Qing Qianlong recalls the Jiangnan Ruyi-shaped lid box
Chronology: Qianlong of the Qing Dynasty
Size: 12cm *10.5cm *6.2cm
┌Qing Qianlong Tick Red Memories Jiangnan Ruyi-shaped lid box┘, the shape is elegant and dignified, the body line is relaxed, and the Ruyi shape is made. The inside of the box and the bottom are painted with black lacquer, the outer wall is decorated with the red process, the mouth is along the lotus petal pattern, the cover is convex and opens with the shape of the light, the horizontal folding brocade pattern is the sky, the water wave brocade pattern is the water, the turtle back brocade pattern is the ground, the carved mountains are round, the auspicious clouds are around, the ancient trees are lush, the old pine is vigorously pulled, the longevity stone is stacked, the two people on the shore chat, the fisherman in the forest in the distance lands on the shore and picks the fish and returns, the sense of hierarchy is rich. The picture is clearly layered, like a fairyland on earth, the composition is comfortable and appropriate, and the theme is clearly expressed. The upper and lower are decorated with four rectangular corners of the light, and the peony, peach blossom, plum blossom, chrysanthemum and other floral patterns are embossed on the back grain ground, and all are contrasted with longevity stones. The whole vessel is heavily painted, the paint color is red and dazzling, the paint quality is crisp, the carving technique is changeable, and the grinder has both the blade.
Qing Qianlong red chrysanthemum fragrance box
Chronology: Qianlong of the Qing Dynasty
Size: 7.8cm *7.8cm *4cm
Bibliography Dong Qiao, "The Flower Affair of the Former People", The Case of Qingyu (Guilin: Guangxi Normal University Press, 2011), illustration. (Fig. 2) ┌Qing Qianlong Red Chrysanthemum Fragrance Box┘, round mouth, child and mother mouth buckle, double-sided, the cover is slightly arc with shallow abdomen, small and exquisite, light and smart. The surface is piled with vermilion lacquer on the plain ground, the knife is deep, the lines are free, outlining the full cluster of chrysanthemums, some of them are full of buds, some are fully open and compete for beauty, a fragrant show, the combination of movement and static, there is a degree of relaxation, the whole picture is quite dynamic and energetic, through the sharp and smooth knife movement will be the chrysanthemum bush carved dense and not messy, it is of great artistic appreciation value, reflecting the exquisite craftsmanship and noble taste of the carved lacquer everyone. The National Palace Museum in Taipei has a Qianlong red chrysanthemum incense box (Fig. 1) (Note 1), which is very similar to the shape and ornamental layout of this product, and the upright feeling of standing without hiding the blade is very similar. The cover of the National Palace in Taipei is engraved with gold ┌ Yishou treasure box ┘, and the bottom falls ┌ Qianlong year of the Qing Dynasty ┘ six-character three-line regular script. It can be known that this kind of treasure box is decorated with chrysanthemums, taking its meaning of longevity. Note 1: Taipei National Palace Museum, ed., "Harmony and Color: Tibetan Lacquer in the Palace Museum" (Taipei: National Palace Museum, Taipei, 2008), p. 131, fig. 128
Qing Qianlong cut the red tung shade rhyme cover box
Chronology: Qianlong of the Qing Dynasty
Size: 13.5cm *13.5cm *7.8cm
┌ Qing Qianlong red tung shade rhyme cover box ┘, round, flat top, arc wall, vermilion lacquer all around, side decoration brocade, box and bottom black glossy paint. The cover surface carves the sky, the earth, the water three kinds of brocade ground, carved out of the rugged mountain stone, the grass and trees are fluffy, the sycamore is coiled, the two ladies play the flute in the middle, the scene is elegant and chic, it is for the Tongyin rhyme ┘ figure. The paint color of this box is bright and eye-catching, the characters are delicate and beautiful, and the workmanship is excellent, like a three-dimensional picture.
Qing Qianlong red double dragon play bead picture horn square box
Chronology: Qianlong of the Qing Dynasty
Size: 14cm *13.8cm *6cm
Bibliography Dong Qiao, "The Marriage Period of Mei Bao", The Story (Hong Kong: Oxford University Press, 2006), p. 214. (Figure 1) ┌ Qing Qianlong red double dragon play bead picture corner square box┘, the overall paint is heavy, the texture is delicate, the shape is graceful and luxurious, elegant and extraordinary, the craftsmanship is delicate, the knife is fast, the edge is exposed, and it is a masterpiece of royal carved lacquer in the Qianlong period. The inside of the box and the inside of the foot are painted with black lacquer, and the front of the box is engraved with two dragons and auspicious clouds playing with pearls, and its posture is vigorous and majestic. The wall decoration of the lid and the body of the vessel are all set up with brocade floors. This product absorbs the essence of the previous generation and the same period of ornamental carving, and uses the red technology to show the mighty and vigorous three-dimensional performance of the cloud dragon.
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