Disney Trench spent $200 million to shoot a live-action movie "Black and White Witch: Kuila" for the super big IP 65 years ago.
Cruella Kuila is a notorious villain in the Disney series, born with a black and white hairstyle, in order to design a fur coat at the expense of stealing 101 spotted dogs, the series of animated films once accompanied some people's childhood.
Academy Award for Best Actress "Sister Stone" Emma Stone (Emma Stone) starred as Wicked Girl No. 1 Kuila.
The duel is also academy award winner Emma Thompson (Emma Thompson).
The film invited two-time Oscar winner Jenny Beavan to customize 80 exquisite costumes for the two "Emmas", from vivenne westwood, bodymap, alexander mcqueen, jean paul aultier to dior, recreating the fashion trends that swept Britain in the 70s, and greatly matched the fashion status of "The Devil In Prada" and "The Phantom Sewer".
※The following contains spoilers※
Gorgeous reproduction of the streets of England in the 70s
Set in London, England in the 1970s, punk rock dominates the streets, Kuira's main business is a professional thief, sometimes wearing a mink hat, leopard print, holding a puppy, and dressing up as a group to steal.
Sometimes pretending to be a wealthy high-society woman flees the crime scene carrying a capucines cross-body bag of lv. (After all, Sister Stone is Louis Vuitton's spokesperson)
Kuila's makeup is mainly a reference to the "mother of punk" rock singer nina hagen (Nina Hagen).
△ nina hagen
The costume pays homage to the work of British designer Vivenne Westwood.
Known as the "Queen of the West," vivenne Westwood is known as the "mother of punk" in fashion, and in 1971 she and her husband, Malcolm McLaren, a member of the sex pistol band, founded the let it rock clothing boutique.
The following year, the storefront was changed to "too fast to live, too young to die" (live too fast, die too early), and later designed costumes for the sex pistol band formed by her husband, which was the most popular and fastest-dying band in Britain, and really carried the punk spirit to the end.
The professional thief has a dream of a fashion designer, with a fake resume, the pseudonym Estella successfully joined the well-known British department store Liberty as a ... janitor.
In the film, Estella joins the real liberty department store, located in Regent Street in London's West End, a high-end department store that is about to turn 150.
While working at the department store Liberty, grab a drink and get started disassembling the window dress, which is also modeled after designer Vivenne Westwood.
The dress successfully attracted the attention of the baroness, a great British designer, and Estella became the baroness's design assistant, wearing a red wig and glasses, and a well-behaved black professional suit to work in the baroness's studio.
The Countess's studio scene is based on the Dior studio in Paris in the 70s, recreating the grandeur of the golden age of fashion.
The top countess of fashion design came from an aristocratic background, but in private she was an arrogant, cold and vicious woman.
The film first appeared in the home of the queen theme dinner, the dinner directly used a lot of 1960s makeup and accessories, exaggerated but gorgeous, when Kuila was still a child.
When Kuila grew up, the Countess's style was inspired by the dior design of the 70s, wearing a floral silhouette dress.
In terms of style, Joan Crawford and Elizabeth Taylor are references, both hollywood celebrities with a variety of styles.
During the lunch break, you should also wear a golden light, and use warm brown and warm gold as the main colors to create a low-key luxury of the old money family.
A must-have full set of de beers jewelry.
The glasses that appear in the play are all custom-made by british handmade eyewear brand Tom davies, and designer Tom davies found photos of liberty department stores in the 1970s, customizing more than 120 pairs of glasses for the entire film based on the glasses worn by customers at the time.
The glamorous Baroness did whatever it took to gain fame and fortune by snatching Kuira's designs and drawings for her own work, and Kuira was surprised to discover that the Baroness was her mother-killer. New grudges drove Kuira to seize every opportunity to steal her fashion fame and status.
A gorgeous fashion circle pinnacle showdown
Kuila's revenge plan is actually a headline battle, and the Baroness often invites British social celebrities and well-known media to participate in various themed parties and promotional events held by her family in order to continuously consolidate her own reputation.
Kuila's purpose is only one: to destroy!
When the Baroness came to a black-and-white themed party, Kuira entered in a hooded white robe.
A fire was lit under the gaze of a VIP spectator
A handful of white robes that burned off his body revealed a gorgeous and sexy red dress, accompanied by a stunning appearance in the background music of the deep purple band "hush".
This flaming red dress is a 1965 design by the baroness who was bought by Kuira in the medieval store, challenging the design authority of her predecessors with her own more daring design transformation.
The red dress is inspired by a red "tree skirt" made by the 20th century dress master Charles James, which spirals up like a trunk and branches, and has a strong sense of shape.
Or in front of a large number of media, directly lock the baroness in the car, jump directly on the roof of the car wearing black boots, and "bury" the seniors at the bottom of the skirt.
The military petal gown was the most time-consuming piece of wear in the film, and the designers remodeled a military coat using pins, epaulettes, and chain elements in a style similar to Alexander McQueen's "Dante" collection for fall/winter 1996.
The skirt that is large enough to cover the car is up to 12 meters long, and contains a black and red two-layer Eugen yarn skirt.
The outer layer of red petals is made up of 5,060 hand-stitched Eugenza rosettes.
The most successful one to grab the headlines was the "garbage dress".
Kuira, who popped out of the garbage truck, walked through the streets wearing broken newspapers, old clothes, and dresses sewn from garbage bags.
There is a British proverb: one man's trash is another man's treasure. Don't look at your baroness who used to be so beautiful, and now she has lost to my unknown Kuira!
The design of the newspaper skirt is derived from the runway dress designed by John Galliano for Dior in 2000.
The Baroness openly snatched Kuira's personal design work, and in order to educate this shameless industry senior, Kuila put worm eggs in the string of gold dress beads she sewed, and on the day of the press conference, hundreds of moths danced and directly drove away the guests.
The Golden Robe is a reference to Alexander McQueen's Spring/Summer 2010 design, and the season features a large number of architectural and animal-patterned dresses that echo this episode of the film.
The media and guests who were scared out of the show met Kuira, a cool girl dressed in leather and riding a motorcycle, with the English the future painted on her face.
Shoulder-padded leather jackets and sequined pants have tire elements that match the motorcycle theme.
The best way to ruin a person is to hurt her beloved, and Kuila steals the Baroness's spotted dog and designs a spotted fur coat out of spotted fur (without actually killing the dog, of course).
The asymmetrical coat echoes her black-and-white hairstyle, and the interlude is punk band the stooges' "i wanna be your dog," super sensual.
At the charity dinner party with the ultimate duel with the big boss, Kuila wears an alien shoulder-cushioned little black dress full of dangerous sexiness.
One choker that Kuila often wears in the film is the jewelry London designer Maddy Moxham's personal brand moxham, which is sweet in style and specially custom-made black edition necklace for the film.
Kuira, who has a talent for design, continues to slide into the abyss of evil, and the blade pad shoulders and tight leather coat are the cold armor of vicious women.
Disney Super IP in 1956
Adapted from a 1956 novel by Dody Smith, Black and White Witch: Kuira was remade in 1996 and 2000 into live-action films 101 Real Dog and 102 Loyal Dog, starring Glenn Close, the wicked cuela of the American drama "The Rift" series, and costume stylist Anthony Powell, who was famous in the industry for 3 Oscars, leaving a classic image in the film industry.
Black and White Witch: Kuila is a prequel to the above two films, mainly telling the story of Kuila before she became a fashion designer. The stylist of this collaboration, Jenny Biwan, also holds the Oscar and participates in the production of many film and television works that we are familiar with.
△ "The Nutcracker and the Four Kingdoms"
△ "The King's Speech"
△ "Emma"
△ "Sense and Sensibility"
△ Mad Max 4: Fury Road
Jenny Bevan has been nominated for the Academy Award for Best Costume Design 10 times and won two awards for "Room with a View" and "Mad Max 4: Fury Road".
When she received the job invitation from "Kuila", Jenny Biwan was 70 years old, and under the 10-week construction period, she led the team to complete the whole process from inspiration collection, design drawings to tailor-made, and only designed and produced 80 sets of exquisite costumes for the two heroines.
I love what costume stylist Jenny Bevan said: "I'm not a fashion designer, I'm a storyteller who uses clothing." "In film and television dramas, this is not a profession that requires care and technology. end
Text: Lin Xi alice, exploring fashion aesthetics, recording inspired life, the article is included in the public account "Xi You Column"