The word "Yan Ti" - the strong and powerful style of Yan Zhenqing's regular book "The Inscription of the Shrine of the Golden Heavenly King".

Yan Zhenqing wrote the "Manuscript of the Sacrifice of Nephew" and "Manuscript of the Sacrifice of Uncle" around the first year of the Tang Dynasty (758), this year can be described as an eventful year for Yan Zhenqing, Yan Zhenqing was demoted from the history of Puzhou Thorn to the history of Raozhou Thorn, on the way to Huayue Temple, at the request of the temple owner, he wrote down the regular script "Inscription of the Shrine of the King of Heaven".

"The Inscription of the Shrine of the Golden Heavenly King" is strong and strong with the pen, strong and rigorous, the knot is tight, the wind god is clear, and it has the atmosphere of a temple. The single word looks like a unique charm that makes people love it.

Yan Zhenqing is a profound and influential revolutionary calligrapher in the history of calligraphy, he integrated the penmanship and knots of the seal and the writing style into the calligraphy, and changed the thin and vigorous brushwork tradition to a vigorous and clumsy calligraphy new style, which was very rare in that era, and had a far-reaching impact on the later period.

Note: This platform aims to share knowledge of calligraphy and painting, some of the materials come from the Internet, if the content involves copyright-related issues, please contact in time, we will delete the relevant content as soon as possible.