The 46th Hochi Film Awards, which marks the start of this year's film awards race, were announced on The 30th. Takuya Kimura, 49, who played a detective who became a hotel man and undercovered him in "Masquerade Night" (directed by Masayuki Suzuki), won the best actor award. He was pleased with the achievement of the milestone year, which celebrated its 30th anniversary in 1991, saying, "I'm very happy with so many actors." The award ceremony will be held in Tokyo in the middle of this month.
The awards of the "46th Baozhi Film Awards", which kicked off this year's film competition, were announced on the 30th. Takuya Kimura (49), who won best actor for the first time, played the role of Masquerade Night (directed by Masayuki Suzuki) as a waiter who once again sneaked into a hotel for murder. Regarding the good news at the node of his debut in 1991 and the 30th anniversary of his debut, he said happily that he was "very happy to be lucky to win awards among so many excellent works and actors." The recognition ceremony will be held in Tokyo in the middle of this month.
Kimura spun words in a puzzled way. "I'm very happy to have you chosen it with so many works and actors, but what is it? I didn't often exist for these selections."
Kimura seemed a little overwhelmed. He said, "It's a pleasure to get a lucky winner among so many great works and actors." But, how to say it. Because I don't have much experience with such campaigns. ”
The second film of Keigo Higashino's original novel. The corona disaster has completely changed the world since the release of the previous work "Masquerade Hotel" (January 2019). I can't talk to my co-stars satisfactorily. There was no "high five when I was able to take a good cut" or "a hug of tiredness". The scene of the final party was also revealed, "It looks gorgeous and sexy, but the scene was relatively tense and it was a shackle."
A sequel to a film adaptation of Keigo Higashino's original novel. Since the release of the previous work,"Masquerade Hotel" (January 2019), the world landscape has changed due to the impact of the epidemic. Nor can you talk to co-performers casually. There are also no "high-fives when a good shot is taken" and "hard hugs". The scene of the final stage of the party "looks gorgeous and sexy at first glance, but the scene is still more tense." Very stressful. ”。
Kimura-style does not stop challenging even in adversity. The argentine tango, impressive in the play, made a weak noise in the first lesson, saying , "No, this is not it". Did you polish dance when you were an idol? When I asked so, words came back vigorously.
What does not give up on challenge even in the face of adversity is Kimura's belief. The impressive Argentine tango in the play, on the first attempt, said the discouraged words "No, this can't work". Didn't the idol era hone dance? After asking this question, Kimura answered with great momentum.
"At all, the dance that I've been yingling at the edges was never put to life. I've been going around and stepping alone, but tango is different. How can you make the other person look beautiful?" When I said that, I played my fingers and chopped a beat. "We were dancing on the music, but tango music was just a backdrop. Be delicious, painful, sad. Spin a moment of life with sound as the background. It was like "body" fell from the eyes, not "scales from the eyes."
"Not at all. The dances I had previously learned were completely useless here. Although I can walk in circles alone, tango is different. How can I make the other person look more beautiful? ”。 With that, he snapped his fingers to the rhythm. "We danced to the music. But tango's music is just a simple foil. It's loving, it's painful, it's sad. With music as the background, weave a moment of life. Not suddenly, but confused. ”
He has left many works that have been handed down as "audience ratings men", but this work was also "the best". "It's rare in Japanese movies, and it seems like a festival, and I like the site again."
Kimura left behind many high-rated works, and this work is also the "best". "It's rare in Japanese movies and it feels like a festival. Loved the scene again. ”
The "origin" of acting is the first stage "Guide Dog" (1989). In the harsh guidance of the late Director Yukio Ninagawa, "I was bald, let alone my hair turn white , I didn't like it anymore." At the heart of Ninagawa Ism, who has been at the forefront for more than 30 years, is the one who values the field. "A professional craftsman welcomed me, 'What is your skill?', and if you respond to it, 'I'll make the best light' and 'I'll take it without missing it.' You'll think it's hard until late at night, but I'm doing it. I'm determined. In the end, we're just having fun while acknowledging each other."
The "origin" of acting is the first stage play "Guide Dog" (1989). For the stern guidance of the late director Yukio Kawakawa, he said: "Don't say that the hair has turned white, it is all bald. It's not the difference between liking and not liking anymore. ”。 For more than 30 years, I have been at the forefront because of the influence of the Kawa Society, which attaches great importance to the scene. "Professionals greeted me and said, 'How is your craft?'" In order to respond to his words, I will 'create the best light', 'never miss every scene', and so on. From someone else's point of view, it feels hard, but I do it because I want to do it. Enlightenment is already done. In the end, it's just mutual recognition and enjoyment. ”
Sometimes it's called "Kimtaku no matter what you do," but it's also the flip side of being unique. "Rather than any role, I want to be called up to any site." His words and attitude remain the same. That's why Kimura has always been at the top. (Yumi Tanaka)
It is sometimes said, "Whatever you do, it's Takuya Kimura," but this is also the only antithesis of existence that is unique. "It's not so much about what kind of role it is about being called in any scene." His words and attitude have not changed. Because of this, Kimura has always been at the apex. (Yuji Tanaka)
▼ Some people recommended the Best Actor Award, Tsuyoshi Ayano, Junichi Okada, Ken Sato, and Masanori Sugata, but it was decided by Takuya Kimura, who gathered a large number in the first vote. "The astringency increases and the scent of a mature man smells, and the gorgeous movie was supported by one expression" (Mijo), "The gorgeousness and presence jumped out" (Araki)
▼ Among the best actor nominations were Tsuyoshi Ayano, Junichi Okada, Ken Sato, and Shoko Sugata, but in the first vote, Kimura Takuya had the most votes. The astringency increased, and the scent of the mature man was emitted. Acting skills underpin gorgeous films. (see City), "Gorgeous and presence outstanding." (Araki)
In order to elucidate the serial murders of Masquerade Knight, Detective Kosuke Nitta (Kimura), a detective in Investigation Division 1, infiltrates a top-notch hotel. Nitta, who doubts the guests, and The Unique Buddy of Masami Yamagishi (Masami Nagasawa), a hotelman who believes, challenge the difficulties that occur in extraordinary special spaces.
◆ In order to solve the continuous murder of Masquerade Night, Kosuke Nitta (Kimura), a criminal police officer of The First Class of Search, sneaks into a super-first-class hotel. Suspected travelers Nitta and hotel staff Member Naomi Yamagishi (Masami Nagasawa) who believe in travelers form a unique partnership that will challenge difficult cases that occur in special spaces that are not everyday.
This translation is original in Hujiang Japanese and is prohibited from being reproduced without authorization.
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