History is the memory of things that have been said and done. —Carl Baker
On February 6, 26th year of the Republic of China (1937 AD), a man and a woman with an age difference of more than ten years held a special wedding. In the south, the daughter is Aisin Kyora Pujie, and the woman is Saga Hiroshi. On the one hand, the former Manchu Qing Dynasty Debele, who was the younger brother of Emperor Puyi, and on the other side was a close relative of the Japanese Emperor, the daughter of the Japanese Marquis.
At this time, it had been five years since the establishment of the puppet Manchu regime in northeast China. Later, the Japanese instructed the puppet Manchu government to pass the new "Imperial Succession Law": after the death of the emperor, the throne was inherited by his son, the childless were inherited by his grandson, and the childless and childless were inherited by the sons of their brothers. As we all know, Puyi has no fertility.
The political significance of this wedding is not very obvious. The men and women in the wedding were each a puppet of the Japanese government, Saga Hiroshi was young and beautiful, and Pu Jie was already a wife and thirty years old uncle. What girl would willingly marry in such a situation?
After this wedding was held, the only happy person was Pu Jie's original match - Tang Yiying. She was born in 1904 to a family of Manchurian red flag bearers. The two aunts in the family were the Guangxu Emperor's Concubine Zhen and Concubine Jin, who had been very favored since childhood. If it were not for Concubine Jin's obstruction, she might still be able to achieve a marriage with Puyi.
However, although he did not have a relationship with Puyi, he still married the Ai XinJue Luo family. That is, Ai XinJue Luo Puyi's younger brother Ai Xin Jue Luo Pu Jie. In 1924, the two married, still according to the old feudal wedding process. Tang Yiying did not like to love the Xinjue Luo family, she felt "gloomy" and "lifeless".
And Pu Jie, who happened to be 17 years old, did not like Tang Yiying, who was three years older than him, and Pu Jie once said when recalling this marriage: I could not disobey my mother's will, I was like a puppet to meet the marriage and complete this inexplicable marriage. Therefore, in the case of two looking at each other, the marriage of the two people exists in name only.
But Tang Yiying doesn't care, she cares about what this marriage does? Anyway, it is not what she wants to marry, and she is happy and happy every day, and there are countless lovers. In 1926, Pu Jie dismissed Zhang Xueliang because he wanted to restore, and Tang Yiying met this famous young marshal. She was very excited, and directly took out and posted all the scraps of Zhang Xueliang's news reports in recent years.
Loved by a young woman so passionately and boldly, how the young marshal resisted. The two soon got together, and in order to capture the young marshal's heart, she invited the famous poetry paintings to polish her and polish the poems. The young marshal really began to fall deeper and deeper, and the two began to fall in love.
In 1931, the northeast fell completely and the puppet Manchu regime was established. Pu Jie wanted to go to the northeast, but Tang Yiying, who liked to have fun by nature, did not agree to go to the northeast at this time. Pu Jieben didn't want to care about her too much and went with it. At this time, Tang Yiying was even more arrogant, and he was glued to with the young marshal every day, but when the tiger cub in the northeast felt that he had found his partner and moved his heart to marry, Tang Yiying, the flower butterfly, looked at Lu Xiaojia, the son of the great warlord of Zhejiang.
Even in order to be with Lu Xiaojia, she called for a large truck to steal a large amount of gold and silver jewelry from the Forbidden City that Puyi had transferred in prince's palace, and she was happy and happy. So of course, Pu Jie divorced her because he wanted to marry Saga Hao, how happy should Tang Yiying be in her heart?
But after the divorce, there was no peach news to come out. Instead, she began to really concentrate on painting on her own, and her paintings were influenced by court paintings, and her handmade strokes were surprisingly outstanding. With this, Tang Yiying became a famous painter. In 1947 she went to Hong Kong and became a teacher at the Oriental Language School.
After that, there was no story of her, and this famous woman lived a life that other women did not dare to think of. And Pu Jie is also a relief after he leaves. After the fall of the puppet Manchu regime in 1945, both Puyi and Pujie were imprisoned in Fushun, China. Saga Hiroshi took her and Pujie's two daughters back to Japan to live alone.
However, he has never remarried, and under many pressures, he has been raising two daughters alone. After receiving Pujie's pardon, she went to China after all kinds of hardships to join the Chinese nationality and reunite with Pujie. Then he stayed with him until he was old, hand in hand for a lifetime.