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The realist drama "Loading Stage" restores the "Shaanxi flavor" civilian life

author:Bright Net
The realist drama "Loading Stage" restores the "Shaanxi flavor" civilian life

"Loading The Stage" poster courtesy of the crew

This is "The Story of Shaanxi Written by Shaanxi People" and also "The Xi'an Fireworks Performed by Xi'an People". Written by Ma Xiaoyong and directed by Li Shaofei, starring Zhang Jiayi and Yan Ni, special starring Song Dandan and Qin Hailu, and starring Chen Xiaoyi, Ling Zi, You Yongzhi, Sun Hao, Ji He, etc., the warm realist drama "Loading Stage" has been broadcast on CCTV and Mango TV on the evening of the 29th. At the beginning of the broadcast, the rich Shaanxi style in the play triggered a wave of admiration from netizens.

Bullet screen brush screen

The audience is looking forward to the follow-up development

Beef steamed buns, peppery soup... After the premiere, netizens brushed the screen with bullet screens, "look hungry", "taste", "dry rice people, dry rice souls, dry rice to use a large iron basin", the audience's comments on their own magic did not hesitate to praise, enough to show that this original reproduction of Xi'an City style, with the loading platform line as the center of the circle radiation to the five elements and eight works, with a civilian perspective full of humanistic spirit, showing the "loading platform" of the city life in the wave of reform, has been "loaded into the heart" by the audience.

Adapted from the novel of the same name by "Mao Award" writer Chen Yan, "Loading Stage" completed a large-scale rewrite of the original work in the process of filming and television, retaining the true background of the original work, adding warm and bright colors, and this change also won the recognition of the audience - the portrayal of the father-daughter relationship between Diao Shunzi and Diao Aiju in the play changed the heaviness in the original work, and used comedic techniques to show the confrontation of swords and tensions. The father's only promise, the daughter's momentum is compelling, one defends and one attack, the starting point is care and love, "obviously there is only one father, the love and dependence shown are murderous", through the voice-over, the audience is not difficult to feel that Diao Aiju's "work" is just a "paper tiger", and how the noisy life of the Diao family will develop daily, but also to the audience's appetite.

"Shaanpu" debuted

Dialect hilarious grounding

Shaanxi TV dramas, like the Three Qins land it shows, have strong vitality, from the early "The Tree of Niu Yuqin" and "Singing Under the Branch" to the recent "Ordinary World" and "White Deer Plain", and the realist repertoire has frequently appeared. "Loading The Stage" not only continues the high-quality route of Shaanxi TV dramas, but also integrates into the footnotes of the times, putting the developing ancient city of Xi'an on the screen, showing authentic and strong regional characteristics. The "Taste of Xi'an", which is integrated into the bones and blood of the whole drama, needs to mobilize the sense of hearing, vision and even smell and taste to feel together. "Life has abused me a thousand times, I treat it like my first love, raise my face high, ask the sky if I don't understand" As soon as the opening song sounded, the Shaanxi western dialect came with a unique optimism and vigorous vitality, instantly bringing the audience to the ancient city of Xi'an.

Not only that, in order to strengthen the sense of reality, "Loading Stage" replaces Mandarin lines with "Shaanpu", and vivid and simple dialects such as "Ha Ren (Bad Guy)" and "Porcelain Hammer (Silly)" bring comedy effects that Mandarin cannot reach, with incomparable affinity and cohesion of Mandarin, and reflect the unique local regional culture. Zhang Jiayi and Yan Ni, two Actors from Shaanxi, can be described as their true colors, which further strengthens the sense of reality and enhances the credibility. The use of dialects with one stone and two eagles is intimate and familiar to compatriots in the province; for audiences in other provinces, strange but novel. It is worth mentioning that the creator deliberately put the interpretation of the dialect on the subtitle to avoid the possible comprehension barriers.

Following the footage of "Loading the Stage", the audience will see the food and beauty of the ancient city of Xi'an. At the beginning of the plot, the steamed bun, the peppery soup, and the pot helmet became the "Xi'an on the tip of the tongue", making the audience eager to become a member of the Russian dance troupe that came to tour, and take this opportunity to feast. When the hot oil is poured on the noodles sprinkled with fiery red peppers, the aroma of noodles, oil and peppers almost penetrates the nasal cavity through the screen, and it is no wonder that even Zhang Jiayi is sighing, this is a performance experience of "eating the most props". In addition to landmark buildings with regional characteristics such as the Wild Goose Pagoda, the Bell and Drum Tower, and the ancient city wall, the play also shows the audience the lesser-known side of the ancient city of Xi'an and even the whole of Shaanxi. The Diao Family Village in the play is presented on the screen as an urban village in the modern city, and the crooked streets and alleys and dilapidated but popular courtyards in the play present regional characteristics and ultimately restore the life scenes.

Reporter Zhang Jing Sun Huan

Source: Xi'an Evening News