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(1) Light dyeing method
The light dyeing method corresponds to the re-dyeing method, and its hooking and dyeing methods are the same, the difference lies in the use of color, and the light dyeing method is slightly rendered with a thin color, and the color is light and elegant.
In terms of painting method, the light dyeing method mainly adopts techniques such as hooking, dyeing, and halo, and the ink color of the hook line should be lighter, and the undulating changes of the lines should not be too large. After the completion of the outline, the structural relationship between the flower and the leaf is expressed by the method of sub-dyeing, and then the level of the flower and the leaf is enriched by the method of blending. Finally, add the flower buds and leaf veins.
"Parrot Peach Blossom Diagram": This work uses peach blossoms to set off parrots, and expresses the charm of peach blossoms and the cuteness of parrots through the contrast of colors.
The use of light dyeing can better show the delicacy of peach blossoms, and parrots use the method of thinly applying three greens after applying a thin juice green foundation many times, which can make the color of the parrot both layered and varied. After painting, choose the appropriate position to drop the model and print.
(2) Re-dyeing method
The re-dyeing method uses the method of outlining the dyeing, and mainly uses mineral colors, and the color is relatively thick. The heavy dyeing method should be done in the thin and thick, thick in the thick, stained without exposing marks, shallow and natural, and avoid dirty, flowers, spots, dryness, fire, greasy and other problems.
Drawing method: first use the pen to outline the shape, the ink color outlined should not be too thick, use the line to be symmetrical, and pay attention to the interspersed relationship of the line. The coloring of the flowers can first be covered with a layer of color by the method of flat coating, so that the color of the flowers can be thick and heavy. The leaves are stained with veins by means of staining. On this basis,
Flowers can be divided, and attention should be paid to showing the layering and richness of flowers when coloring. After the completion of the staining, if you feel that it is not thick enough, you can also cover a layer of color, but pay attention to each time you color, the color should be thin and uniform, prefer to go a few times, rather than rush to achieve.
"Yu Meiren": Yu Meiren is impressed by the brilliance of its colors and the grace of her shape. The composition of this sketch is densely detailed below to set off the charm and charm of Yu Meirenhua, and the technique is re-dyed. In order to change the picture, different colors and coloring techniques were used for flower coloring, and the color of the leaves also noticed the color changes on the front and back.
(3) Hook and dye method
According to different objects, the appropriate ink color is used to hook, and then the method of layer dyeing or dyeing is used to apply color, but it is necessary to ensure that the color does not invade the ink. It is characterized by paying attention to the rhythm and rhythm of the lines of the objects, the colors are bright and full, and it is rich in certain decoration.
The biggest difference between the hooking and dyeing method and the light dyeing method and the heavy dyeing method is in the outlined lines. The hook and dye method emphasizes the change and rhythm of the line, and different objects must be expressed by different ink colors and textures. Generally speaking, because the flowers are more delicate, the ink color should be lighter than the ink color of the leaves, and the texture of the lines is more feminine. After the hook line is completed, the coloring method is the same as the light dyeing method.
"Hibiscus": This sketch shows a blooming hibiscus flower, the picture is full, and the three blooming hibiscus flowers are arranged in a two-way way, which has both changes and echoes.
In the choice of color, the middle of a hibiscus flower with a slight adjustment of akebode vermilion to set color, using the technique of layer dyeing and hood dyeing, the other two hibiscus flowers are first dyed with akebono, and then dyed with white powder, so in the performance of the line should pay attention to the change of ink color and the rhythm of outlining.
(4) Ink dyeing method
This is a form of brush stroke expression that expresses the thickness of ink on the image depicted. Ink dyeing method is preferable to be light and elegant, if the area of heavy ink used is too large and too much, it will make the picture have a sense of dullness. However, it is also not possible to lose consciousness and be suitable for thickness and lightness, so as to have a fresh and elegant style.
The biggest difference between the sketching of the ink dyeing method and the above three brush stroke methods is that it is not the method of drawing lines for all the images depicted, but there is a choice. Generally speaking, flowers are first hooked and then dyed; leaves are directly represented by ink color. The main leaf veins and shapes of the leaves can be displayed by the method of staining, and then other leaf veins can be colored, and finally according to the effect, a thin layer of ink color can be thinly layered with a cover or halo method.
"Orchid": Orchid is loved by people for its clear fragrance and remoteness, and the expression of orchid is to express its cold and cold temperament. The color of the orchid is relatively simple, so this work uses the expression technique of ink dyeing,
Through the contrast of black and white, a combination of outline and blending is used to express the firmness of orchid leaves and the delicacy of flowers. The arrangement and combination of the front and back of the orchid leaves must be orderly, changeable and not chaotic. Since this work is a middle-of-the-road trend, the falling paragraph is written on one side, which is a method of seeking change in peace.
(5) No bone method
The boneless painting method is a kind of expression method that does not use ink pen as bone, but directly depicts objects and images from color. The biggest difference between it and gongbi painting or heavy color painting is that it is fresh and unworldly, and it is not suitable for repeated smudgeing, while miao will appear in one or two strokes, and the image will be vibrant.
Because it requires the pen to be clean, the color to be clean, and the painted image to be clear and vivid, it requires the painter to have a good ability to perceive and express objects. If you are not sure, you need to start the draft first. When painting formally, the drawing can be lined on the front of the formal drawing so that the painting can be calmly coped with. When painting, use a pen to dip the color directly, and when you go down, you can dye your feet with another clear water pen when you are not enough.
"Peach Blossom": Peach blossoms are loved for their charm and beauty. This work uses one side oblique to show the graceful posture of the peach blossom, and the use of the boneless law can better show the fresh and feminine temperament of the peach blossom. Draw the trunk first,
Then draw flowers and leaves, make up minor branches, add flower holders and flower buds. When painting flowers, we should pay attention to the attitude of the flowers, and there should be changes in shades of color, so that the flowers will be vivid and natural.
(6) Falling ink method
The so-called falling ink is to draw the front and back convexes of branches, leaves, rudders and calyxes at the same time, first with an ink pen and a hook and dye the ground at the same time, and then slightly add some colors in some parts.
The falling ink method is mainly used to represent leaves. When painting, first use the ink pen to dot the stack, and then the pen is dipped in color to make up for the lack of ink and pen, and the ink color needs to be full. The beauty of this painting method is that the interconnection and echo of color and ink can make the object of expression rich and vivid.
"Cherry Feathers": This work uses diagonal composition techniques, and the whole work is brought to life through the appearance of a bird.
The work uses the ink drop method to represent the leaves, first using ink to dot the leaves, and then dipping the pen in green to make up for the deficiencies. It is worth noting that when using the pen to dot the leaves, there should be a change in ink color, and it should not be treated equally. Painting a bird shows the look of a bird.
(7) Ink breaking law
The magic of the ink breaking method is to make the ink color penetrate and cover each other to achieve the effect of moisturizing and fresh.
There are two ways to break the ink, one is to break the light ink with thick ink, which is used more often. That is, first draw light ink, when the light ink will dry but not dry,
In some parts, it can be broken with thick ink, which can be broken with ink blocks or ink lines. The other is to break the thick ink with light ink, which is not used much, that is, to paint with thick ink first, and when the thick ink has not dried, use light ink to break. The ink breaking method is used well to make the thick and light ink colors naturally penetrate and merge, and produce many unexpected effects.
Tianzhu : This work is composed at an oblique angle, with the aim of gaining momentum. The color of the work is relatively simple, only a small amount of vermilion color and the red of the seal are used to echo, and the color of the leaves is controlled between the ink color and the ink green, which can show the vividness of the tianzhu fruit.
When drawing leaves, it is necessary to control the moisture and time, and the ink breaking method can be used in the appropriate part to make the expression of the leaves richer. Before painting, it is advisable to nourish the qi first, so that the whole painting can be written when it is in the chest, so that the works expressed can be smooth and vivid.
(8) Splash ink method
"Splashing ink" means that the pen is full of ink, or point or brush, ink dripping, and majestic. It can also be used for splashing, called splashing.
There are two ways to express the ink splash method, one is to thicken the light, and the other is to pour the thick with light. The biggest difference between the splash ink method and the ink breaking method is that the pen of the splash ink method is more bold, and the use of the pen is greater, and the effect of the pen and ink is full and the ink is dripping.
"Lotus": This painting chooses to represent the corner of the lotus flower, using the method of corner composition, so that it can better show the style of the lotus flower in a limited space. The leaves of the lotus flower are splashed with ink, and can be used in the method of thick and light or light.
Sometimes, depending on the situation, it can be poured again, but it can be dried before pouring, which can make the leaf more layered. The lotus flower adopts the method of hooking, and the hook line should pay attention to the use of the pen to press the ups and downs and rhythmic rhythms. Finally, add a few brushes of reed grass to enrich the picture.
(9) Point stacking method
Also known as the dot cluster method, it refers to not outlining, but dipping the pen end into ink or color, the pen drops the paper and suddenly spreads out, and in a stroke, it is divided into thick and light, dark and light. Or first dip the color of A, and then dip the color of B, and when you put pen to the stack, there will be a color of A, B or a mixture of A and B. This method is mainly used to represent the leaves and petals of flowers. There are also those who write "dot stack" as "dot stack".
The key to the dot stacking method is dipping in color and using a pen. In order to pursue the change of pen and color, you can dip one color before dipping another color at the tip of the pen. When dipping the color, you don't have to make the tone very even, so that there are two color changes when a stroke falls. When using the pen, be clean and clean, don't repeat it. Also pay attention to the rhythm and weight of the pen.
"Pomegranate Flower": This sketch adopts an S-shaped composition, and the butterfly depicted in the painting is mainly to adjust the rhythm of the picture and increase the interest of the picture. Draw the branches first to determine the direction, and when drawing the branches, you must use a pen to affirm, and the pen can be faster.
When painting flowers and leaves, the pen does not have to be evenly dipped in color, so that there is a change. Although the butterfly occupies only a small space in the painting, it should be depicted with special care, because its performance will directly determine the success or failure of the work. Draw butterflies without a small brush, first determine the posture and then boldly write.
(10) Subtraction method
Corresponds to a "thin pen". The thin pen, also known as the work pen, belongs to the dense body, and strives to be meticulous and subtle, and the subtraction pen is the sparse body, and strives to be simple and concise, and can be discarded as much as possible. This is the technique of "taking the gods from the past", and more than one stroke will not be achieved, and one less amount will not be achieved. In the painting of flowers and birds, Muxi in the Southern Song Dynasty and Zhu Yun in the late Ming and early Qing dynasties are the best at this method.
The subtraction method requires simple shapes, vivid images, and as far as possible in a few strokes to show the object, so this painting method is extremely demanding. The composition of the subtractive brushwork is extremely exquisite, and often relies on the master's blank space to trigger the viewer's endless reverie. When expressing objects, as far as possible in one go, the shape is as general and concise as possible.
"Summer Elimination Chart": This sketch adopts the expression method of subtraction, mainly using different lines to express. A vast space is constructed through vertical and horizontal lotus branches, and the fun of the picture is enriched by a few songbirds perched on the branches. Although the subtraction method seems simple, in fact, each stroke must be repeatedly considered, to achieve more than one stroke is not successful, less is also difficult to achieve.
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