How rare is it for a long comic to have a normal ending? From the previous "Grim Reaper", "Naruto" to the current "Attack on Titan", these popular long-form comics have not escaped the ending, we originally expected the ending to raise the main body of the manga to a higher level, let us experience the true charm of the work, but did not expect to give us an inexplicable big happy, unreasonable outrageous ending.
I thought that "Attack on Titan" could escape this fate, and in the recently released Episode 139 of Attack on Titan, I also told us that even the Giants can still rot the tail, and the one who can draw a wonderful reversal that countless people have not been able to think of, at the end, it is still Jiang Lang who is exhausted, so that Allen endures all the pain and then draws a rather ugly end to this work with a clichéd big happy ending.
Isn't there a long-blooded comic that can escape this bad ending? There is really one, that is, "Fullmetal Alchemist", after "Attack on Titan" gave such an ugly ending, the south wind I once again experienced the charming charm of "Fullmetal Alchemist", the plot is not only incredibly compact but also quite smooth and reasonable, let people see the direct call, and the rare thing is that "Fullmetal Alchemist" has a perfect ending with a super conscience to elevate the plot!
What kind of work is Fullmetal Alchemist? Juvenile hot-blood anime is the biggest label of this work, but Nanfeng also wants to extend it in this regard, in Nanfeng's view, this is not only a juvenile hot-blood anime, but a textbook-like juvenile hot-blooded anime! It teaches all hot-blooded anime a lesson in what a hot-blooded anime should be, how it should develop, and how it should end.
Why? Because under the label of juvenile blood in this work, it contains the author's thinking about the nature of life, the greed of human nature, desire, cunning and affection, integrity, and perseverance, and the whole work is promoted by the plot of juvenile blood, constantly showing us these profound ideas, and it is really because of this that "Fullmetal Alchemist" can become a classic in the classic.
We originally thought that "Attack on Titan" would also show us Isayama's thinking about these things, but from the last 10 words, we can also know that our expectations for Attack on Titan are still too big, and this work is also blown too much.
The most difficult and valuable thing about "Fullmetal Alchemist" is that the plot implements the core of this work from beginning to end - the equivalent exchange, the equivalent exchange is the core of alchemy, if you want to train something, you must hand over the corresponding items. This core idea is also reflected in the characters in the story, where the wicked pay the price for the terrible things they do, and the good people are rewarded for what they do.
Also surrounding the core of the equivalent exchange is that the rigor of the steel in the plot, from beginning to end the protagonist is not a genius, they can not rub out of thin air a big spiral pill, nor can they suddenly grasp the mystery of the rebirth of the dirt to pull the former wisdom giant into their own camp, the protagonist Edward brothers are relying on their own courage and their own price to obtain the only ability to fight, to change the tragic ending,
I think that the south wind was also a giant blowing ah, the south wind also expected that "Attack on Titan" can surpass "Fullmetal Alchemist" to become the new peak of the juvenile hot-blooded anime, but the giant proved with the 139th episode - steel, forever dripping God!