Li Bai's "look up at the bright moon, bow your head and think of your hometown" is just a few words, which simply and clearly express a kind of longing for your hometown. Formally, this is perhaps the most straightforward "homesick" sentence.
In fact, the emotions of this world, no matter in what way to express, can stimulate the resonance of readers to a certain extent; however, different ways of expression, the charm reflected is different, which is also the different role of diversified "text means".
The "bluntness" of Li Bai's "Quiet Night Thoughts" has strength, and the "implicitness" of Zheng Gu's "Singer on the Table" is also explosive.
Reading Zheng Gu's "The Singer on the Table" was deeply moved, so Shi Xiang simply took it as the object of sharing in this issue.
Singers on the table
Zheng Gu
The Flower Moon Tower is nearly nine qu, and the Song of Qing song is poured into a golden pot.
There are also Jiangnan guests in the seat, and Mo sings partridge to the spring wind.
Zheng Gu's poem, although it cannot be praised in terms of technique, it is also appropriate and ingenious, it expresses homesickness in a euphemistic way, and when we put ourselves in the shoes of taste, we feel that it is indeed very unusual and full of charm.
The opening sentence of this poem creates a beautiful scene: the flower moon tower is nearly nine qu; the bright moon, flowers, building platforms and bustling streets form a picture, which makes people read it as if they have seen the festive scene. In this sentence, the author first sketches the night appearance of a corner of the urban Chang'an City from a visual point of view, and at the same time naturally cuts the theme from the content. Such a joyful and lively scene and atmosphere is also extremely appealing to the reader, and I believe that everyone will involuntarily make a series of associations.
The lively and festive scene is certainly indispensable to singing and dancing, and it is indispensable to stagger the chips, so there is this layer of description in the sentence: the Song of Qing song is poured into the golden pot; this is a further supplement to the banquet scene, the previous sentence is the main visual, and this sentence is the main hearing, focusing on the use of song and dance to reflect the grandeur and liveliness of the scene.
Every time the singers sang a song, the people present would pour a drink. There are no more specific character movements and expression portrayals, and with this simple introduction alone, we once again see the joy and richness of the feast.
There are many layout methods for writing poems, such as first scene after love, first discuss the scene after the scene, first suppress and then Yang, etc., then Zheng Gu's poem uses the way of first scene after love, first Yang and then suppressed.
Jing Zhiyang already has it, so what about love? Of course, in the last two sentences: there are also Jiangnan guests in the seat, and Mo Xiangchunfeng sings "Partridge"; in the song and dance, in the full seats of high friends, some people cannot be happy, and this person is the author himself. Why wasn't he happy? Because he was a wanderer, he couldn't really fit into this lively scene.
Hometown is a piece of softness in everyone's heart, when you are in another country, maybe a small thing, a scenery, a song... It all evokes our homesickness.
The author expresses his homesickness here, attributing the reason to the song "Partridge". The rhythm of this piece is extremely poignant, and the object "Partridge" symbolizes the meaning of "South Fly". So when the author hears this song at the feast, he can no longer hide his sorrow. However, the author did not directly explain how he missed his hometown, but expressed it euphemistically by persuading the singer. Because of this, when we understand the identity of the author, when we read it in combination with the overall content, we will find out how strong the emotion expressed in the last sentence is.
The author can't get rid of his homesickness, so he's afraid to hear the melancholy "Partridge." In the sentence, "Mo Xiang" expresses affirmation in a negative way, which precisely shows that the author is extremely homesick, plays a role in setting off and sublimating emotions, and the charm of such expression is more resistant than that of straightforward expression.
In fact, on closer examination, the author's homesickness lurks in his heart all the time, and the lively feast and the poignant "Partridge" are only superficial factors, which we can all analyze through the content of the whole poem.
We said earlier that this poem adopts a layout method of first raising and then suppressing; how cheerful the atmosphere in front is, how low the emotions of the characters in the back are, the two form a very sharp contrast, the former sets off the latter, making the latter more sincere and moving; this is also the highlight of Zheng Gu's work.
People are cocooned in other towns, how can they be even more devastated by a song; dear officials, after reading Zheng Gu's "The Singer on the Table", how do you feel? You may wish to leave a message to talk freely and communicate with everyone.