Inheritance of penmanship - Yan Zhenqing's "Twelve Meanings of Zhang's Long History" is staggered

The relationship between calligraphy and calligraphy is very important, especially through the relationship between calligraphers in the Tang Dynasty, we can feel that the inheritance of calligraphy is really inextricably linked. For example, Zhiyong is the seventh grandson of Wang Xizhi, Yu Shinan is Zhiyong's personal disciple, and he passed the penmanship to his nephew Lu Cambodia, who taught it to his son Lu Yanyuan, Lu Yanyuan is Zhang Xu's cousin, and Zhang Xu got Wang Xizhi's true penmanship from Lu Yanyuan.

And Yan Zhenqing has learned penmanship with Zhang Xu, and there is a "Twelve Meanings of Zhang Changshi's Penmanship", Ming Tuoben, each page is 28 cm long, 15 cm wide.

This post is quite similar to Yan Zhenqing's "Fighting for a Seat Post", and the content involves the use of brushes and structures in calligraphy. The calligraphy as a whole is vigorous and vigorous, the dot painting is flying, the structure is calm, and the line is staggered. It is also an important reference material for our research on calligraphy theory.

Note: This platform aims to share knowledge of calligraphy and painting, some of the materials come from the Internet, if the content involves copyright-related issues, please contact in time, we will delete the relevant content as soon as possible.