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The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

Above the church is the mosque, above the mosque is the Athens Royal Palace, above the Athens Royal Palace is the Gothic castle, above the Gothic castle is the Suzhou garden, the sky is dark, the black clouds press the city, all kinds of buildings are covered layer by layer, the transportation pipelines crisscross each other, the ruins stretch for thousands of miles, and the city is full of majestic huge mechanical bodies, which is the conventional world built in the BLMAE system.

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

The underlying reality is the abandoned material world, in thousands of years of human history, network information technology has long been developed beyond the realm of science fiction,

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

At the same time, the liberation of gene sequences makes fusion and more microscopic factor reconstruction possible, in order to allow humans to freely enter and exit the network ball, the laboratory has born a network genetic factor with a reconstructed material form and a network terminal genetic factor, so what is a network genetic factor, what is a network terminal genetic factor?

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

Network genetic factor is the medium that connects humans with the network sphere, humans with network genetic factors can freely travel back and forth in the network ball in the form of particles or superstrings, and the network terminal genetic factor is more powerful, it is the ultimate key to managing the network sphere.

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

However, in the crazy genetic experiments, some humans can not produce network genetic factors, some humans lose network genetic factors, so they can no longer establish a connection with the network ball, they are driven to the base world outside the network ball, they are called "illegal residents", the pioneers of these illegal residents found a place to live in the base reality, this barrel-like huge building was called "East Asian Heavy Industry" by later generations (familiar, Sidnia Knight)

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

Humans with cyber genetic factors remain in the cybersphere and gradually become transcendent beings – the Ruling Bureau, which has a strict hierarchy, while the members of the Ruling Bureau, who often travel between the cybersphere and the base reality, are called "security guards", who are responsible for clearing the "illegal inhabitants", and when they find contact and intrusion from the base reality, they will download to the base reality through the superstructure.

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

The network terminal genetic factors that override all genetic factors can suddenly not be synthesized, and the entire network ball cannot stop running, and the external supercomposites continue to decompose the earth's material for construction work, and eventually cover the buildings up to a hundred miles thick on the ground, but the carrying capacity of the cyber sphere is limited, and the continuous loading and operation of the supercomposite makes the data of the cybersphere grow exponentially, and if it continues like this, the cybersphere will collapse sooner or later, and the world will fall into a chaotic situation of unmanaged state.

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

The protagonist Wuhai is constantly shuttling through the basal real world in order to find genetic factors in the network terminal, which also triggers a special war with silicon organisms, security guards and the ruling bureau...

The pinnacle of industrial punk, the bottle is barely associated with his god BLAME

In the early days of the united States, he studied architecture, and his art skills were very strong, and his writing was smooth and flowing, and he was also unique in the construction background, he liked to combine American punk with Japanese characters, thus creating "BLAME! " and "Sidnia Knight" and several other industrial punk gods, his comics often design a set of extremely grand worldview and composition system, making people look dizzy and jumpy, but if you can follow the logic carefully, you will find that the cartoonist is worthy of the title of a rare god in the SF world!