All the way down the combination of "Comedy Competition", the best look is The group of Jiang Long Zhang Chi, each work is wonderful, the reality and effect are very good, and the performance is impeccable. Their comedy laughs with tears, thoughts, and emotions, and so far this variety show makes me like the most.
"Ten Years of Gong Under the Stage" is about Zhang Chi's original intention, cleverly using the crossing stem, this work sees Zhang Chi's own life, when he was a child, he did not work hard to immediately reflect it, and the title "Ten Years of Gong Under the Stage" was vividly expressed. At the same time, the love and persistence of the characters' hearts are becoming more and more valuable after the cramped contrast under the collision of the times. The skit is light in rhythm, but it touches the hearts of every audience with a sharp heart.
When I was a child, I always missed drama, my original dream, but when I grew up, I was tempted by various livelihoods. I burst into tears when I watched it, and I was actually moved, and finally I burst into tears with him. I couldn't help but think, and then I was sad. Feel that dedication to love. But what really makes me feel interesting is Jiang Long's character, with background, plot, and paving turn.
In fact, the life in the play is 108,000 miles away from our lives, but their way of expression, Jiang Long kept saying, then I am more serious, then I try a little harder, and then the tears come down.
Although the "big me" in the sketch is on the stage of thunderous applause, jiang Long's kind of juvenile characteristic, confident, arrogant, lively and hopeful when he plays "little me", the audience is looking forward to the talk show he is forced to choose for his livelihood, and at that moment he is in a trance, as if the audience under the stage wearing a costume is looking forward to the "big me" of the horned child. "Big Me" felt that he had lost something, and he found out under the surprised eyes of the audience that he had practiced Countless times in Peking Opera.
Sacrificing the "small me" and achieving the "big me" is a special classic, and the lines are designed naturally. For many people, the ideal is too far away, and as for the original intention, it is not something that many people can remember after thirty or forty years.
The entry and exit of the general just correspond to the beginning and end of the crossing, and the background sound of that section of Peking Opera gradually sounds, which is quite the mood of the final end of the overlord Bieji. Many people are making excuses for changing their original intentions, which is nothing to blame, life is forced, we are not perfect. But there are always those people who remember the original dream, and chase it to the end, that kind of life, is more precious.
Jiang Long's performance space is very large, he has played a six-eared macaque in a certain version of "Journey to the West", and his performance is very good, and recently his white wave in "Wind Rises Luoyang" has also been noticed by everyone, which is the work that professionals should hand over to the audience. He and Zhang Chi are very good actors, and the training of the class may not necessarily make them popular, but it will definitely make them lay a good foundation and shine in all the role interpretations.
In "The Last Lesson", Jiang Long was frightened by the moment when Zhang Long suddenly came out of the garbage can, first instinctively leaned back, obviously stared at the garbage can for a few seconds, and then the expression gradually relaxed, thinking that the psychology that might not appear again was transmitted through the faint expression of facial muscle relaxation, and the actor's play was too delicate.
In the same way, in "Girlfriend Is Coming", when I heard Jiang Long say that the hip-hop god was the two of them, that surprised expression was really too divine! The apple muscle, which had been excited, suddenly fell. "Girlfriend is coming" This episode is too funny, they also played on the stage to survive the fun, Jiang Long Zhang Chi Wang Hao has an audience, especially liked, Ye Liu came more full, brushed several times, very decompressed.
In the annual comedy competition, Jiang Long and Zhang Chi, two actors, are very prominent and can also be professional singers. Not only is the acting good, but the singing is also quite good. Combining pop music and opera is inherently a bit difficult.
Their other work, "This Killer Is Not Cold", is very comedic, and the performance of the two is very precise, from body language, expressions, and even to the level of singing and the position of the dance. All in all, the two of them used their hearts and strength to perform a good drama.
Originally thought that this time to seal the gods, the result of the next time there is better, each time in the transcendence, after watching the third you will feel that this is the pinnacle, Jiang Long and Zhang Chi's program can each be optimistic many times, the whole laugh can not stop.
The show of the two of them is obviously one notch higher than the others, there is no network hot stem, no rough sensationalism, and there is no squeezing eyebrows to make you laugh. The three works are all jokes generated by the plot, and the control of rhythm and details is very in place. Their works should not be in the current row, they are all stocks that have been polished for a long time, but even so, it does not prevent them from being the first place in my heart.
I hope that they can get a bigger stage, a bigger opportunity, this level is worth being seen by more people, and I sincerely hope that they can have the opportunity to create more and better characters.