artistic treasures to Chinese film and television dramas.
Chen Baoguo is recognized as the "Hundred Variable Star Monarch", from tyrant to benevolent monarch, from founding monarch to last monarch, he can control it with ease.
He was originally a stage actor, but was later discovered by director Chen Jialin and believed that he had the appearance and temperament to play the emperor.
As early as 1995, Chen Baoguo brilliantly interpreted Tang Gaozong in "Wu Zetian" directed by Chen Jialin.
showed extraordinary acting skills, and also established his emperor status in the film and television industry.
In 2007, he played the Jiajing Emperor in "Daming Dynasty 1566", integrating Jiajing's doubt, loneliness and domineering into the interpretation, which deeply moved the audience.
In "The Great Emperor of Hanwu", Chen Baoguo completed a wonderful interpretation of the three stages of Emperor Wudi of Han.
In particular, the majesty of the middle-aged Han Wudi is unforgettable.
Chen Baoguo's understanding and use of ancient emperors has reached the pinnacle.
If Chen Baoguo is a changeable emperor, then Chen Daoming is a stable emperor representative.
He came from a medical family and could have practiced medicine from his father, but he gave up studying medicine because of his love of acting and entered the drama school.
Chen Dao's kingly temperament combined with rigorous acting skills makes him an ideal monarch model.
As early as 1988, Chen Daoming became famous for his outstanding performance in "The Last Emperor" and opened his path to emperor.
"Kangxi Dynasty", broadcast in 2001, is a representative work of Emperor Chen Daoming.
His 5-minute long shot of "rebuking the courtiers" in the play has become a classic teaching clip.
The insider broke the news that this classic scene was completely improvised by him, and he played it on the spot by relying on his understanding of the emperor in the book.
It's completely integrated into the character, and it feels like it!
There is no need to design lines in advance, and it can also be written in a brilliant manner, which shows his solid foundation and understanding of history.
In "Qing Yu Nian" broadcast in recent years, Chen Daoming once again shocked the audience with the image of an emperor.
Chen Daoming's rigorous and restrained performance style contrasts sharply with Chen Baoguo's versatility.
Zhang Guoli is probably recognized as the most amiable emperor.
Born into a family of ordinary workers, he honed his acting skills from a drama troupe before switching to the film and television industry.
Zhang Guoli is good at portraying a benevolent and people-friendly monarch.
As early as 1995, Zhang Guoli premiered as the emperor in "Prime Minister Liu Luo".
But the masterpiece that made him emperor the most should be the "Kangxi Microservice Private Interview" series.
He vividly interpreted the Kangxi Emperor's grace and love for the people.
There is a unique interpretation of this character, and it conveys the truth of life to the audience.
Zhang Guoli successfully broke people's established impression of ancient emperors and made the image of the emperor approachable.
Compared with Chen Baoguo and Chen Daoming's introverted, Zhang Guoli is more amiable and popular.
Although he seemed very amiable, Zhang Guoli's emperor never lost his majesty.
The three old opera bones have their own characteristics, interpreting the image of emperors in different periods of Chinese history in their own ways, and enriching the performance connotation of film and television dramas.
The path of emperor performance they opened up would provide a model for those who came after them to learn from.
We look forward to their future works bringing more extraordinary interpretations of emperors and presenting the audience with the wonders of Chinese history."
May be in terms of appearance, these three are not as good as the current Xiao Xianrou, but their specialization in roles is not available to young people.
Professionalism has always been a key factor in opening up the gap, and they are paid tens of millions of dollars at every turn.
At the scene, RV servants are waiting, and they have to play big names at every turn.
There is no connotation not to say, the acting skills are still a mess, in addition to playing handsome or handsome, the beauty filter is pulled to the end, and the face is drawn from beginning to end.
You don't need to say the lines yourself, whether you read the script or not are two different things, wouldn't it be more strange to be able to act well.