During the May Day period, the competition in movie theaters is like a fierce marathon, and every film is running, hoping to cross the finish line and become the champion of the box office.
In this competition, there is a dark horse "Spending Money at the End of the Road", but he unexpectedly rushed out of the crowd and became a real "first brother".
The film's performance at the box office was simply astonishing, topping the box office charts for many days in a row and is expected to break the 300 million mark.
It can be said that "Spending Money at the End of the Road" is not only the leader of May 1st, but also a fierce box office dark horse, galloping towards the end of success.
In fact, there may be many hidden secrets in the heart, and the success of "Spending Money at the End of the Road" is not flawless.
Film critics and audiences have pointed out that this movie is actually a "bad movie", and some people even think that it is simply a clumsy imitation, like an embarrassing existence of a tiger that cannot become an anti-dog.
The Internet is full of negative comments about it, as if it is a gust of cold wind, casting a shadow on this dark horse.
That's one of the magic things about the world of cinema.
Sometimes, just because a movie is successful at the box office doesn't mean it's a good movie, like a bright rainbow, but it can be just an illusion after a storm.
And the eyes of the audience, like a mirror, can always truly reflect the essence of things, and cannot be deceived.
In this film, director Wu Rina and lead actor Jia Bing work together to present a unique movie-watching experience.
The director hopes to bring a refreshing feeling to the audience through the innovation of themes and themes, while the leading actor focuses on the in-depth shaping of the characters and the true expression of emotions.
The main style of the movie is light-hearted and humorous, but there is also a deep connotation behind it.
This film is not just a simple comedy, it hides a wealth of emotions and thoughts beneath the surface humor.
It reflects various situations and feelings in our daily life, allowing the audience to feel the warmth and challenges of life in laughter.
Director Urina uses her unique perspective and imagination to weave a colorful storyline.
She chooses themes in an eclectic way, allowing the audience to feel fresh in every scene.
And Jia Bing vividly presented the role in front of the audience through superb performances.
His emotional expression is empathetic and makes the audience feel as if they are in the middle of the story.
The film also touches on the important theme of family.
Through the family relationship between the characters, the importance of warmth, understanding and tolerance is demonstrated.
The audience can feel the warmth and strength of the family, as well as the cherishing and love between the family.
The main line of the story is to chase dreams.
Each character has their own dreams and pursuits, and they work hard, overcome difficulties, and finally achieve their goals.
This inspires the audience to pursue their dreams, keep working hard, and face challenges bravely.
As these audience members sit in the cinema with their eyes glued to the screen, their mood may fluctuate with the ups and downs of the story.
In the heat of a fight, they can't help but clench their fists, and in a touching emotional scene, there may be a reddening of the eyes.
This empathy is not only the love of the film itself, but also the resonance of the emotions conveyed in it.
The audience will find their own shadow in the plot and see their story vividly presented on the screen, this wonderful feeling is irresistible.
Of course, this interaction is not limited to the cinema.
During the movie, the audience will communicate with their friends and share their feelings and opinions.
Maybe someone will leave a comment on social media to express their praise for the film.
This interaction makes watching a movie no longer an act of solitude, but an experience of sharing emotions with others.
Those so-called "scattered" plots are actually a deeper exploration and expression.
Just like us in life, sometimes things don't always go according to plan, but are full of surprises and changes.
This kind of scattering is the real face of life that the director wants to express, not the immutable plot of the script.
The development of the characters lacks logic and empathy, precisely to show the complexity and diversity of human nature.
In real life, we often encounter those puzzling characters, and these characters exist precisely to allow us to reflect on and explore the mysteries of the human heart.
It's this complex relationship that makes us more relatable to the characters in the film, because they reflect our own inner complexity.
As for the ending of the mechanical séance and the unsatisfactory ending of the relationship between the characters, it is to give the audience more room for imagination and thinking.
The end of a story doesn't have to give all the answers, but leaves some suspense and unsolved mysteries for the audience to think about and interpret for themselves.
In this era of fast-paced life, people crave not only high-quality movies, but also clips that can bring them joy and relaxation.
Even if a movie is called a "bad movie", if it can evoke laughter or pleasure in the audience in some way, then it will not be completely denied.
Like those less-than-perfect but emotionally charged little flaws, they become the charm of the film.
This phenomenon of "bad movie" happiness is not uncommon in life.
Sometimes people don't strive for perfection, they just look for a way to relax.
It can be a nonsensical movie, a light-hearted game, or even a simple party.
What matters is not the quality of these experiences themselves, but the emotional resonance and joy they can bring us.
The divergence between the box office and audience feedback for "Spending Money at the End of the Road" is like an interesting psychological experiment that reveals people's personal preferences for humor and different interpretations of the film's content.
Some viewers may prefer the kind of comedy that is humorous, funny, and full of jokes, and even if there is a consensus on the need for comedy, the audience's understanding and acceptance of humor varies.
Some people may have a weaker sense of humor and need a more direct and obvious laugh to feel happy, while others may have a stronger sense of humor and prefer a subtle, thought-provoking humor.
It's as if some people need a higher volume to feel the beauty of the music, while others prefer a soft melody.
When a comedy film like "The End of the Road" has to meet the audience's need for lightness and pleasure while striking a balance between humorous expression, it is challenging.
Sometimes a movie may lean towards a certain style of humor, causing some viewers to feel too dull or superficial.
It's like cooking a dish where some people find the flavor too strong and others find it too light.
In this age of diversity and inclusion, filmmakers can try to be more open to different perspectives and feedback.
Everyone has their own unique tastes and preferences, and it is this diversity that makes the world of cinema so rich and interesting.
Let's think of cinema as a journey of the mind, an opportunity to have a conversation with ourselves and others.